Forwarded on behalf of James Leach: Here are some suggestions for an answer to exactly these questions about equality, ownership and collaboration across sectors, culture, disciplines.... See particularly the template agreement for those entering into such collaborations: http://newmedia.umaine.edu/stillwater/partnership/index.html On 2 Apr 2008, at 20:55, Jamie Wyld wrote: > The Collaboration Experience: > Working across Disciplines, Borders, and Attitudes > Cynthia Beth Rubin > > A discussion of the pitfalls and benefits of collaboration, drawing from > personal experience, and from discussions with other artists who have > collaborated in the creation of new works. > > New Media forms of artistic practice seem to be made for collaboration, as > artists can now merge varying elements pictorial, sound, and interface > elements, as well as working between 2D and 3D. Nonetheless, we are not > trained to be collaborators, and finding our way in this territory is not > always easy, as we face differing assumptions about process, aesthetic, and > ownership. In the growing global world, cross-cultural collaboration may be > the key to breaking down barriers between technologically advanced wealthy > countries and those artists with limited access to resources, but how can we > take that step in a way that keeps the conversation among equals? > > 10 April 2008 > Doors: 6.30pm > Talk and presentation of work: 7:30pm > At: Lighthouse, 28 Kensington Street, BN1 4AJ > Lighthouse Bar will be available for refreshments (Cocktail Happy Hour from > 6:30pm) > FREE entry > > For more information: http://www.lighthouse.org.uk/whatson/digiville.htm ___________________________________ Dr James Leach Head of Department, Anthropology School of Social Science Edward Wright Building, University of Aberdeen, Aberdeen AB24 3QY UK T: + 44 (0)1224 274354 E: [log in to unmask] W: www.jamesleach.net <http://www.jamesleach.net> RNN (http://responsenotnecessary.com) <http://responsenotnecessary.com/> RR (http://responserequested.com <http://responserequested.com/> ) Simon Biggs Research Professor edinburgh college of art [log in to unmask] www.eca.ac.uk [log in to unmask] www.littlepig.org.uk AIM/Skype: simonbiggsuk From: Beryl Graham <[log in to unmask]> Reply-To: Beryl Graham <[log in to unmask]> Date: Tue, 1 Apr 2008 14:16:45 +0100 To: <[log in to unmask]> Subject: [NEW-MEDIA-CURATING] Open Source and Open Systems. April Theme Dear List, Theme of the Month April 08 Open Source and Open Systems The relationship between Open Source production methods, and other kinds of production methods, or social systems, is in hot debate. The debate is informed by politics, ethnomethodology, social systems as well as art, but as Felix Stalder points out, "The openness in open source is often misunderstood as egalitarian collaboration². In April 2006 the CRUMB list discussed art and activism in relation to systems, but can we further explore this in relation to practical experiences of art projects? What are the practical differences between Open Source systems and analogue social systems? What are the practical differences between interaction, participation and collaboration? This month's theme is hosted by Dominic Smith, doctoral researcher with CRUMB, and co-founder with Sneha Solanki of the Polytechnic organisation <http://ptechnic.org/> Reference: Stalder, Felix (2006) ³On the difference between Open Source and Open Culture.² In: Marina Vishmidt with Mary Anne Francis, Jo Walsh, and Lewis Sykes (eds.) Media Mutandis: a NODE.London reader. Surveying art, technologies and politics. London: NODE/Mute. 194. Invited respondents include: Ele Carpenter has just completed her PhD with Crumb, and is currently facilitating the Html Patchwork, an Open Source Embroidery project to be exhibited at HTTP Gallery, Furtherfield, London in May 2008. www.elecarpenter.org.uk www.open-source-embroidery.org.uk Ruth Catlow - Furtherfield, and NODELondon - http://wiki.nodel.org/index.php/Ruth's_Script_and_Slides Janet Hawtin. Trained in graphic design, Janet works in community volunteering and education focused roles. http://lucychili.net http://lucychili.blogspot.com Katie Hargrave is an artist interested in the production of memory and place through the active writing of history and the participation of citizens to construct a distinct, if lopsided narrative. She never works alone and hopes to create discursive spaces between art, activism, anthropology, and history. http://www.katiehargrave.us Hideous Beast is a collaborative effort between two artists, Josh Ippel and Charlie Roderick. Through organizing structured participatory events they attempt to encourage cultural activity outside the bounds of mainstream entertainment and fabricated desire. http://www.hideousbeast.com Aymeric Mansoux http://goto10.org Armin Medosch is a writer, artist and curator working in the field of media art and network culture. He is currently doing a practice based PhD at Goldmiths in Arts and Computing. Massimo Menichinelli, designer, studies how design can enable communities and complex systems, learning from Open Source and Peer-to-Peer. http://www.openp2pdesign.org Gabriel "salsaman" Finch is main developer of LiVES (http://lives.sourceforge.net), a Free Software tool for real time and non-realtime manipulation of video. Sal Randolph is an artist who works with gift economies, social architectures and one-on-one interactions. She is the founder of Opsound ( http://opsound.org ), an open sound exchange of copyleft music . http://salrandolph.com Sneha Solanki is an artist, media trainer / teacher. Solanki also co-manages open source projects for Polytechnic {ptechnic.org}. http://electronicartist.net/solanki Felix Stalder teaches media economy at the University of Applied Sciences and Arts Zurich (New Media Department) and works as an independent researcher/organizer with groups such as the Institute for New Cultural Technologies (t0) in Vienna. Co-moderator of nettime. http://felix.openflows.com Marloes de Valk http://no.systmz.goto10.org Simon Worthington http://www.metamute.org/ ------------------------------------------------------------------- Beryl Graham, Professor of New Media Art School of Arts, Design, Media and Culture, University of Sunderland Ashburne House, Ryhope Road Sunderland SR2 7EE Tel: +44 191 515 2896 [log in to unmask] CRUMB web resource for new media art curators http://www.crumbweb.org