Some contemporary cases:
Zelimir Zilnik (Serbia) is systematically
shooting films on the verge of documentary and feature - a kind of
docudramas, where documetary futage is included into a narrative framework, and
the narrative framework is 'acted' by the 'real people'. And, many
docudramas (but also reality shows, Big Brother) are
basically documentary situations primed to be narrativelly evolving and
narrativelly experienced - received as a kind of 'real fiction'.
Hrvoje
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