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Some contemporary cases:

Zelimir Zilnik (Serbia) is systematically shooting films on the verge of documentary and feature - a kind of docudramas, where documetary futage is included into a narrative framework, and the narrative framework is 'acted' by the 'real people'. And, many docudramas (but also reality shows, Big Brother) are basically documentary situations primed to be narrativelly evolving and narrativelly experienced - received as a kind of 'real fiction'.  

Hrvoje

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