I remember being struck by the facial architecture of
Raymond Massey's character in the first (it seemed to
supplement and distract from the spare technological
spaces of the settings and the apocalyptic enthusiasms
of the script)--the close-up as subtext.
--- Gregg Redner <[log in to unmask]> wrote:
> HI everyone,
>
>
>
> I am currently working on two films for the final
> chapter of my
> dissertation: "Things to Come" (William Cameron
> Menzies, 1936) and "Scott of
> the Antarctic" (Charles Frend, 1948). I am
> considering the scores to these
> films in terms of the shifting notion of 'space' in
> the Deleuzian sense,
> between the pre and post war conception of the
> movement-image and
> time-image. I am interested in any thoughts that any
> of you might have on
> either of these films, either as it might relate to
> space, or just
> generally.
>
>
>
> As always, I am indebted to you for your cumulative
> knowledge and help!
>
> Best,
>
> Gregg Redner
>
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