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Hello Per,
Yes, I think, this is a very interesting topic. I have talked with a colleague here in the UK about practical frameworks for the (visual + other) analysis of design/3D objects, which perhaps is looking at the same problem from a different angle.
I am not aware that there is a unified theory, but there are certainly a number of building blocks, such as
- semiotics (visual analysis in terms of symbolic etc meaning)
- (product) semantics (visual analysis with regard to function and use - which could perhaps be extended into an analysis of the aesthetic experience of use)
- colour theory,
- theories about proportion ( e.g. golden section)
- theories about static and dynamic
etc.
Would this be a start, or do I completely miss your point?
Best wishes,
Kristina
Dr Kristina Niedderer
Reader in Design and Applied Arts
School of Art and Design
University of Wolverhampton
Molineux Street
Wolverhampton WV1 1SB
email: [log in to unmask]
tel: +44 (0)1902 321 550
web: http://www.niedderer.org
-----Original Message-----
From: CEPHAD - Centre for Philosophy and Design on behalf of Per Galle
Sent: Tue 2/26/2008 7:34 AM
To: [log in to unmask]
Subject: Any ideas for a practical aesthetics?
Dear 'CEPHADians',
I have the privilege of teaching design theory to hundreds of bright young people at Danmarks Designskole about 60% of my time, while the remaining 60% are dedicated to research. For some time I have been entertaining the idea of taking up research on aesthetics, as a subject within design theory, and potentially as a subject for future teaching. I am aware that there is a huge literature on aesthetics, though I am not familiar with much of it so far; but I also have the impression that it tends to be of little relevance to practical design work. If that impression is right, something ought to be done about it, I think.
What I wish I could offer my students would be some sort of explicit theory of "practical aesthetics". A theory, that is, which would be of instrumental value to designers who want to design artefacts of aesthetic quality. A theory useful to designers who want to design "beautiful things" in an informed manner, relying not only on their intuition and talent, but on a solid theoretical basis as well. I wonder if such a theory is conceivable at all, and what it would look like? I wonder if it's possible to come up with something more solid, general and operational than mere artistic manifestos? I wonder if explicit and sharable knowledge can be a road to beauty, or if beauty can only be reached by the darker and narrower path of sheer volition? (And I am not thinking of those rather technical theories that are based on statistical analysis of consumer responses to various product properties, but rather a theory offering a somewhat deeper understanding.)
I suppose it may be considered terribly naïve to ask questions like these, but then so be it! Needless to say, if any of you have suggestions, comments or pieces of advice to offer, I'd be very interested. If you would like to share them with us on this list, for an online discussion, it would obviously be even better.
All the best,
Per.
--
Per Galle, Ph.D., FDRS
Centre for Philosphy and Design
Centre for Design Research
Danmarks Designskole
Strandboulevarden 47
DK-2100 Copenhagen OE
Denmark.
Telephone: +45 3527 7500.
Direct line: +45 3527 7633.