> The daughter of Jephthah is another Biblical example of a child being sacrificed > (Judges 11:30-40). Unfortunately, she didn't fare as well as Isaac and her story > was not used as a negative exemplar. I know this story was the subject for some > later paintings but does anyone know if the iconography appears in Medieval art? Dear Nancy, In the Morgan Picture Bible (New York, Pierpont Morgan Library) probably painted in Paris the 1240s and undoubtedly a royal commission, the story is told in three scenes on folio 13 verso: 1) Jephthah, returning from his victory, is met by his daughter; 2) Jephthah's daughter laments with her companions in the mountains; 3) Jephthah sacrifices his daughter according to his vow. In the latter scene, Jephthah beheads his kneeling daughter with a sword, but there is a rather bare-looking altar behind them. There is a facsimile entitled Old Testament Minatures, published by George Braziller in New York and still apparently in print. Perhaps even more helpfully, the episode is also treated in three scenes in one of the slightly earlier Bibles Moralisees (Vienna, Osterreichisches Nationalbibliothek, Codex Vindobonensis 2554), also associated with the French court (this is the only one of the several Bibles Moralisees to which I have visual access, thanks to the splendid facsimile edited by Gerald Guest for Harvey Miller Books, 1995). As is typical of the Bibles moralisees, on folio 61 verso each of the three episodes is accompanied by a "moralizing" scene, which puts it in exegetical perspective. Guest conveniently gives translations of the accompanying texts: 1) Here Jephthah and his own who have palms of victory return from battle and his daughter comes to him with her maids to greet them with timbrels and cymbals to celebrate and her father sees her and is angry and painted, and he regrets his vow. The moralizing accompaniment: That Jephthah returned and won the battle signifies Jesus Christ, who after His Resurrection vanquished and trampled the devil under his feet. The daughter who came before him with timbrels and cymbals to celebrate him signifies Synagoga who comes before Jesus Christ and celebrates worldly things which are deniers and the flesh. 2) Here the girl comes before her father who is pained and angry and says to him: Give me forty days of respite to play with my maids, and he does so, and she returns to her maids. Moralized as: That the girl asked for respite for her life signifies Synagoga who asked Jesus Christ for respite for her life and He gave it, and she returned to purses and to earthly delights. 3) Here Jephthah sacrifices his daughter and cuts her into two parts, the one part is white and the other is black. Moralized as: That Jephthah sacrificed his daughter and cut her into two parts, and the one part was white and the other black signifies Jesus Christ who sacrificed Synagoga and cut her into two parts, the one was black and the other white. The white signifies Christianity and faith, and that which is black signifies the Jews who remain in darkness as before, and God is angered by their miscreance and is happy with their faith. This is so far from being a "literal" interpretation that no sign of sympathy for the daughter emerges at all, and I'm not sure it is much help with the original query. Cheers, Jim Bugslag