JiscMail Logo
Email discussion lists for the UK Education and Research communities

Help for MEDIEVAL-RELIGION Archives


MEDIEVAL-RELIGION Archives

MEDIEVAL-RELIGION Archives


MEDIEVAL-RELIGION@JISCMAIL.AC.UK


View:

Message:

[

First

|

Previous

|

Next

|

Last

]

By Topic:

[

First

|

Previous

|

Next

|

Last

]

By Author:

[

First

|

Previous

|

Next

|

Last

]

Font:

Proportional Font

LISTSERV Archives

LISTSERV Archives

MEDIEVAL-RELIGION Home

MEDIEVAL-RELIGION Home

MEDIEVAL-RELIGION  December 2016

MEDIEVAL-RELIGION December 2016

Options

Subscribe or Unsubscribe

Subscribe or Unsubscribe

Log In

Log In

Get Password

Get Password

Subject:

FEAST - A Saint for the Day (December 13): St. Lucy

From:

John Dillon <[log in to unmask]>

Reply-To:

medieval-religion - Scholarly discussions of medieval religious culture <[log in to unmask]>

Date:

Tue, 13 Dec 2016 08:44:51 +0000

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (1 lines)

medieval-religion: Scholarly discussions of medieval religion and culture



Lucy (d. 304, supposedly; usually referred to without geographic specification, the others all having their own identifiers) is an early martyr of Syracuse.  Her cult is first attested from the late fourth- or early fifth-century epitaph of Euskia, a woman of about twenty-five years of age who was laid to rest at Syracuse in the Christian cemetery now known as that of San Giovanni and who, in the words of her husband, _anepauseto te heorte tes kyrias mou Loukias_ ('died on the feast of my lady Lucy').  Here's a view of the epitaph:

http://www.virtualsicily.it/Altrefoto/siracusa/sgiovanni/san_giovanni_12.jpg

A reproduction of the inscription with the letters miniated for ease in reading (and with an Italian-language translation) is here:

http://tinyurl.com/hbcjwgq

The inscription is no. 20 in Santi Luigi Agnello, _Silloge di iscrizioni paleocristiane della Sicilia_ (Roma: "L'Erma" di Bretschneider, 1953), with the edited text on p. 23 and commentary on pp. 65-66.

 

Seemingly from the fifth century is the oldest known version of Lucy's Passio (BHG 995).  This makes her an affianced young woman of Syracuse who has vowed secretly to remain virginal and who makes a pilgrimage with her mother to the tomb of St. Agatha at Catania.  At Lucy's suggestion her mother, who suffers from an incurable flux, touches the tomb and is healed.  Agatha appears to Lucy in a vision and reveals that it was really Lucy's faith that operated this cure.  Lucy then reveals to her mother her desire to remain virginal and begins to live in poverty as well.  This displeases Lucy's fiancé, who reports her to the authorities as a Christian (this is during Diocletian's persecution).  Lucy is arrested, refuses to sacrifice to the gods of the state, predicts the downfall of Diocletian and Maximian, is sentenced to serve in a brothel (but a team of bullocks is unable to pull her there), undergoes tortures, and is decapitated.  A church is built over her grave.



In the sixth century Lucy's cult is first documented from peninsular Italy, where she appears along with St. Agatha in the procession of the virgin martyrs in Ravenna's basilica di Sant'Apollinare Nuovo (mosaics dated to ca. 561) and in the _Nobis quoque_ of the Roman canon of the Mass (first documented from the seventh century in a form that had undergone revision; according to St. Aldhelm, Agatha and Lucy were added by pope St. Gregory the Great).  By the end of the sixth century there were monasteries dedicated to Lucy in Syracuse and in Rome.  By the end of the seventh century a Latin version of her originally Greek Passio had come into being (BHL 4992; adapted by Aldhelm in his _De virginitate_). A Mass for Lucy first appears in the Gregorian Sacramentary.



BHL 4992, which became standard in the medieval Latin West, is usually faithful to its Greek predecessor but changes Lucy's manner of death to a sword blow that allows her to live long enough to receive the Eucharist before expiring.  In the ninth century Lucy was the subject of a kanon (a lengthy hymn form) by St. Methodius I, a native of Syracuse and Sicily's only patriarch of Constantinople, and in the same century her Greek Passio was revised and expanded at Syracuse in a form (BHG 995d) that seems generally not to have supplanted its predecessor.  In the eleventh century another kanon honoring Lucy was composed by St. Bartholomew of Grottaferrata.  An Italian-language translation of that is here:

http://tinyurl.com/29prrt4



Only in the fourteenth century does the story appear whereby Lucy blinds herself in order to deter a persistent suitor (to whom she then sends her eyes).  To judge from early references, some version was already in existence before then.  Lucy occurs three times in Dante's _Commedia_ (_Inferno_ 2. 94-117; _Purgatorio_ 9. 52-63; _Paradiso_ 32. 136-38); in the first two instances her eyes are singled out for attention.  The Latin noun _lux_, _lucis_ denotes 'light' but has extended meanings of 'insight' and 'eyesight'; all of these were associated with Lucy, either spiritually or metaphorically or in connection with problems with one's eyes.  A similar progression is observable in the case of the Greek St. Photeine ('Luminous', 'Enlightened'), who like Lucy became a patron of those with disorders of the eye.

 

 

Some period-pertinent images of St. Lucy:



a) as depicted (second from right) in the heavily restored later sixth-century mosaic of the procession of virgin martyrs (ca. 561) in the nave of Ravenna's basilica di Sant'Apollinare Nuovo:

http://tinyurl.com/nee8jwn

A distance view in better color (Lucy now at center; photograph courtesy of Genevra Kornbluth):

http://www.kornbluthphoto.com/images/ApNNorth19.jpg



b)  as depicted (martyrdom) in the late tenth- or very early eleventh-century so-called Menologion of Basil II (Città del Vaticano, BAV, cod. Vat. gr. 1613, p. 242):

http://digi.vatlib.it/view/MSS_Vat.gr.1613/0264

http://tinyurl.com/hydy58q



c) as depicted in a twelfth-century Office lectionary (ca. 1134-1166?; Charleville-Mézières, Médiathèque Voyelles, ms. 258, fol. 169r):

http://www.enluminures.culture.fr/Wave/savimage/enlumine/irht6/IRHT_096291-p.jpg



d) as depicted in a pen-and-ink drawing in a seemingly later twelfth-century legendary (Avignon, Bibliothèque-Médiathèque Municipale Ceccano, ms. 5068, fol. 7v):

http://www.enluminures.culture.fr/Wave/savimage/enlumine/irht3/IRHT_057591-p.jpg

 

e) as depicted (with the bullocks) in one of five panels of a full-page illumination in the late twelfth-century so-called Bible of Saint Bertin (ca. 1190-1200; Den Haag, KB, ms. 76 F 5, fol. 40r, sc. 2B):

http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_76f5%3A040r_min_b2



f) as depicted on a seemingly earlier to mid-thirteenth-century map of part of the Atlantic Ocean and the Mediterranean (ca. 1234-1266; Lyon, Bibliothèque municipale, ms. 175, sheet 7):

http://www.enluminures.culture.fr/Wave/savimage/enlumine/irht8/IRHT_125815-p.jpg

 

g) as depicted (with the bullocks) in a panel of a mid-thirteenth-century ambulatory window of the cathédrale Saint-Julien, Le Mans (bay 109, panel C3):

http://www.medievalart.org.uk/lemans/109_pages/LeMans_Bay109_PanelC3.htm 



h) as depicted in a panel of a mid-thirteenth-century glass window (ca. 1245-1250; bay 202) in Strasbourg's cathédrale Notre-Dame:

http://therosewindow.com/pilot/Strasbourg/w202-D3.htm



i) as depicted (at upper right) by Jacopo Torriti (attrib.) in a late thirteenth-century panel painting (from a dismembered altarpiece formerly in Rome's chiesa di Santa Lucia in Selci) in the Musée de Grenoble:

http://tinyurl.com/qaskyqm



j) as depicted (martyrdom) in a late thirteenth-century copy of French origin of the _Legenda aurea_ (San Marino, CA, Huntington Library, ms. HM 3027, fol. 4v):

http://digitalassets.lib.berkeley.edu/ds/huntington/images//000980A.jpg



k) as depicted (martyrdom) in a late thirteenth-century French-language legendary (1285; Paris, BnF, ms. Français 412, fol. 71r):

http://gallica.bnf.fr/ark:/12148/btv1b84259980/f151.item.zoom



l) as depicted (martyrdom) in the late thirteenth-century Livre d'images de Madame Marie (ca. 1285-1290; Paris, BnF, ms. Nouvelle acquisition française 16251, fol. 99v):

http://tinyurl.com/yd5vaz4 



m) as depicted (at right) in a late thirteenth-century fresco (1292, conjecturally) in the rupestrian chiesa (or cripta) di Santa Lucia dei Giaconelli near Melfi:

http://www.oltrefreepress.com/public/uploads/2012/01/santa-lucia_melfi.jpg



n) as depicted (scenes from her Passio) in two late thirteenth- or early fourteenth-century panel paintings, from the iglesia parroquial de Santa Llúcia de Mur (Guàrdia de Noguera, Pallars Jussà), in the Museu Nacional d'Art de Catalunya in Barcelona:

http://tinyurl.com/27mfthv



o) as depicted in an earlier fourteenth-century copy of her Office (Avignon, Bibliothèque-Médiathèque Municipale Ceccano, ms. 117, fol. 5r):

http://www.enluminures.culture.fr/Wave/savimage/enlumine/irht2/IRHT_054986-p.jpg



p) as depicted (at far left) in an earlier fourteenth-century mosaic (betw. 1304 and 1333) in the left apse of Messina's basilica cattedrale protometropolitana della Santissima Assunta:

http://tinyurl.com/jhaq42n

Detail view (Lucy):

http://www.colapisci.it/Cola-Ricerca/Luoghi/cattedrale/mosaicoabsidesx/angsx.jpg 



q) as depicted (at right; at left, St. Catherine of Alexandria) by Simone Martini in an earlier fourteenth century panel painting (betw. 1320 and 1325) in the Bernard Berenson Collection in the Villa i Tatti at Settignano:

http://www.wga.hu/art/s/simone/4altars/4orvieto/31madonn.jpg



r) as depicted (with the bullocks) in an earlier fourteenth-century French-language legendary of Parisian origin with illuminations attributed to the Fauvel Master (ca. 1327; Paris, BnF, ms. Français 183, fol. 108r):

http://tinyurl.com/ycpb6bg



s) as depicted (with the bullocks; martyrdom) in an earlier fourteenth-century copy of books 9-16 of Vincent of Beauvais' _Speculum historiale_ in its French-language version by Jean de Vignay (ca. 1335; Paris, BnF, ms. Arsenal 5080, fol. 281r):

http://gallica.bnf.fr/ark:/12148/btv1b7100627v/f567.item.zoom



s) as depicted by Niccolò di Segna in an earlier fourteenth-century panel painting (ca. 1340) in the Walters Art Museum in Baltimore:

http://tinyurl.com/z29k9fs 



t) as depicted (at left; at right, St. Agatha at her tomb) in a mid-fourteenth-century copy, from the workshop of Richard and Jeanne de Montbaston, of the _Legenda aurea_ in its French-language version by Jean de Vignay (1348; Paris, BnF, ms. Français 241, fol. 13v):

http://tinyurl.com/ydur7v5



u) as depicted (lower register at far right) by Giovanni da Milano in a mid-fourteenth-century panel painting (ca. 1350-1355) in the National Gallery in London:

http://www.wga.hu/art/g/giovanni/milano/panels/christv1.jpg



v) as depicted (at left; at right, St. Peter) by Nardo di Cione in a predella panel of his mid-fourteenth-century Bojnice altarpiece (after 1350) belonging to the Bojnice Castle Museu in Bojnice (Trenčíansky kraj), Slovakia (when this photograph was taken in 2013 the altarpiece was on display in the Slovak National Gallery in Bratislava):

https://www.flickr.com/photos/48460764@N06/16926916619



w) as depicted (at right; at left, St. Catherine of Alexandria) by Giovanni da Milano in a panel from his mid- or slightly later fourteenth-century Ognissanti polyptych (before 1365) in the Galleria degli Uffizi in Florence:

http://www.wga.hu/art/g/giovanni/milano/panels/ognissa1.jpg



x) as depicted (at left; with her mother at St. Agatha's tomb) by Laurentius presbiter de Andwerpia in a mid- or slightly later fourteenth-century missal (winter part) of southern Netherlandish origin (ca. 1350-1366; Den Haag, Museum Meermanno, Cod. 10 A 14, fol. 151r):

http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_mmw_10a14%3A151r_init



y) as depicted (scenes from her Passio) by Giovanni di Bartolommeo Cristiani in four later fourteenth-century panel paintings (from the same dismembered altarpiece) in the Metropolitan Museum of Art in New York:

http://www.metmuseum.org/art/collection/search/436050

For the others, click on "Additional Images".



z) as depicted in a later fourteenth-century Roman missal of north Italian origin (ca. 1370; Bibliothèque-Médiathèque Municipale Ceccano, ms. 136-138):

1) martyr portrait (ms. 136, fol. 222v):

http://www.enluminures.culture.fr/Wave/savimage/enlumine/irht2/IRHT_055274-p.jpg

2) with the bullocks (ms. 138, fol. 218r):

http://www.enluminures.culture.fr/Wave/savimage/enlumine/irht2/IRHT_055592-p.jpg



aa) as twice depicted (in an historiated initial "A": receiving communion; to the right of the initial: with the bullocks) in the later fourteenth-century martyrology and obituary of the abbey of Notre-Dame des Prés in Douai (ca. 1376-1400; Valenciennes, Bibliothèque de Valenciennes, ms. 838, fol. 128r):

http://www.enluminures.culture.fr/Wave/savimage/enlumine/irht5/IRHT_092339-p.jpg



bb) as depicted (scenes from her Passio) by Altichiero da Zevio in four later fourteenth-century fresco panels (betw. 1379 and 1384) in the oratorio di San Giorgio in Padua (the first three are captioned; the fourth depicts Lucy's entombment):

http://www.flickr.com/photos/snarfel/4137933435/

http://www.flickr.com/photos/snarfel/4138701390/

http://www.flickr.com/photos/snarfel/4138716228/

http://www.wga.hu/art/a/altichie/1/4saints3.jpg 



cc) as depicted in semi-grisaille (martyrdom) in a late fourteenth-century copy of books 9-16 of Vincent of Beauvais' _Speculum historiale_ in its French-language version by Jean de Vignay (1396; Paris, BnF, ms. Français 313, fol. 265r):

http://gallica.bnf.fr/ark:/12148/btv1b84557843/f535.image.zoom



dd) as depicted (martyrdom) in a late fourteenth- or early fifteenth-century copy of the _Legenda aurea_ in its French-language version by Jean de Vignay (Rennes, Bibliothèque de Rennes Métropole, ms. 266, fol. 15v):

http://tinyurl.com/go694wc

http://tinyurl.com/gu6dqdt



ee) as depicted in an historiated initial "A" in the very late fourteenth- and early fifteenth-century Breviary of Martin of Aragon (Paris, BnF, ms. Rothschild 2529, fol. 415r):

http://gallica.bnf.fr/ark:/12148/btv1b52000996s/f831.item.zoom



ff) as depicted by Tommaso Cardillo in a fifteenth-century fresco in the chiesa di Santa Maria a Piazza in Aversa (CE) in Campania:

http://tinyurl.com/nufhqhp

Look closely at the chalice!



gg) as depicted (scenes from her Passio) by Jacobello del Fiore in eight early fifteenth-century panel paintings (ca. 1410; from a dismembered altarpiece) in the Polo Museale Palazzo dei Priori, Fermo:

1) Lucy (second from left; at left her mother) experiencing her vision of St. Agatha:

http://www.atlantedellarteitaliana.it/immagine/00017/11292OP626AU18132.jpg

2) Lucy distibutes alms:

http://www.atlantedellarteitaliana.it/immagine/00017/11292OP626AU18124.jpg

3) Lucy is denounced by her betrothed:

http://www.atlantedellarteitaliana.it/immagine/00017/11292OP626AU18125.jpg

4) Bullocks attempt to draw Lucy to the brothel

http://www.atlantedellarteitaliana.it/immagine/00017/11292OP626AU18127.jpg

5) Lucy survives the burning pyre unharmed:

http://www.atlantedellarteitaliana.it/immagine/00017/11292OP626AU18126.jpg

6) Lucy is stabbed in the throat:

http://www.atlantedellarteitaliana.it/immagine/00017/11292OP626AU18128.jpg

7) Lucy receives the Eucharist:

http://sirpac.cultura.marche.it/sirpacintraweb/storage/label/0208/384/C1010.jpg

8) Lucy's entombment:

http://www.atlantedellarteitaliana.it/immagine/00017/11292OP626AU18122.jpg



hh) as depicted in the earlier fifteenth-century Breviary of Marie de Savoie (ca. 1430; Chambéry, Bibliothèque municipale, ms. 4, fol. 421r):

http://www.enluminures.culture.fr/Wave/savimage/enlumine/irht1/IRHT_035492-p.jpg



ii) as depicted in the earlier fifteenth-century Hours of Catherine of Cleves (ca. 1440; New York, The Pierpont Morgan Library and Museum, Morgan MS M.917, p. 310):

http://www.themorgan.org/node/777/zoomify 



jj) as depicted (martyrdom) by Domenico Veneziano in a mid-fifteenth-century panel painting (ca. 1445) in the Gemäldegalerie in Berlin:

https://www.flickr.com/photos/mazanto/14799616105



kk) as depicted (martyrdom) by the court workshop of Frederick III in a mid-fifteenth-century copy of the _Legenda aurea_ (1446-1447; Vienna, ÖNB, cod. 326, fol. 10r):

http://tarvos.imareal.oeaw.ac.at/server/images/7006813.JPG



ll) as depicted in grisaille (martyrdom while tied to the bullocks!) by Jean le Tavernier in the mid-fifteenth-century Hours of Philip of Burgundy (ca. 1451-1460; Den Haag, KB, ms. 76 F 2, fol. 278v):

http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_76f2%3A278v_min



mm) as depicted (scenes from her Passio) by the Master of the St. Lucy Legend in a later fifteenth-century panel painting in the Sint-Jacobskerk in Brugge / Bruges:

http://www.wga.hu/art/m/master/legend3/0st_lucy.jpg



nn) as depicted (at left; at right, St. Jerome) in a later fifteenth-century fresco in the chiesa di San Giorgio in Lemine in Almenno San Salvatore (BG) in Lombardy:

http://upload.wikimedia.org/wikipedia/commons/6/66/SGiorgio3.jpg



oo) as depicted (at center, betw. St. Martha and St. Catherine of Alexandria) in a later fifteenth-century fresco (betw. 1460 and 1480) in the pieve di San Lorenzo at Settimo Vittone (TO) in Piedmont:

http://tinyurl.com/bdbrru6



pp) as depicted (standing, plus scenes from her Passio) by Quirizio da Murano in a later fifteenth-century panel painting (ca. 1462-1478) in the Pinacoteca dell’Accademia dei Concordi in Rovigo:

http://tinyurl.com/hqp25bf



qq) as depicted (at right; at left, St. Theodulus the bishop) in the later fifteenth-century frescoes (1463) in the oratorio di San Bernardo in Briona (NO) in Piedmont:

http://static.panoramio.com/photos/original/69171539.jpg

Detail view:

http://mw2.google.com/mw-panoramio/photos/medium/5135343.jpg



rr) as depicted (lower two registers: scenes from her Passio) in a later fifteenth-century copy of books 12-22 of Vincent of Beauvais' _Speculum historiale_ in its French-language version by Jean de Vignay (1463; Paris, BnF, ms. Français 51, fol. 95v):

http://gallica.bnf.fr/ark:/12148/btv1b52506706r/f196.item.zoom



ss) as depicted by Cosimo Rosselli in a later fifteenth-century panel painting (ca. 1470) in the San Diego Museum of Art:

http://tinyurl.com/qjq8xrr

Look closely at the lamp!



tt) as depicted (at right; at left, St. Anthony of Egypt) by Carlo Crivelli in a later fifteenth-century panel painting (1470; from his now dismembered Porto San Giorgio altarpiece) in the Czartoryski Museum in Kraków (click on the image to expand it):

http://tinyurl.com/prmeq3g



uu) as depicted by Francesco del Cossa in a later fifteenth-century panel painting (ca. 1473-1474) in the National Gallery of Art in Washington:

http://www.nga.gov/content/ngaweb/Collection/art-object-page.369.html

Detail view:

https://i.ytimg.com/vi/EyOgawktWOE/maxresdefault.jpg



vv) as depicted (second from left) by Enrique Alemán in a later fifteenth-century glass window (1479) in the capilla de Santa Ana in Seville's catedral de Santa María de la Sede:

https://www.flickr.com/photos/pacobarranco/3330793149



ww) as depicted by Filippino Lippi (attrib.) in a later fifteenth-century panel painting (ca. 1480) in the Museo dell'Opera del Duomo in Prato:

http://tinyurl.com/zh9a2wd



xx) as depicted (martyrdom) in an historiated initial "I" in a late fifteenth-century Roman Breviary of French origin (after 1482; Clermont-Ferrand, Bibliothèque du patrimoine, ms. 69, fol. 553v):

http://www.enluminures.culture.fr/Wave/savimage/enlumine/irht4/IRHT_081393-p.jpg



yy) as depicted by Carlo Crivelli in a late fifteenth-century panel painting (ca. 1490) in the Musée du Petit Palais in Avignon:

http://www.wga.hu/art/c/crivelli/carlo/candele4.jpg



zz) as portrayed in a late fifteenth-century polychromed glazed terracotta statue (1490s; attributed to Benedetto Buglioni) in the cappella di Santa Lucia in the basilica di Santa Cristina in Bolsena:

http://www.provincia.vt.it/restauro/concorso/672685195-9974.jpg

http://www.romeartlover.it/Franci31.jpg

http://tinyurl.com/gmk4sg9



aaa) as depicted in a hand-colored woodcut in the Beloit College copy of Hartmann Schedel's late fifteenth-century _Weltchronik_ (_Nuremberg Chronicle_; 1493) at fol. CXXVr:

http://www.beloit.edu/nuremberg/book/images/Martyrs/big/Lucia%20CXXVr.jpg 



bbb) as depicted (holding a pillar) in an historiated initial "A" in the late fifteenth-century Isabella Breviary (ca. 1497; London, BL, Add. Ms. 18851, fol. 303r):

http://www.bl.uk/manuscripts/Viewer.aspx?ref=add_ms_18851_f303r



ccc) as depicted (at foot of the page) in the late fifteenth- or early sixteenth-century Hours of Bonaparte Ghislieri (London, BL, Yates Thompson MS 29, fol. 9r [in the calendar]):

http://www.bl.uk/manuscripts/Viewer.aspx?ref=yates_thompson_ms_29_f009r



ddd) as portrayed by the Maestro della Madonna di Macereto in a late fifteenth- or early sixteenth-century polychromed wooden statue in the Museo diocesano in Camerino (click on the image to enlarge it):

http://www.musei.marche.it/web/RicercaOpere/DettagliOpera.aspx?id=3&idtc=5

Detail view:

http://dimorestoricheitaliane.it/wp-content/uploads/2015/07/camerino-museo-800x581.jpg



eee) as portrayed in relief by Andrés de Nájera on a bench end in his earlier sixteenth-century choir stalls (ca. 1525-1529) for the Monasterio de San Benito el Real in Valladolid, now in the Museo Nacional de Escultura in the same city:

http://tinyurl.com/qhd9n94



Best,

John Dillon



**********************************************************************

To join the list, send the message: subscribe medieval-religion YOUR NAME

to: [log in to unmask]

To send a message to the list, address it to:

[log in to unmask]

To leave the list, send the message: unsubscribe medieval-religion

to: [log in to unmask]

In order to report problems or to contact the list's owners, write to:

[log in to unmask]

For further information, visit our web site:

http://www.jiscmail.ac.uk/medieval-religion

Top of Message | Previous Page | Permalink

JiscMail Tools


RSS Feeds and Sharing


Advanced Options


Archives

June 2021
May 2021
April 2021
March 2021
February 2021
January 2021
December 2020
November 2020
October 2020
September 2020
August 2020
July 2020
June 2020
May 2020
April 2020
March 2020
February 2020
January 2020
December 2019
November 2019
October 2019
September 2019
August 2019
July 2019
June 2019
May 2019
April 2019
March 2019
February 2019
January 2019
December 2018
November 2018
October 2018
September 2018
August 2018
July 2018
June 2018
May 2018
April 2018
March 2018
February 2018
January 2018
December 2017
November 2017
October 2017
September 2017
August 2017
July 2017
June 2017
May 2017
April 2017
March 2017
February 2017
January 2017
December 2016
November 2016
October 2016
September 2016
August 2016
July 2016
June 2016
May 2016
April 2016
March 2016
February 2016
January 2016
December 2015
November 2015
October 2015
September 2015
August 2015
July 2015
June 2015
May 2015
April 2015
March 2015
February 2015
January 2015
December 2014
November 2014
October 2014
September 2014
August 2014
July 2014
June 2014
May 2014
April 2014
March 2014
February 2014
January 2014
December 2013
November 2013
October 2013
September 2013
August 2013
July 2013
June 2013
May 2013
April 2013
March 2013
February 2013
January 2013
December 2012
November 2012
October 2012
September 2012
August 2012
July 2012
June 2012
May 2012
April 2012
March 2012
February 2012
January 2012
December 2011
November 2011
October 2011
September 2011
August 2011
July 2011
June 2011
May 2011
April 2011
March 2011
February 2011
January 2011
December 2010
November 2010
October 2010
September 2010
August 2010
July 2010
June 2010
May 2010
April 2010
March 2010
February 2010
January 2010
December 2009
November 2009
October 2009
September 2009
August 2009
July 2009
June 2009
May 2009
April 2009
March 2009
February 2009
January 2009
December 2008
November 2008
October 2008
September 2008
August 2008
July 2008
June 2008
May 2008
April 2008
March 2008
February 2008
January 2008
December 2007
November 2007
October 2007
September 2007
August 2007
July 2007
June 2007
May 2007
April 2007
March 2007
February 2007
January 2007
December 2006
November 2006
October 2006
September 2006
August 2006
July 2006
June 2006
May 2006
April 2006
March 2006
February 2006
January 2006
December 2005
November 2005
October 2005
September 2005
August 2005
July 2005
June 2005
May 2005
April 2005
March 2005
February 2005
January 2005
December 2004
November 2004
October 2004
September 2004
August 2004
July 2004
June 2004
May 2004
April 2004
March 2004
February 2004
January 2004
December 2003
November 2003
October 2003
September 2003
August 2003
July 2003
June 2003
May 2003
April 2003
March 2003
February 2003
January 2003
December 2002
November 2002
October 2002
September 2002
August 2002
July 2002
June 2002
May 2002
April 2002
March 2002
February 2002
January 2002
December 2001
November 2001
October 2001
September 2001
August 2001
July 2001
June 2001
May 2001
April 2001
March 2001
February 2001
January 2001
December 2000
November 2000
October 2000
September 2000
August 2000
July 2000
June 2000
May 2000
April 2000
March 2000
February 2000
January 2000
December 1999
November 1999
October 1999
September 1999
August 1999
July 1999
June 1999
May 1999
April 1999
March 1999
February 1999
January 1999
December 1998
November 1998
October 1998
September 1998
August 1998
July 1998
June 1998
May 1998
April 1998
March 1998
February 1998
January 1998
December 1997
November 1997
October 1997
September 1997
August 1997
July 1997
June 1997
May 1997
April 1997
March 1997
February 1997
January 1997
December 1996
November 1996
October 1996
September 1996
August 1996
July 1996
June 1996
May 1996
April 1996


JiscMail is a Jisc service.

View our service policies at https://www.jiscmail.ac.uk/policyandsecurity/ and Jisc's privacy policy at https://www.jisc.ac.uk/website/privacy-notice

For help and support help@jisc.ac.uk

Secured by F-Secure Anti-Virus CataList Email List Search Powered by the LISTSERV Email List Manager