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FEAST - A Saint for the Day (Feb. 3): St. Blasius (Blaise) of Sebaste


John Dillon <[log in to unmask]>


medieval-religion - Scholarly discussions of medieval religious culture <[log in to unmask]>


Wed, 3 Feb 2016 23:02:45 +0000





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medieval-religion: Scholarly discussions of medieval religion and culture

Not to be confused with his homonyms Blasius of Amorion, Blasius of Caesarea, Blasius of Veroli, and Blasius of Verona, the thaumaturge Blasius of Sebaste (d. ca. 316, supposedly) is popularly known in English by a French form of his name (Blaise; other European forms include, but are certainly not limited to, Blasios / Vlasios, Vlaho / Blaž, Blasius, Blas, and Biagio / Biase). His cult is first attested from the sixth century, when the medical encyclopedist Aetius of Amida reports his being invoked in cases of illness of the throat.

Absent both from the earliest witnesses of the pseudo-Hieronymian Martyrology and from the probably originally late fourth-century Syriac Martyrology surviving in a manuscript written at Edessa in ca. 411, and thus absent as well from the hypothetical fourth-century Greek martyrology thought to have provided a fund of feasts common to both, Blasius has both a legendary pre-metaphrastic Passio (BHG 276-276c; first attested from the eighth century) and a metaphrastic one (BHG 277); beyond these Greek texts there are versions in Latin and in other languages. These make him a physician of Sebaste in Armenia (now Sivas in Turkey) who is elected bishop, goes into hiding to avoid the Licinian persecution, lives in a cave where with the sign of the cross he cures sick animals, is sought out, arrested and imprisoned, tends the sick, operates miracles, is tortured, and finally is decapitated. Later versions have him flayed with carding combs prior to execution. Blasius' miracles include saving a boy from choking to death on a fishbone and causing a wolf to restore to a widow a piglet that it had taken from her. In the later Middle Ages his reputed care for ailments of the throat caused Blasius to be numbered among the Fourteen Holy Helpers; his association with animals made him a patron of keepers of livestock.

Since the tenth century Blasius has been the patron saint of Dubrovnik (formerly Ragusa), where an originally twelfth(?)-century head reliquary of him, formed as a Byzantine crown, is kept in that city's early modern katedrala Marijina Uznesenja (cathedral of the Assumption of the BVM):



There's an arm reliquary as well (in these photos shown along with the head reliquary):



Supplementing Gordon Plumb's post of earlier today, herewith some links to further period-pertinent images of St. Blasius of Sebaste:

a) Blasius' martyrdom as depicted in the late tenth- or very early eleventh-century so-called Menologion of Basil II (Città del Vaticano, BAV, cod. Vat. gr. 1613, p. 390):


b) Blasius delivering the piglet to the widow (upper register) and Blasius' martyrdom as depicted in the late eleventh- or very early twelfth-century frescoes of the Chapelle des Moines at Berzé-la-Ville (Saône-et-Loire):


Detail view (Blasius delivering the piglet to the widow)


c) Blasius' martyrdom (three scenes) as portrayed, perhaps by Roger of Helmarshausen, on a long side of a late eleventh- or early twelfth-century portable altar (copper gilt over wood) executed for the abbey of Abdinghof and now in the Erzbischöfliches Diözesanmuseum und Domschatzkammer in Paderborn:


d) Blasius (at left) as depicted in an early twelfth-century mosaic in the cupola di San Leonardo in Venice's basilica cattedrale patriarcale di San Marco:


Detail views:



e) Blasius as depicted in the mid- or slightly later twelfth-century mosaics of the Cappella Palatina in Palermo:


f) Blasius (lower register, second from left) receiving a book from duke Henry as depicted in the late twelfth-century Gospels of Henry the Lion (ca. 1188; Wolfenbüttel, Herzog August Bibliothek, cod. Guelf. 105 Noviss. 2°, fol. 194r):


g) Blasius (second from right) as depicted in the late twelfth-century frescoes (1196) of the chiesa rupestre di San Biagio at San Vito dei Normanni (BR) in Apulia:


h) Blasius as depicted in a late twelfth- or early thirteenth-century fresco in the santuario di Maria SS. Regina (a.k.a. Santa Maria d'Anglona) at Tursi (MT) in Basilicata:


i) Blasius as depicted in late twelfth- or early thirteenth-century gold and enamel work on his head reliquary in the treasury of Dubrovnik's katedrala Marijina Uznesenja:


j) The widow brings the pig's head to the imprisoned Blasius (below: wolf devouring the pig) as depicted in an initial "T" in a thirteenth-century ms. of Magnum legendarium austriacum (Zwettl, Stiftsbibliothek, cod. 13, fol. 105v):


k) Blasius confronting the Roman governor persecuting him as depicted in a thirteenth-century glass window panel from the area of Soissons, now in the Louvre:


l) Scenes from Blasius' legend as depicted in the earlier thirteenth-century St. Blaise lancet of the "St. Blaise window" (Bay 217; ca. 1230-1240; the other two lancets depict scenes of St. George and of St. Thomas of Canterbury) in the cathédrale Notre-Dame in Coutances:

http://therosewindow.com/pilot/Coutances/w217c-Frame.htm  [with links to detail views]

and at right here:


Other detail views:




m) Blasius healing a throat as depicted in a mid-thirteenth-century gradual for the Use of the abbey of Fontevrault (ca. 1250-1260; Limoges, Bibliothèque municipale, ms. 2, fol. 63v):


n) Blasius as depicted (at right, flanking St. John Climacus; at left, St. George of Lydda) as depicted in a later thirteenth-century Novgorod School icon in the State Russian Museum, St. Petersburg:


o) Blasius' martyrdom as depicted in a late thirteenth-century copy of French origin of the _Legenda aurea_ (San Marino, CA, Huntington Library, ms. HM 3027, fol. 32v; image greatly expandable):


p) Blasius (at left; at right, pope St. Urban I) in the late thirteenth-century Livre d'images de Madame Marie (ca. 1285-1290; Paris, BnF, ms. Nouvelle acquisition française 16251, fol. 91r):


q) Blasius (at center, betw. Sts. Eleutherius of Illyria and Hypatius [of Gangra?]) as depicted in the earlier fourteenth-century frescoes (betw. ca. 1312 and 1321/1322) in the nave of the monastery church of the Theotokos at Gračanica in, depending on one's view of the matter, either Serbia's province of Kosovo and Metohija or the Republic of Kosovo:


Detail view (Blasius):


r) Blasius as portrayed in an earlier fourteenth-century (second quarter) chiefly silver reliquary bust probably of French manufacture, formerly in the collegiate church at Braunschweig dedicated to him (commonly known as the Braunschweiger Dom) and now in the Bode Museum in Berlin:



s) Blasius (at left; at right, St. Babylas) as depicted in the earlier fourteenth-century frescoes (betw. 1335 and 1350) in the altar area of the church of the Holy Ascension at the Visoki Dečani monastery near Peć in, depending on one's view of the matter, either the Republic of Kosovo or Serbia's province of Kosovo and Metohija:


t) Blasius' flight from persecution as depicted in a mid-fourteenth-century copy, from the workshop of Richard and Jeanne de Montbaston, of the _Legenda aurea_ in its French-language version by Jean de Vignay (1348; Paris, BnF, ms. Français 241, fol. 65v):


u) Blasius (at far right, after Sts. Spyridon the Wonderworker and Clement of Ohrid) as depicted in the later fourteenth-century frescoes (1360s and 1370s; restored in 1968-1970) in the church of St. Demetrius in Marko's Monastery at Markova Sušica (near Skopje) in the Former Yugoslav Republic of Macedonia:


Detail view (Blasius):


v) Blasius (at left; at right, St. Prochorus) as depicted in the later fourteenth-century frescoes (1375) in the church of St. George in Longanikos (Laconia administrative region):


w) Blasius (at left) as portrayed in relief on a later fourteenth- or fifteenth-century mezzanino struck by the Republic of Ragusa:


x) Blasius (while at prayer, attacked by a demon) as depicted in a late fourteenth- or early fifteenth-century copy of the _Legenda aurea_ in its French-language version by Jean de Vignay (Rennes, Bibliothèque de Rennes Métropole, ms. 266, fol. 69v):


y) Blasius as portrayed holding a model of Ragusa in a fifteenth-century silver-gilt statuette kept on the high altar of Dubrovnik's katedrala Marijina Uznesenja:


z) Blasius as depicted (at left; at right, St. Spyridon the Wonderworker; both protecting livestock) in an early fifteenth-century Novgorod School icon (ca. 1407) in the State Historical Museum, Moscow:


aa) Blasius (second from left; at far left, St. Bartholomew the Apostle) as depicted by Masaccio in his earlier fifteenth-century San Giovenale triptych (ca. 1424/25) in the chiesa di San Pietro in Cascia di Reggello (FI) in Tuscany:


bb) Blasius' martyrdom as depicted by Mariotto di Nardo in an earlier fifteenth-century predella panel (ca. 1425) in the Musée des Beaux-Arts in Rennes:


cc) Blasius as portrayed (at center; at left, St. Ulrich; at right, St. Erasmus of Formia) in the earlier fifteenth-century polychromed wooden statues (before 1436) re-used in the central compartment of the otherwise early sixteenth-century winged altarpiece (1517/1518; restored ca. 2000) by Jörg Lederer in the choir of the Kirche St. Blasius in Kaufbeuren:


The altarpiece as a whole:


dd) Blasius as depicted in a mid-fifteenth-century panel painting (ca. 1450), sometimes attributed to Nero di Bicci, in the Musei Capitolini in Rome:



ee) Blasius as depicted in a mid-fifteenth-century initial (ca. 1450-1460) by the Master of the Murano Gradual, cut from a gradual and now in the J. Paul Getty Museum in Los Angeles:



ff) Blasius as depicted in a later fifteenth-century Novgorod School icon in the Karelian Fine Arts Museum, Petrozavodsk, Russia:


gg) Scenes from Blasius' legend as depicted in a later fifteenth-century copy of Vincent of Beauvais' _Speculum historiale_ in its French-language translation by Jean de Vignay (1463; Paris, BnF, ms. Français 51, fol. 58r):


hh) Blasius as depicted in the central panel of Martín de Soria's later fifteenth-century San Blas Altarpiece (1464) in the iglesia de San Salvador at Luesia (Zaragoza):


The altarpiece as a whole:


Blasius' martyrdom as depicted in one of the predella panels:


Expandable views of panels depicting scenes from Blasius' legend start about halfway down this page:


ii) Blasius as depicted in a detached later fifteenth-century fresco (betw. 1475 and 1500; from the refectory of the convento di San Biagio in Cesena [FC] in Emilia-Romagna) in that city's Pinacoteca comunale:


jj) Blasius holding a model of Ragusa as portrayed in a later fifteenth-century statue on the Ploče Gate in the same city (now of course Dubrovnik):


kk) Blasius as depicted (at far right in the lower register above the predella) by Carlo and Vittore Crivelli in their later fifteenth-century polyptych of Monte San Martino (ca. 1477-1480) in the chiesa di San Martino vescovo in Monte San Martino (MC) in the Marche:


Detail view (Blasius):


ll) Scenes from Blasius' legend as depicted in twenty late fifteenth-century painted panels (ca. 1480-1490) mounted on the north wall of the nave of the Kirche St. Blasius in Kaufbeuren:



Detail view (the women forced into slavery):


mm) Blasius (at left, holding a candle; at right, St. John the Baptist) as depicted by Hans Memling on a wing of his Passion (or Greverade) Altarpiece of 1491 in the Museum für Kunst- und Kulturgeschichte in Lübeck:


nn) Blasius (second from right, flanking the BVM; at far right, St. Roch / Rocco) as depicted by a Tuscan follower of Neri di Bicci in a late fifteenth-century panel painting (1498; for the abbey of Santa Maria della Salute et San Niccolao in Buggiano [PT]), exhibited by the Carabinieri in 2015 as part of the exposition "La memoria ritrovata" in Cagliari:


oo) Blasius (third from left; after St. Florus of Illyricum and St. Nicholas of Myra and before St. Anastasia of Sirmium) as depicted in a late fifteenth- or early sixteenth-century Novgorod School wooden triptych in the State Tretyakov Gallery, Moscow:


pp) Blasius (at left, holding a model of Ragusa; at right, St. Paul the Apostle) as depicted by Nikola Božidarević / Nicholas of Ragusa in his very early sixteenth-century triptych (ca. 1501) in the Dominican convent in Dubrovnik:


The triptych as a whole:


qq) Blasius as portrayed holding a model of Ragusa in an early sixteenth-century statue (1503) in the Kulturno-povijesni muzej in Dubrovnik:


Detail view (model of Ragusa):


rr) Blasius as portrayed in a stone bust on the early sixteenth-century Field Gate (1506) at Ragusa's former dependency of Ston (Dubrovačko-neretvanska županija) in Croatia:


ss) Blasius as portrayed in relief (at far right) among the Fourteen Holy Helpers on the early sixteenth-century tomb of the Kurfürstin Anna (1512) in the Evangelisch-lutherische Pfarrkirche St. Maria in Heilsbronn (Lkr. Ansbach) in Bayern:


tt) Blasius as portrayed in an early sixteenth-century ceiling boss (ca. 1519) in the choir of the Evangelisch-lutherische Kirche St. Sixti in Northeim (Lkr. Northeim) in Niedersachsen:


uu) Blasius as depicted by Fermo Stella in an earlier sixteenth-century panel painting of the Madonna between St. Blasius and St. John the Baptist (1536) in the Museo Valtellinese di Storia e Arte in Sondrio (VA) in Lombardy (detail view):


vv) Blasius as depicted (at upper right) in an unframed earlier sixteenth-century polyptych (1537) in the chiesa del Purgatorio at Ruvo di Puglia (BA) in Apulia:


Detail view (Blasius as reproduced on a poster; image greatly expandable):


ww) Blasius as depicted by Theofanis Strelitzas-Bathas (a.k.a. Theophanes the Cretan) in the mid-sixteenth-century frescoes (1545 and 1546) in the katholikon of the Stavronikita monastery on Mt. Athos:


xx) Blasius as depicted (twice) by George / Tzortzis the Cretan in the mid-sixteenth-century frescoes (1546/47) in the Dionysiou monastery on Mt. Athos:

1) full-length portrait:


2) martyrdom:


Živio sveti Vlaho!

Viva San Biagio!


John Dillon


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