"Perhaps the most hallowed of traditions among artists of creative
vigor is this: traditions in the creative arts are per se suspect.
For they exist on the patrimony of standardization, which means
degeneration. They dominate because they are to the interest of
some group that has the power to perpetuate them, and they cease
to dominate when some equally powerful group undertakes to bend them
to a new pattern. It is not difficult for the alert student to
acquire the traditional techniques. Under the pressures of study
these are unconsciously and all too easily absorbed. The extent
to which an individual can resist being blindly led by tradition
is a good measure of his (sic) vitality.
"Traditions remain undisturbed when we say: let us improve ourselves;
let us become better pianists, teachers, conductors, better composers.
They remain undisturbed when we say: let us increase the knowledge
and appreciation of 'good' art. Traditions remain undisturbed,
univestigated, and therefore a culture based upon such
palpably noble precepts is already senile." H.P.
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