Ken
This may be of interest. This is a paper on using eye-tracking to compare how architecture students “read” a drawing of a set of spaces with “reading” a photo of the spaces as built:
http://mason.gmu.edu/~jgero/publications/Progress/16GeroShieldsYu-CAADRIA.pdf <http://mason.gmu.edu/~jgero/publications/Progress/16GeroShieldsYu-CAADRIA.pdf>
Rgds
John
_______________
John S Gero
Research Professor in Computer Science and Architecture
UNC Charlotte
Research Professor at Krasnow Institute for Advanced Study
George Mason University
Co-Editor in Chief, Design Science
Email: [log in to unmask] | Web: http://mason.gmu.edu/~jgero
________________________________
> On Mar 30, 2019, at 5:05 AM, Richard Herriott <[log in to unmask]> wrote:
>
> Dear Ken and others:
>
> May I be so self-promoting as to share this paper? It´s on aesthetics which deals in part with how drawing is used in a three-way dialogue between the designer, the image and the model/concept (either before 3D form is achieved or when it is a prototype like a clay model). I eventually get to a definition of design sure to set cats among pigeons.
>
> http://www.svid.se/en/Research/Design-Research-Journal/Research-articles/Research-articles-2017/What-is-it-like-to-see-a-bat/ <http://www.svid.se/en/Research/Design-Research-Journal/Research-articles/Research-articles-2017/What-is-it-like-to-see-a-bat/>
>
> Regards,
>
> Richard Herriott
> Assoc. Prof.., ID
> Design School Kolding
>
>
>
> - How does drawing represent reality?
> - How does drawing help designers to shape future realities that do not exist when they are drawn?
> - What is the relationship between drawing and the evolving states of designed artefacts?
> - Does drawing make thinking visible?
> - If drawing makes thinking visible, how does this take place?
> - What effects do drawing create on evolving human thought?
> - What relationships exist between drawing and other forms of information visualisation?
> - How does drawing function as a form of diagrammatic thinking?
> - Do diagrams, models, and chart s represent a version of drawing?
> - What relationships are worth considering between drawing and knowledge representation of other kinds?
> - What does the current literature across different fields tell us about drawing?
>
> This is an open-ended inquiry. If these topics suggest questions that I have not asked, I’d be interested in suggestions.
>
> At this point, I don’t want to say more about my interest in the topic. I’m interested in leaving this open while I wait to hear from others. I will post some notes on the responses. If anyone wishes their thoughts and comments to remain confidential, I will not post it.
>
> Please write me directly — OFF LIST — at email [log in to unmask] <mailto:[log in to unmask]>
>
> Thank you.
>
> Ken
>
> Ken Friedman, Ph.D., D.Sc. (hc), FDRS | Editor-in-Chief | 设计 She Ji. The Journal of Design, Economics, and Innovation | Published by Tongji University in Cooperation with Elsevier | URL: http://www.journals.elsevier.com/she-ji-the-journal-of-design-economics-and-innovation/ <http://www.journals.elsevier.com/she-ji-the-journal-of-design-economics-and-innovation/>
>
> Chair Professor of Design Innovation Studies | College of Design and Innovation | Tongji University | Shanghai, China ||| Email [log in to unmask] <mailto:[log in to unmask]> | Academia http://swinburne.academia.edu/KenFriedman <http://swinburne.academia.edu/KenFriedman> | D&I http://tjdi.tongji.edu.cn <http://tjdi.tongji.edu.cn/>
>
>
>
>
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