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NEW-MEDIA-CURATING  January 2019

NEW-MEDIA-CURATING January 2019

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Subject:

JAR 17 is here!

From:

Phoebe Stubbs <[log in to unmask]>

Reply-To:

Phoebe Stubbs <[log in to unmask]>

Date:

Tue, 22 Jan 2019 07:59:55 +0100

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*JAR17** is here*



*Journal for Artistic Research (JAR)*



The online, peer-reviewed journal for the publication and discussion of
artistic research.



*http://jar-online.net <http://jar-online.net>*



JAR is open-access, free to read, and to contribute.





We are very proud to announce our seventeenth issue with the following
contributions:



Scott Andrew Elliott and Chris Cottrell, Building Material Conversations
<https://doi.org/10.22501/jar.384876>



Otso Tapio Lähdeoja, Josué Moreno Prieto, and Daniel Adrian Malpica Gomez, IN
SITU: Sonic Greenhouse. Composing for the intersections between the sonic
and the built <https://doi.org/10.22501/jar.423067>



Kate McCallum, Kate Monson, and Majed Al-Jefri, FanFutures
<https://doi.org/10.22501/jar.378163>



Ives Maes, Additive Photography <https://doi.org/10.22501/jar.343349>



Tyler Payne, The Body + the Lens: Shrink, Wax, Purge, Bleach
<https://doi.org/10.22501/jar.493639>



Keywords include: new materialism, experimental writing, sound art,
greenhouse, carnal sociology, feminist epistemology, photosculpture, 3D
printing, fanfiction, AI.





Michael Schwab’s editorial for JAR 17 points out current technical
developments in the Research Catalogue, and how they might impact the
notion of expositionality central to JAR’s vision of artistic research: *RC
expositions need to be more flexible to adapt to the many approaches that
artists may employ when exposing their practice as research. While the
exposing practice need not be conceived as identical with the practice that
is exposed, the relationship an exposition creates between layers of
practice is vital to the expositional power on which the achievement of,
for instance, transdisciplinarity depends between a discipline (or
practice) and another.*



Take a look at JAR17 and read the full editorial here
<http://jar-online.net/issues/17>.





The ‘Network’ pages of JAR’s website offer three reflections on artistic
research. In ‘Philosophy AS artistic research:* Philosophy On Stage
<https://jar-online.net/philosophy-artistic-research-philosophy-stage>,’
Arno Böhler proposes a new figure of philosopher, one that, in the wake of
Nietzsche’s reversal of Platonism, acts creatively in a way that is close
to that of an artist. In ‘Artistic Research in the Global East: A Book with
(Pro)Positions from Lithuania
<https://jar-online.net/artistic-research-global-east-book-propositions-lithuania>,’
Vytautas Michelkevičius comments the specific situation of artistic
research in Lithuania, pointing out specificities, obstacles, and
opportunities related to the Lithuanian cultural and linguistic situation.
Finally, in ‘Art Epistemology (Project for a Review)
<https://jar-online.net/art-epistemology-project-review>,’ Ido Govrin
starts from an account of the annual conference of the Universities Art
Association of Canada a reflection on the role of artistic research in the
epistemic landscape.





The ‘Network <http://jar-online.net/network>’ is a non-peer-reviewed space
on the JAR website for discussion, reviews and opinion pieces relevant to
artistic research and JAR’s community. It carries no restrictions in terms
of language, length, topic or theme. Read all contributions here
<http://www.jar-online.net/network>.





The Journal for Artistic Research (JAR) is an international, online, Open
Access and peer-reviewed journal that disseminates artistic research from
all disciplines. JAR invites the ever-increasing number of artistic
researchers to develop what for the sciences and humanities are standard
academic publication procedures. It serves as a meeting point of diverse
practices and methodologies in a field that has become a worldwide movement
with many local activities.



JAR provides a digital platform where multiple methods, media and
articulations can function together to generate insights in artistic
research endeavours. It seeks to promote ‘expositions’ of practice as
research. In JAR artistic research is viewed as an evolving field where
research and art are positioned as mutually influential. Recognising that
the field is ever developing and expanding, JAR remains open to continued
re-evaluation of its publishing criteria.



If you are considering submitting something to the journal be sure to look
at our guidelines <http://www.jar-online.net/submissions/>.



JAR works with an international editorial board and a large panel of
peer-reviewers.



Editor in Chief: Michael Schwab

Peer Review Editor: Julian Klein



Editorial Board: Annette Arlander, Lucia D’Errico, Barnaby Drabble, Mika
Elo, Azadeh Fatehrad, Yara Guasque, and Mareli Stolp.



JAR is published by the Society for Artistic Research
<http://www.societyforartisticresearch.org/society-for-artistic-research/>
(SAR), an independent, non-profit association. You can support JAR by
becoming an individual or institutional member of SAR
<http://www.societyforartisticresearch.org/membership/membership-schemes/>.
For updates on our activities, join our mailing list
<http://www.societyforartisticresearch.org/membership/subscribe-newsletter/>
.



If you want to reach us, please use our contact form
<http://jar-online.net/#eluid2cda18e9>.

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