Call for Chapters:
Interrupting Globalisation: Heterotopia in the Twenty-First Century

Confirmed contributors:
Kevin Hetherington, author of Badlands of Modernity: Heterotopia and Social Ordering
Lieven De Cauter, editor of Heterotopia and the City: Public Space in a Postcivil Society

Editors: Simon Ferdinand, Irina Souch and Daan Wesselman (the University of Amsterdam)

Keywords: heterotopia, globalisation, discourse, space, art, literature, film, popular culture

Can heterotopia help us make sense of globalisation? A heterotopia, in Michel Foucault’s initial
formulations, describes the spatial articulation of a discursive order, manifesting its own distinct logics and
categories in ways that refract or disturb prevailing paradigms. As part of the “reassertion of space” or
“spatial turn” that has gathered pace in the humanities and social sciences from the 1980s onwards (Soja
1989; Warf and Arias 2009), the concept of heterotopia has enjoyed broad critical appeal across literary
studies, visual culture and cultural geography (Dehaene and De Cauter 2008). Allowing critics to grasp how
discourse and space fold together in the construction of enclosed or discrepant domains, the term has been
applied to an enormous variety of real and imagined cultural spaces, ranging from Hashima Island to
Melville’s Pequod, Ramadan festival to Kowloon Walled City. And yet, despite its popularity, the concept of
heterotopia stands in tension with other critical approaches and spatial terms in cultural theory. If
heterotopias are marked off by virtue of the discursive difference they embody, current concepts of world
systems, planetarity and above all globalisation emphasise “the widening, deepening and speeding up of
worldwide interconnectedness” (Held, McGrew and Goldblatt 1999, 2). Twenty-first century globalisation is
often characterised by a tumultuous undifferentiation of cultural spaces, in which formerly integral identities
bleed into one another, diverse polities are commonly exposed to ecological risks, and sovereign territories
fade amid shifting new configurations.

If globalising flows and planetary precarities might first seem to flatten heterotopian difference, they also
constitute novel forms of heterotopia in that globalisation preconditions clashes among once distant
discursive realms. This volume calls on scholars and critics across disciplines to explore the contrary
dynamics through which heterotopian practices not only persist but proliferate amid twentieth-first century
globalisation. What are the new forms assumed, and new spaces produced, by heterotopian imaginations
today? How does heterotopian form interrupt or problematise dominant spaces, practices and policies, not
least those of neoliberal globalisation and environmental governance? How have established heterotopias
been reconfigured or remediated in the global present? What is at stake, for instance, in the transition from
graveyard to mobile cryogenic storage units as a social mode of being-toward-death; from the fascist rally to
the alt-right blog as the expression of political reaction? In the move from the elite boarding school to U.S.
child migrant internment facilities as a passage to adulthood; from water-going vessels to interplanetary
ships and stations as a means of traversing inhospitable spaces?

In addressing these and other questions pertaining to heterotopia and globalisation, contributors are invited to
submit abstracts for chapters exploring heterotopian forms and expressions in film, literature, art, music,
television and socio-political practice, relating to any genre, medium or geographical context. Possible topics
might include (but are not limited to):
—applications of heterotopia to diverse new political, social, cultural and ecological realities;
—progressive and/or reactionary manifestations of heterotopia in global cultures;
—both representations of heterotopias and heterotopian social practices;
—either pre-eminently spatial or pre-eminently discursive heterotopian forms;
—digital manifestations of heterotopia;
—the presence of more-than-human agents in heterotopias;
—cosmopolitan, sub- or post-national forms of heterotopia.

Submission
Please submit abstracts (max. 300 words) for a full chapter, together with a short academic CV (max. 200
words), to [log in to unmask] by 15 September 2018. Once contributors have been selected, we will
send a book proposal to Palgrave Macmillan and Bloomsbury Academic. Provisionally, we envisage the
following schedule:

15 Oct 2018 confirmation of selected authors
1 Mar 2019 submission of draft chapters
1 Aug 2019 submission of revised chapters
1 Sep 2019 submission of full manuscript to Publisher

References
Dehaene, Michiel and Lieven de Cauter (eds.), Heterotopia and the City: Public Space in a Postcivil Society
(London: Routledge, 2008)
Held, David, Anthony McGrew, David Goldblatt and Jonathan Perraton, Global Transformations, Politics,
Economics and Culture (Stanford: Stanford University Press, 1999)
Warf, Barney and Santa Arias (eds.), The Spatial Turn: Interdisciplinary Perspectives (London: Routledge,
2009)
Soja, Edward, Postmodern Geographies: The Reassertion of Space in Critical Social Theory (London:
Verso, 1989)

########################################################################

To unsubscribe from the CRIT-GEOG-FORUM list, click the following link:
https://www.jiscmail.ac.uk/cgi-bin/webadmin?SUBED1=CRIT-GEOG-FORUM&A=1