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NEW-MEDIA-CURATING  December 2017

NEW-MEDIA-CURATING December 2017

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Subject:

Re: New Media Public Art Conversation

From:

Mike Stubbs <[log in to unmask]>

Reply-To:

Mike Stubbs <[log in to unmask]>

Date:

Thu, 14 Dec 2017 06:04:59 -0500

Content-Type:

text/plain

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co-design
better contracting and understanding of contracts (both sides)
stop using the term perpitutity
acceptance of temporality
a plan for legacy or limited duration
budget accordingly

id love rafas input here ?





On 13 December 2017 at 20:18, Diamond, Sara <[log in to unmask]> wrote:

> Hi Paul,
>
>
> Thanks for responding.  These stories are hair raising. What do you think
> would be a solution?  Shorter term exhibitions that then can be
> decommissioned elegantly?  Required budget for maintenance?  Whose
> responsibility is this?  How do you manage (and your family!) platform
> change?
>
>
> Interested to know....
>
> DR. SARA DIAMOND
> PRESIDENT & VICE-CHANCELLOR,
> O. OF ONT., RCA
> T 416 977 6000 x300
> E [log in to unmask]
> OCAD UNIVERSITY
> 100 McCaul Street, Toronto, Canada, M5T 1W1
> www.ocadu.ca<http://ocadu.ca/>
>
> http://facebook.com/ocaduniversity
> http://twitter.com/OCAD
> https://www.instagram.com/ocaduniversity/
>
> IGNITE IMAGINATION!
> OUR MANDATE IS NOT SIMPLY TO IMAGINE THE FUTURE,
> BUT TO HELP CREATE IT.
> ________________________________
> From: Paul Brown <[log in to unmask]>
> Sent: December 4, 2017 6:50:50 PM
> To: [log in to unmask]
> Cc: Diamond, Sara
> Subject: Re: [NEW-MEDIA-CURATING] New Media Public Art Conversation
>
> Hi Sara
>
>  3.  What makes a new media public art work fail?
>
> In my experience - as someone who has made several major public art works,
> some dating back to the 1960’s - is that it’s fairly easy to get big chunks
> of upfront money to commission a public artwork but very difficult to get
> recurrent funding to maintain them.  This is a particular problem for
> non-static artworks and it’s also true for most art projects not just ones
> in the public domain.  I am full of respect for Changi Airport’s policy in
> this regard - they have a number of extremely complex artworks that are
> rarely out of order:
>
>   http://www.changiairport.com/en/airport-experience/
> attractions-and-services/kinetic-rain.html — this is just one of several.
>
> My own worst experience is with the artwork pictured below.  During the
> commissioning process the local council public artwork managers insisted
> that the building developers included a clause in the eventual building
> managers contract insisting they take out ongoing maintenance cover for the
> work.  It now turns out that they didn’t and the artwork has stopped
> working (after 5 years) with no plans to repair it.  I am, of course,
> disappointed but there’s nothing I can do about it.
>
> My partner Wendy Mills has made many public artworks that are now
> decommissioned or in storage like this one:
>
>   http://wendy-mills.com/public/occasi.htm
>
> … and my son Daniel has similar experiences as for example with his Video
> Wall Installation for W Hotels
>
>   http://danielbrowns.com  — and scroll down or search for “W Hotels" to
> view.
>
> If you’d like to know more please get in touch.
>
> All best
> Paul
>
> The image was rejected by the listserv so use this link instead:
>
>   http://www.paul-brown.com/GALLERY/PUBLICAR/fourdragons-01.HTM
>
> Paul Brown, Four Dragons, LED display, 1750 x 1750 mm, 2012
> Art Management: Brecknock Consulting
> The time-based version is here<http://www.paul-brown.com/GALLERY/TIMEBASE/
> fourdragons/index.html>
>
>
> ====
> Paul Brown
> http://www.paul-brown.com == http://www.brown-and-son.com
> UK Mobile +44 (0)794 104 8228
> Skype paul-g-brown
> ====
> Honorary Visiting Professor - Sussex University
> http://www.cogs.susx.ac.uk/ccnr/research/creativity.html
> ====
>



-- 

@MikeStubbs
Director
FACT
www.fact.co.uk

88 Wood Street
Liverpool L1 4DQ

+ 44 (0) 151 707 4444

skype name: mikestubbs45

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