PhD scholarships at the School of Media and Communication, University of Leeds (UK)
The School of Media and Communication at the University of Leeds (UK) is pleased to offer a number of scholarships for doctoral research commencing in October 2018. The scholarships cover tuition fee and full maintenance costs and support full-time PhD studies with the aim to complete within three years. The scholarships are funded by the School, the ESRC and the AHRC respectively and open to both UK/EU and international students. Details of the available scholarships, the application process and other useful information can be found at http://media.leeds.ac.uk/pg/phd/.
Scholarships are merit-based and offered to candidates with a strong academic record. A convincing proposal outlining the PhD project will be essential for a successful application. A close fit with the research areas of the School will be an advantage:
- Digital cultures
- Global communication
- Journalism
- Media industries and cultural production
- Political communication
- Visual media and communication
The School of Media and Communication is one of the leading departments in the field in the UK with a reputation for innovative and socially engaging research. PhD students are part of a vivid research culture providing the opportunity to participate in the activities of the School's research groups and to present their work both within the School and at conferences.
If you need more information, please contact [log in to unmask]
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From: Media, Communications and Cultural Studies Association (MeCCSA) [mailto:[log in to unmask]] On Behalf Of MECCSA automatic digest system
Sent: 15 November 2017 00:02
To: [log in to unmask]
Subject: MECCSA Digest - 13 Nov 2017 to 14 Nov 2017 (#2017-304)
There are 14 messages totaling 6366 lines in this issue.
Topics of the day:
1. British Library music doctoral open day: 8 December 2017
2. Tear Gas, Policing and Dissent - A Verso Book Launch in Bristol - Nov 30th
3. Prof Annette Hill - Seminar - Production and Audience Study on Endemol
Shine
4. WE MAKE STUFF: Play & Multiplatform
5. A publication for the francophones
6. Code and Clay, Data and Dirt: Five Thousand Years of Urban Media
7. Professor and Head of the School of Arts
8. Call for Contributions: “Documentary Film Cultures: Wales” (Edited
Collection)
9. British Music Video DVD Boxset release
10. Punk in the Provinces, Norwich Arts Centre, 23 November 6pm
11. AHRC SWW DTP PhD Scholarships & the Department of Theatre, Film and
Television Studies, Aberystwyth University
12. When postcolonial studies meets media studies
13. Creativity, Copyright and Citation - Learning on Screen Members' Day and
AGM 2017
14. IAMHIST Blog
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Date: Tue, 14 Nov 2017 09:13:05 +0000
From: "Roper, Amelie" <[log in to unmask]>
Subject: British Library music doctoral open day: 8 December 2017
With apologies for cross posting
Bookings are now open for the British Library Music Doctoral Open Day. This will take place on Friday 8 December 2017 in the British Library Knowledge Centre.
The day provides an introduction to the rich resources available at the British Library to support music research of all kinds. The draft programme is available at http://bit.ly/2yhEOje and this year has been revised to include more content on popular, world and traditional music (including sound recordings).
We warmly invite all music PhD students to attend. Masters students considering studying at doctoral level are also welcome.
Places can be booked at https://www.bl.uk/events/doctoral-students-open-day-music.
------------------------------------------------------------------------------------------
Dr Amelie Roper
Research Development Manager
The British Library
96 Euston Road
London
NW1 2DB
Phone: 020 7412 7483
Email: [log in to unmask]<mailto:[log in to unmask]>
Twitter: @amelieroper
www.bl.uk/research-collaboration
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------------------------------
Date: Tue, 14 Nov 2017 10:52:49 +0000
From: Anna Feigenbaum <[log in to unmask]>
Subject: Tear Gas, Policing and Dissent - A Verso Book Launch in Bristol - Nov 30th
Tear Gas, Policing and Dissent - A Verso Book Launch
Thu 30 November 2017
18:00 - 20:00 ?
Hydra Books
Bristol, UK
From the migrant camps in Calais to the elections in Nigeria, tear gas is used to control populations around the world. How did tear gas go from the battlefields of WWI to the most commonly used form of "less-lethal" police force? Join us for the launch of Tear Gas: From the Battlefields of WWI to the Streets of Today as we discuss the history of riot control policing and Britain's role in the rise and spread of this technology.
An engrossing century-spanning narrative, Tear Gas is the first history of this weapon, and takes us from military labs and chemical weapons expos to union assemblies and protest camps, drawing on declassified reports and witness testimonies to show how policing with poison came to be.
Books will be available for sale and beer and wine be available for a small donation.
https://www.versobooks.com/books/2109-tear-gas
BIO:
Anna Feigenbaum is co-author of the book Protest Camps, and her work has appeared in Vice, The Atlantic, Al Jazeera America, The Guardian, Salon, Financial Times, Open Democracy, New Internationalist, and Waging Nonviolence. She is a Senior Lecturer in the Faculty of Media and Communication at Bournemouth University. Her website is www.annafeigenbaum.com.<https://l.facebook.com/l.php?u=http%3A%2F%2Fwww.annafeigenbaum.com%2F&h=ATNcBUJW7yccFPG8zhShtiC3wqVYj2IHkD5GKfXeSk_n6FGxkHkFMlG0ac3CysIbE8FcW4VkiYSttTCy-x43UUx8iTw_wolDRUH1p5AwoxBPu1Sgs-6ostN29QDtGa7rAqtzByWO8wQE-BI&s=1&enc=AZNfWw8fodZCGP3i7tNCqf9hsQzavIe8zr97H8N5SYWm3y0IADgHz4RjjxNZgNRwOChoyw_IjU7-AM6F4dzgCpW0> Follow her on Twitter: @drfigtree.
Book Your Free Ticket Here --> https://www.eventbrite.co.uk/e/tear-gas-policing-and-dissent-a-verso-book-launch-tickets-39477839280?
Dr. Anna Feigenbaum
Principal Academic in Digital Storytelling
Faculty of Media and Communication
Weymouth House
Bournemouth University, Talbot Campus
Poole, Dorset BH12 5BB
United Kingdom
BU is a Disability Confident Employer and has signed up to the Mindful Employer charter. Information about the accessibility of University buildings can be found on the BU DisabledGo webpages. This email is intended only for the person to whom it is addressed and may contain confidential information. If you have received this email in error, please notify the sender and delete this email, which must not be copied, distributed or disclosed to any other person. Any views or opinions presented are solely those of the author and do not necessarily represent those of Bournemouth University or its subsidiary companies. Nor can any contract be formed on behalf of the University or its subsidiary companies via email.
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Date: Tue, 14 Nov 2017 10:58:58 +0000
From: "Jackson, Lizzie 13" <[log in to unmask]>
Subject: Prof Annette Hill - Seminar - Production and Audience Study on Endemol Shine
Dear colleagues,
It’s with great pleasure that I can announce that Prof Annette Hill will be giving an overview of her production and
Audience study on Endemol Shine (http://www.endemolshinegroup.com/). This is an important study that has produced
Highly interesting findings using an innovative range of research method including the development of cultural conversations
Between producers and audiences. Having seen the research presented at Audiences 2030, I recommend media and cultural
Scholars and doctoral students attend…it’s absolutely fascinating. Details are below….
Professor Annette Hill,
University of Lund and Visiting Professor, University of Westminster.
17:00-18:00 Wednesday 22nd November, 2017
Borough Road Gallery,
London South Bank University,
103, Borough Road,
London, SE1 OAA
(Elephant and Castle, Southwark, or Borough Tubes).
http://www1.lsbu.ac.uk/w2/boroughroadgallery/
A Cultural Conversation: dialogue across television industry, academia and audiences.
This paper critically reflects on the value of dialogue across television industry, academia and audiences in enhancing understanding of engagement and disengagement with screen culture. It takes as a starting point reflections on an industry-academic collaborative project between Lund University and Endemol Shine, funded by the Wallenberg Foundation. The Media Experiences project conducted production and audience research on a range of drama and entertainment during a three year period in several countries (2014-2016). The method of a cultural conversation was designed in order to highlight the value of listening and respect (Sennett 2003) across creative production and audience practices. We listened to the voices of producers and the values they created alongside the voices of audiences and their experiences. As such, academic researchers became a bridge across the industry-audience divide, humanising audiences so that alongside ratings performance and social media analytics, producers could get a sense of engagement as cultural resonance.
The research enabled an internal understanding of creative values in Endemol Shine and reflexivity about creative production and practice (Macintyre, Fulton and Paton 2016). The research also enabled an internal re-valuing of audience engagement with content across a spectrum of platforms, including formal and informal media economies (Lobato and Thomas 2012). From a more theoretical perspective the intense relationship work of production and audience research in this project highlighted a new semantics of engagement, where its relational power comes to the fore; engagement as relational captures the collaborative experiences of creatives working together to produce a drama for example, and audience relationships with these writers, directors, or actors and extras, with platforms, brands and marketing campaigns. The power dynamics surrounding the relationships between the creative and the executive producers and broadcasters/distributors highlights how trust can be all too easily be broken by decisions from on high about budgets, marketing, or scheduling. And the power dynamics for audiences, fans, and consumers, highlights how a new semantics of engagement is urgently needed to understand the cultural resonance of television for future audiences (Hill 2016, 2017). For industry stakeholders, an engagement strategy needs to have a portfolio of connection points in order to capture the interplay between varieties of audiences and their spectrum of engagement with cross media content. For academic researchers, television itself can make or break engagement, something hard won but so easily lost in the new landscape of television content across broadcast and digital spaces.
I hope to see you there.
All the best,
Lizzie
Professor Lizzie Jackson | PhD | FRSA
Director of Research| School of Arts and The Creative Industries | London South Bank University |
103 Borough Road | London SE1 0AA
t: +44 (0)20 7815 5471
m: +44 (0) 7808725141
e: l<mailto:[log in to unmask]>[log in to unmask]
twitter: @lizziej
skype: london-lizzie.Jackson
Research Project Website: https://www.creativemediaclusters.com/
[cid:95476810-816E-4109-B8B0-8B3AC666FB0F]
Become what you want to be
[cid:6ECE5780-31DB-4294-81EC-2B42B8A72D32]
Copyright in this email and in any attachments belongs to London South Bank University. This email, and its attachments if any, may be confidential or legally privileged and is intended to be seen only by the person to whom it is addressed. If you are not the intended recipient, please note the following: (1) You should take immediate action to notify the sender and delete the original email and all copies from your computer systems; (2) You should not read copy or use the contents of the email nor disclose it or its existence to anyone else. The views expressed herein are those of the author(s) and should not be taken as those of London South Bank University, unless this is specifically stated. London South Bank University is a company limited by guarantee registered in England and Wales. The following details apply to London South Bank University: Company number - 00986761; Registered office and trading address - 103 Borough Road London SE1 0AA; VAT number - 778 1116 17 Email address - [log in to unmask]
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------------------------------
Date: Tue, 14 Nov 2017 11:04:36 +0000
From: Charlie Tweed <[log in to unmask]>
Subject: WE MAKE STUFF: Play & Multiplatform
WE MAKE STUFF: Play & Multiplatform
A chance for the creative sector and the local community to engage and
collaborate with the dynamic media research at Bath Spa University.
*Monday 27 November 2017*
*Wine Reception*: 5.30pm
*Event*: 6-9pm
*Burdall's Yard*,
7A Anglo Terrace, Avon, Bath, BA1 5NH
*How can we utilise play and cross-media storytelling strategies to
generate change?*
Exploring how we might better employ creative practices of play and
multi-platform storytelling strategies to generate social change, *We
Make Stuff:
Play and Multi-Platform* is the third in the series of public engagement
events organised by the Media Convergence Research Centre.
The event will consist of presentations delving into different ways in
which playable media, namely gaming and apps, and new transmedia approaches
can be used to empower communities in a variety of contexts, spanning
education in Latin America, national gaming attractions, and questions of
local place.
Presentations will be followed by a Q&A discussion panel.
We are privileged to also feature an interactive serious gaming workshop
led by *John Curry*, Senior Lecturer in Games Development. Here you will
get the chance to test out serious gaming techniques in various scenarios
spanning political, community and social contexts. The process will engage
with facing dilemmas and use gaming strategies to ensure that all potential
solutions are looked at in the search for the optimum outcomes.
The event commences with a welcome wine reception from 5:30pm.
*Featured presentations include:*
*James Newman* will speak about his work at The National Videogame Arcade
(NVA). Opening to the public in early 2015, The NVA is a gallery, museum
and visitor attraction. Set across 33,000 square feet filled with bespoke
exhibits, The NVA has welcomed tens of thousands of visitors and delivers
educational programmes for schools and informal learners. James will
discuss his research and curatorial work building The NVA collections; the
collaborations with developers and publishers including Sega, Sports
interactive and Ustwo; international museum and heritage sector partners;
and the outreach and public engagement activity involved in developing
educational programmes, lectures and workshops series, and festivals.
Professor James Newman is Professor of Digital Media.
*Ron Herrema* will present *Trespass*, an iPhone app/artwork he created in
collaboration with artist Layla Curtis. Trespass uses one of Curtis'
custom-drawn maps to present the stories of numerous residents connected
with a contested green space in Lancaster, Freeman’s Wood. A local gallery,
Storey G2, explored this issue and commissioned Curtis to create the work.
A location-based app, it requires the user to trespass in order to access
most of its content.
Dr Ron Herrema is Senior Lecturer in Creative Computing.
*Matthew Freeman* will present work from *Desarmados* (*Disarmed*), a
project which aims to harness commercial research ideas about storytelling
across multiple media platforms as a tool for documenting the Cololmbian
citizens of Medellín and for narrativizing their memories of the Colombian
armed conflict. An innovative multiplatform project supported by the
Colombian Ministry of Culture, Desarmados seeks to reconstruct the cultural
memory of the Colombian armed conflict, and develop workshops with a number
of secondary schools in Medellin to help engage young people in the project
and to test new transmedia storytelling education materials as tools for
social enterprise between survivors and civil society.
Dr Matthew Freeman is Reader in Transmedia Communication and Director of
the Media Convergence Research Centre.
*The event is free for BSU staff and students. To book your ticket, please
contact Matthew Freeman ([log in to unmask]
<[log in to unmask]>).*
*More information about the event can also be found here
<https://www.bathspa.ac.uk/news-and-events/events/play-and-multiplatform/>.*
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------------------------------
Date: Tue, 14 Nov 2017 12:05:51 +0000
From: Janey Gordon <[log in to unmask]>
Subject: A publication for the francophones
A publication for the francophones amongst you...
Regards sur l'évaluation des apprentissages en arts à l'enseigne (Nov 15 2017) Presses de l'Université du Québec
by Diane Leduc<https://www.amazon.ca/s/ref=dp_byline_sr_book_1?ie=UTF8&field-author=Diane+Leduc&search-alias=books-ca> et Sebastien Beland (sous la direction)
[https://images-na.ssl-images-amazon.com/images/I/51yoF6N8uHL._SX327_BO1,204,203,200_.jpg]
May I humbly recommend my own contribution, Chapitre 9
"Les facteurs wow : l’évaluation dans les disciplines médiatiques et de création"
Janey
Dr Janey Gordon
Principal Lecturer
University of Bedfordshire
[log in to unmask]
[1456052446330_PastedImage] [1456052324539_PastedImage] [1468397240513_PastedImage]
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------------------------------
Date: Tue, 14 Nov 2017 12:26:41 +0000
From: Charlotte Anderson <[log in to unmask]>
Subject: Code and Clay, Data and Dirt: Five Thousand Years of Urban Media
Dear Subscribers,
A new publication from University Of Minnesota Press
Free postage to UK customers
http://www.combinedacademic.co.uk/code-and-clay-data-and-dirt
Code and Clay, Data and Dirt
Five Thousand Years of Urban Media
Shannon Mattern
"Code and Clay, Data and Dirt has style and method, originality and purpose. Each dig into this exceptional work has brought pleasure and scholarly respect."—Malcolm McCullough, author of Digital Ground
"Code and Clay, Data and Dirt is a vital new contribution to media archaeology. Using multisensory, archival, and speculative methods, this book’s riveting journey through the deep time of media explores how cities inscribe, transmit, perform, and reverberate. Responding to the current fascination with big data and smart cities, Shannon Mattern powerfully demonstrates that cities have always been sites of urban intelligence."—Lisa Parks, Massachusetts Institute of Technology
"This is highly synthetic and sophisticated work, and Shannon Mattern is generous to her readers, serving as an informed guide to a complex past. She pushes us to a rich archaeological encounter with the layered presence of the past, as well as its vanished remains and traces, to think about ways of reading the world in its full artifactuality. The book is a wonderfully vivid account and analysis of the intersections of media technologies and urban landscapes."—Johanna Drucker, University of California, Los Angeles
For years, pundits have trumpeted the earthshattering changes that big data and smart networks will soon bring to our cities. But what if cities have long been built for intelligence, maybe for millennia? In Code and Clay, Data and Dirt Shannon Mattern advances the provocative argument that our urban spaces have been “smart” and mediated for thousands of years.
Offering powerful new ways of thinking about our cities, Code and Clay, Data and Dirt goes far beyond the standard historical concepts of origins, development, revolutions, and the accomplishments of an elite few. Mattern shows that in their architecture, laws, street layouts, and civic knowledge—and through technologies including the telephone, telegraph, radio, printing, writing, and even the human voice—cities have long negotiated a rich exchange between analog and digital, code and clay, data and dirt, ether and ore.
Mattern’s vivid prose takes readers through a historically and geographically broad range of stories, scenes, and locations, synthesizing a new narrative for our urban spaces. Taking media archaeology to the city’s streets, Code and Clay, Data and Dirt reveals new ways to write our urban, media, and cultural histories.
Shannon Mattern is associate professor in the School of Media Studies at The New School in New York. She is author of The New Downtown Library: Designing with Communities and Deep Mapping the Media City, both from Minnesota.
University Of Minnesota Press | November 2017 | 288pp | 9781517902445 | Paperback | £21.99*
20% discount with this code: CSL1117CCDD**
*Price subject to change.
**Offer excludes North & South America , Australia, New Zealand & Japan
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Any messages posted to the list are subject to the JISCMail acceptable use policy, which states that users should avoid engaging in unreasonable behaviour, or disrupting the general flow of discussion on a list.
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------------------------------
Date: Tue, 14 Nov 2017 12:59:08 +0000
From: Katja Krebs <[log in to unmask]>
Subject: Professor and Head of the School of Arts
The University of Bristol is looking to appoint an outstanding candidate as Professor and Head of the School of Arts who can provide inspirational leadership and strategic management within the School.
This is a key academic leadership position within the University of Bristol, supporting the attainment of the University’s vision and overall objectives, and participating in the collective formulation and delivery of the University’s academic strategy. We are looking for a proven track record of excellent partnership working both internally and externally as well as academic excellence within your chosen field with the ability to engage, lead and influence across wide range of inter-faculty disciplines. The Head of School will also have a deep commitment to equality, diversity and inclusion.
The School of Arts (www.bristol.ac.uk/school-of-arts/<http://www.bristol.ac.uk/school-of-arts/>) is the hub for five vibrant academic departments: Anthropology and Archaeology, Film and Television, Music, Philosophy, and Theatre. The School is a major contributor to the cultural activities of both the University and the City of Bristol. It has around 1000 students and 90 staff and these numbers continue to grow.
With a population of over 400,000, Bristol is the largest city in the South West and the region’s leading centre for business, culture and education. Bristol was named the best city to live in by the Sunday Times in their "Best Places to Live in Britain" 2014, which noted that the city boasts “one of the lowest unemployment rates in the country, varied and beautiful housing stock, decent schools, buzzy culture and night life and access to some fantastic countryside”.
For additional information on the role including full candidate brief please see the document in the link below.
http://www.bristol.ac.uk/jobs/find/details.html?nPostingID=6785&nPostingTargetID=35614&option=28&sort=DESC&respnr=3&ID=Q50FK026203F3VBQBV7V77V83&Resultsperpage=10&lg=UK&mask=uobext
To apply, please submit a comprehensive CV along with a covering letter setting out your interest in the role and details of how you match the role and person specifications for the post.
Applications should be received by 11:59pm on Sunday 26th November 2017.
The interview process is anticipated to be held over two days on 1st and 2nd February 2018. Candidates are asked to hold these dates in their diaries accordingly.
For more information or an informal discussion please contact Professor Michael Basker, Dean of Faculty, at [log in to unmask]<mailto:[log in to unmask]> or Dr Neal Farwell, current Head of School [log in to unmask]<mailto:[log in to unmask]>.
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MeCCSA is the subject association for the field of media, communication and cultural studies in UK Higher Education.
This mailing list is a free service and is not restricted to members. It is an unmoderated list and content reflect the views of those who post to the list and not of MeCCSA as an organisation.
MeCCSA recommends that the list be used only for posting of information (for example about events, publications, conferences, lectures) of interest to members or to promote discussion of current issues of wide general interest in the field. Posts to the MeCCSA mailing list are public, indexed by Google, and can be accessed from the JISCMail website (http://www.jiscmail.ac.uk/lists/meccsa.html).
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For further information, please visit: http://www.meccsa.org.uk/
------------------------------
Date: Tue, 14 Nov 2017 13:39:24 +0000
From: "Dafydd Sills-Jones [dfs]" <[log in to unmask]>
Subject: Call for Contributions: “Documentary Film Cultures: Wales” (Edited Collection)
DEADLINE REMINDER: December 10th, 2017 - Abstract submission deadline
Call for Contributions
“Documentary Film Cultures: Wales” (Edited Collection)
Editors:
Professor Elin Haf Gruffydd Jones & Dr Dafydd Sills-Jones, Aberystwyth University
The purpose of this edited collection is to gather together the latest research and opinion on the documentary film culture of Wales, for a book in the new Documentary Film Cultures series from Peter Lang (https://www.peterlang.com/view/serial/DFC).
Documentary in contemporary Wales has evolved as part of a wider national emergence from a British context, marked by the appointment of Cardiff as Wales’ capital as late as 1955, the launch of a Welsh language broadcaster Sianel 4 Cymru (S4C) in 1982, and the founding of Y Senedd (National Assembly for Wales) following the referendum of 1997. It is closely linked to the British tradition, and especially to the BBC documentary film values of authority, facticity and dominant political discourse. Most of Wales’ documentary output has been produced by televisual broadcasters such as BBC Cymru/Wales, HTV Wales and Sianel 4 Cymru (S4C). This has had a specific and complex effect on the way documentary has presented reality, and projected notions of Welshness.
In recent years, there has been a shift towards a more independent mode of production, with Welsh filmmakers taking their place in an international community of production, co-production and distribution. These shifts include the founding of a national festival of documentary (WIDF), a national guild of documentary makers (DOGFEN Cymru), and new documentary strands developed by S4C, activist documentary production and emergent filmmakers within academia. This book seeks to place this new, emerging, transnational, multi-lingual and aspirational ecosystem next to the older system that gave it life, in an attempt to trace the development of a film culture in a specific instance of small nation cinema dynamics.
This exciting new book from Peter Lang series provides a space for exploring the development of documentary film cultures in the contemporary context. The series takes an ecological approach to the study of documentary funding, production, distribution and consumption by emphasizing the interconnections between these practices and those of other media systems. It thus encourages new ways of understanding documentary films or practices as part of other, wider systems of cultural production.
Therefore, we are looking for contributions on the contemporary documentary culture/ecology of Wales, from any perspective, including:
- Contemporary Production Structures and Cultures
- Historical Background to the Contemporary Scene
- Welsh Language Documentary
- Bilingualism and Documentary in Wales
- Legislative Frameworks and Documentary Output
- Alternative Documentary Aesthetics and Practices
- Activist & Community: Not-For-Profit Documentary
- Welsh Documentary Auteurs
- A ‘Welsh’ Documentary Aesthetic
- Wales And the British documentary tradition
- Transnational Welsh Documentary
- Documentary in the Academy
- Welsh Documentary Audiences
- Welsh Identity and Documentary / Identity and Welsh Documentary
We are open to formats that could include but are not limited to: traditional book chapters (6-7k), short opinion/provocation pieces (2-3K), dialogues and interviews.
Timeline:
December 10th, 2017 - Abstract submission deadline
January 8th – Notification of acceptance
May 2018 – contributions due
May – September 2018 - Peer review / revisions
Publication – late 2018/early 2019
Please email 300 word abstract and 150 word biography to [log in to unmask]<mailto:[log in to unmask]> & [log in to unmask]<mailto:[log in to unmask]>
Dr Dafydd Sills-Jones
Cyd-olygydd Cyfres | Series Co-editor: Documentary Film Cultures (Peter Lang): https://www.peterlang.com/view/serial/DFC
Cyfarwyddwr Astudiaethau Uwchraddedig | Director of Postgraduate Studies
Athrofa Celfyddydau a Dyniaethau | Institute of Arts and Humanities
Darlithydd Diwylliannau Cynhyrchu Cyfryngau | Lecturer in Media Production Cultures
Adran Astudiaeth Theatre, Ffilm a Theledu | Department of Theatre, Film and TV Studies
Prifysgol Aberystwyth | Adeilad Parry-Williams | Campws Penglais | Aberystwyth | SY23 3AJ
T: (01970) 628464 / 07740256532 | http://www.aber.ac.uk/en/tfts/staff/dfs/
--------------------------------------------------------------------
Prifysgol Aberystwyth www.aber.ac.uk
Prifysgol y Flwyddyn ar gyfer Ansawdd Dysgu - The Times & The Sunday Times 2018.
Aberystwyth University www.aber.ac.uk
University of the Year for Teaching Quality - The Times & The Sunday Times 2018.
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MeCCSA recommends that the list be used only for posting of information (for example about events, publications, conferences, lectures) of interest to members or to promote discussion of current issues of wide general interest in the field. Posts to the MeCCSA mailing list are public, indexed by Google, and can be accessed from the JISCMail website (http://www.jiscmail.ac.uk/lists/meccsa.html).
Any messages posted to the list are subject to the JISCMail acceptable use policy, which states that users should avoid engaging in unreasonable behaviour, or disrupting the general flow of discussion on a list.
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------------------------------
Date: Tue, 14 Nov 2017 13:53:44 +0000
From: Justin Smith <[log in to unmask]>
Subject: British Music Video DVD Boxset release
Dear Colleagues
We are delighted to announce that Power to the People: British Music Videos 1966-2016, a newly curated work by Professor Emily Caston, is released on Amazon from 4th December and is available for pre-order now: http://amzn.eu/dxyOcUX
This is a special and limited edition DVD Boxset presenting 200 music videos produced in Britain between 1966 and 2016. Each video has been selected by a panel of over 100 directors, producers, editors, colourists and commissioners as a representation of a landmark in British music video history - whether by adoption of a new technology, distribution platform, music genre, or performance style. Accompanying the 6-disc collection is an Introductory Essay by Emily Caston explaining the curatorial principles and ambitions of the collection which is organised into 6-Discs titled ‘Performance’, ‘Concept’, ‘Dance’, ‘Stories’, ‘Wit’, and ‘Portraits’, with sub-genres such as ‘Pop Will Eat Itself’. The Boxset contains unprecedented list of production credits for each of the 200 music videos – giving students for the first time the chance to identify the leading filmmakers, VFX companies and production companies who made these influential works and who have constituted the little-documented music video industry in Britain.
We are thrilled to say that the collection features two new digitally re-mastered videos: Flowered Up’s 'Weekender' (1992), said to have inspired Danny Boyle’s Trainspotting, made possible because WIZ, the director, kept the original 35mm print in his attic for 25 years, and a digitally re-mastered copy of Manfred Mann’s ‘The Mighty Quinn’ (1968) created from a forgotten 16mm print located in the BFI’s archives. It includes videos for artists ranging from The Who and The Rolling Stones, to Siouxsie & the Banshees, The Cure, Eurythmics, The Human League, Joy Division, New Order, The Clash, Kate Bush, George Michael, Sade, So Solid Crew, The Prodigy, Massive Attack, Orbital, The Aphex Twin, Blur, Radiohead, Bjork, Tricky, PJ Harvey, Basement Jaxx, The Chemical Brothers, Dizzee Rascal, M.I.A. and FKA Twigs.
The Boxset accompanies Professor Caston’s forthcoming book on British Music Videos (Edinburgh University Press), and a new National Collection of Landmark British Music Videos held at the BFI National Film Archive – all outputs of the AHRC-funded project Fifty Years of British Music Video (University of Portsmouth, University of the Arts London and University of West London). The collection is being sold with the generous support of the BPI, British record labels, artists and managers who have invested considerable resources in the production and distribution of the work in order to support greater teaching, research and appreciation of the craft of music videos.
We have only a limited number of copies to sell at a special price (RRP £39.99), so please do encourage your students and librarians to purchase while stocks last!
Kind regards
Professor Justin Smith, Ph.D., FHEA
Professor of Cinema and Television History
Leicester Media School
Faculty of Technology
De Montfort University
The Gateway
Leicester
LE1 9BH
Reviews Editor: Journal of British Cinema and Television<http://www.euppublishing.com/journal/jbctv>
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This mailing list is a free service and is not restricted to members. It is an unmoderated list and content reflect the views of those who post to the list and not of MeCCSA as an organisation.
MeCCSA recommends that the list be used only for posting of information (for example about events, publications, conferences, lectures) of interest to members or to promote discussion of current issues of wide general interest in the field. Posts to the MeCCSA mailing list are public, indexed by Google, and can be accessed from the JISCMail website (http://www.jiscmail.ac.uk/lists/meccsa.html).
Any messages posted to the list are subject to the JISCMail acceptable use policy, which states that users should avoid engaging in unreasonable behaviour, or disrupting the general flow of discussion on a list.
For further information, please visit: http://www.meccsa.org.uk/
------------------------------
Date: Tue, 14 Nov 2017 14:08:58 +0000
From: "George McKay (AMA - Staff)" <[log in to unmask]>
Subject: Punk in the Provinces, Norwich Arts Centre, 23 November 6pm
If you are in the area, do join us for this free event (tickets below). George
40 years on from punk rock, come and join in an evening’s conversation between local fans from Norwich in ‘77, journalists and academics discussing the significance and legacy of punk in the provinces.
.
6pm
Doors open
.
6.15
Welcome to the evening: Prof George McKay and Dr Lucy Wright, UEA
.
6.30-7.15
Prof Matt Worley, University of Reading, discusses his brand new book No Future: Punk, Politics and British Youth Culture 1976-84
.
7.30-8.15
Richard Balls, Norwich-based author of Sex & Drugs & Rock & Roll: The Life of Ian Dury, and Be Stiff: The Stiff Records Story and Jonty Young, co-curator of Punk in the East exhibition, Marketing Director The Lanes, Norwich each talk about their work, and about the significance of punk outside its key metropolitan centres.
.
8.30-9.15
Dr Helen Reddington, University of East London, punk musician, author of The Lost Women of Rock: Female Musicians of the Punk Era and Dr Gina Arnold, US critic and academic, University of San Francisco, whose books include Route 666: On the Road to Nirvana and Exile from Guyville each talk about their work, from US and UK perspectives, and punk in relation to music, place, identity
.
11pm
NAC doors close
Tickets are free and can be reserved at http://norwichartscentre.co.uk/events/punk-in-the-provinces/
Prof George McKay, AHRC Leadership Fellow Connected Communities<http://connected-communities.org/>,
Film, Television & Media Studies,
University of East Anglia,
Norwich NR4 7TJ, UK
Tel: +44 (0)779 1077 074; +44 (0)1603 592152.
Recent publications: ed. The Pop Festival: History, Music, Media, Culture<http://georgemckay.org/thepopfestival/> (Bloomsbury, 2015)
From Glyndebourne to <http://ueaeprints.uea.ac.uk/59132/> Glastonbury: The Impact of Music Festivals in Britain<http://ueaeprints.uea.ac.uk/59132/> (AHRC/UEA, 2016)
[id:[log in to unmask]]
UK Top 15 (The Times/Sunday Times 2018 and Complete University Guide 2018)
World Top 200 (Times Higher Education World University Rankings 2018)
[id:[log in to unmask]] [id:[log in to unmask]] <http://www.facebook.com/ueaofficial> [id:[log in to unmask]] <http://www.twitter.com/uniofeastanglia> [id:[log in to unmask]] <http://uniofeastanglia.tumblr.com/> [id:[log in to unmask]] <http://www.flickr.com/uniofeastanglia> [id:[log in to unmask]] <http://www.linkedin.com/edu/school?id=12699> [id:[log in to unmask]] <http://www.youtube.com/ueaofficial> [id:[log in to unmask]] <http://instagram.com/uniofeastanglia>
This email is confidential and may be privileged. If you are not the intended recipient please accept my apologies; please do not disclose, copy or distribute information in this email or take any action in reliance on its contents: to do so is strictly prohibited and may be unlawful. Please inform me that this message has gone astray before deleting it. Thank you for your co-operation.
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MeCCSA is the subject association for the field of media, communication and cultural studies in UK Higher Education.
This mailing list is a free service and is not restricted to members. It is an unmoderated list and content reflect the views of those who post to the list and not of MeCCSA as an organisation.
MeCCSA recommends that the list be used only for posting of information (for example about events, publications, conferences, lectures) of interest to members or to promote discussion of current issues of wide general interest in the field. Posts to the MeCCSA mailing list are public, indexed by Google, and can be accessed from the JISCMail website (http://www.jiscmail.ac.uk/lists/meccsa.html).
Any messages posted to the list are subject to the JISCMail acceptable use policy, which states that users should avoid engaging in unreasonable behaviour, or disrupting the general flow of discussion on a list.
For further information, please visit: http://www.meccsa.org.uk/
------
------------------------------
Date: Tue, 14 Nov 2017 14:53:27 +0000
From: Kate Egan <[log in to unmask]>
Subject: AHRC SWW DTP PhD Scholarships & the Department of Theatre, Film and Television Studies, Aberystwyth University
*AHRC South, West & Wales Doctoral Training Partnership (SWW DTP)
Scholarships & PhD study in the Department of Theatre, Film and Television
Studies, Aberystwyth University *
The Department of Film and Television Studies at Aberystwyth University is
pleased to invite applications for PhD scholarships, through its
involvement in the AHRC South West and Wales Doctoral Training Partnership
(SWW DTP). The partnership brings together a Consortium of 8
universities, extended
by a network of prestigious international, national and regional
organisations representing the arts, heritage, media and government sectors.
Our Department and the University have strong links with a range of these
organisations, in particular: the National Library of Wales (based at
Aberystwyth, and housing the Arts Council of Wales Archives, the Brith Gof
archives, the National Sound and Screen Archive of Wales, and the ITV Wales
and West Film and Video archive, among other important collections), and
BBC Drama (Cardiff). We welcome applications related to any of our research
specialisms (listed below). Scholarships are available to applicants living
in the UK and the European Union, and projects will need to be supervised
by relevant academic staff at two of the Universities in the consortium.
*Information about the environment for doctoral study in the Department of
Theatre, Film and Television Studies (TFTS) at Aberystwyth University:*
The department has a substantial number of experienced, research-active PhD
supervisors, able to supervise projects in both the English and Welsh
Medium across theatre and drama, scenography, performance studies, media
and communication, film and television, and spanning historical and
archival work, textual analysis, reception research, policy research and
practice as research. We offer supervision and research training in both
English and Welsh.
See our staff pages for further details:
https://www.aber.ac.uk/en/tfts/staff-profiles/listing/group/academic-and-technical-staff
as well as our current PhD student projects page:
https://www.aber.ac.uk/en/tfts/study-with-us/postgrad/phd/phd-students/
*How to Apply:*
*Applications for both funding and PhD place* may be submitted via the AHRC
SWW DTP website from 27th November 2017 until the final deadline of *11th
January 2018*. Applicants will be required to submit an application form
with a research proposal and personal statement. For further information,
please visit the AHRC SWW DTP website
http://www.sww-ahdtp.ac.uk/apply-for-a-studentship/
Prospective applicants are also strongly encouraged to contact Dr Kate
Egan, Departmental Postgraduate Research Coordinator, Department of
Theatre, Film and Television Studies, Aberystwyth University (email:
[log in to unmask]), for further information.
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MeCCSA is the subject association for the field of media, communication and cultural studies in UK Higher Education.
This mailing list is a free service and is not restricted to members. It is an unmoderated list and content reflect the views of those who post to the list and not of MeCCSA as an organisation.
MeCCSA recommends that the list be used only for posting of information (for example about events, publications, conferences, lectures) of interest to members or to promote discussion of current issues of wide general interest in the field. Posts to the MeCCSA mailing list are public, indexed by Google, and can be accessed from the JISCMail website (http://www.jiscmail.ac.uk/lists/meccsa.html).
Any messages posted to the list are subject to the JISCMail acceptable use policy, which states that users should avoid engaging in unreasonable behaviour, or disrupting the general flow of discussion on a list.
For further information, please visit: http://www.meccsa.org.uk/
------------------------------
Date: Tue, 14 Nov 2017 15:04:54 +0000
From: Rinella Cere <[log in to unmask]>
Subject: When postcolonial studies meets media studies
When postcolonial studies meets media studies - Talk by Professor Raka Shome - University of Goldsmith, London
Hosted by MeCCSA Race, Ethnicity and Postcolonial Network, with the Goldsmiths’ Centre for Feminist Research and Race Critical Studies Network
Monday, 27 November 2017 from 5 to 6.30 pm
In the introduction to the collected volume entitled 'Post-colonial studies meets Media Studies' (2016) Kai Merten and Lucia Kramer mapped out the trajectory of this encounter in various studies of the last twenty years and the different strategies adopted. Raka Shome and Radha Hegde editorship of the 2002 volume of Communication Theory is singled out as 'the initial spark for the more sociological brand of Media Studies to deal with Postcolonial Studies'. More recent work by Raka Shome has pursued further this relationship and we are therefore really happy to invite you to her talk.
Abstract
This talk will address what epistemological unsettlings, as well as new theoretical possibilities, occur when we bring postcolonial studies into conversation with media studies and vice versa. Although postcolonial studies has been primarily dominant in fields as such as Literature, and Comparative Literature, as well as Anthropology, media studies has not been programmatically involved in postcolonial studies much, despite lone scholars working on postcolonial approaches to media and communication in different locations. In an attempt to build a coherent intellectual trajectory and the area of 'postcolonial media studies,' we need to bring these areas together to see how they may unsettle each other as well as, more importantly, open up new areas and frameworks for investigation, both in media studies as well as postcolonial studies. Relatedly, a part of this talk will also address how engaging a media and technology framework in postcolonial studies may also enable us to address new in/visibilities and relations of gender--especially the gendered body.
Share this event on Facebook and Twitter
We hope you can make it.
Follow the Eventbrite link below to register:
https://www.eventbrite.co.uk/e/when-postcolonial-studies-meets-media-studies-professor-raka-shome-tickets-39517452765?ref=enivtefor001&utm_source=eb_email&utm_medium=email&utm_campaign=inviteformalv2&ref=enivtefor001&utm_term=attend
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To manage your subscription or unsubscribe from the MECCSA list, please visit:
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-------------------------------------------------------
MeCCSA is the subject association for the field of media, communication and cultural studies in UK Higher Education.
This mailing list is a free service and is not restricted to members. It is an unmoderated list and content reflect the views of those who post to the list and not of MeCCSA as an organisation.
MeCCSA recommends that the list be used only for posting of information (for example about events, publications, conferences, lectures) of interest to members or to promote discussion of current issues of wide general interest in the field. Posts to the MeCCSA mailing list are public, indexed by Google, and can be accessed from the JISCMail website (http://www.jiscmail.ac.uk/lists/meccsa.html).
Any messages posted to the list are subject to the JISCMail acceptable use policy, which states that users should avoid engaging in unreasonable behaviour, or disrupting the general flow of discussion on a list.
For further information, please visit: http://www.meccsa.org.uk/
--------------------------------------------------------
------------------------------
Date: Tue, 14 Nov 2017 15:26:40 +0000
From: Alex Morris <[log in to unmask]>
Subject: Creativity, Copyright and Citation - Learning on Screen Members' Day and AGM 2017
***sorry for cross-posting***
This year the Learning on Screen annual members’ day will look at the issues of creativity, copyright and citation with the use of audiovisual in education. The Learning on Screen AGM will also take place during the day.
Friday 1 December, 10 am – 3 pm
Geological Society, Burlington House, Piccadilly, Mayfair, London W1J 0BD
Register here: http://bufvc.ac.uk/events/members-day-2017-creativity-copyright-and-citation <http://bufvc.ac.uk/events/members-day-2017-creativity-copyright-and-citation>
Audiovisual can support creativity in teaching, learning and research across all subject areas, so for our members’ day this year we will hear from a range of speakers about how and why they use it in their work. With presentations, demonstrations, case studies and an expert panel discussion, the day will outline how to find and use a wide range of audiovisual content, supported with metadata. We will also hear about ways to reduce the environmental impact of creating new audiovisual material.
Understanding the copyright implications of using audiovisual materials in teaching, learning and research remains a priority issue for our members and the day will cover the latest research and guidance on this. The final piece of the jigsaw is understanding how to correctly cite the use of audiovisual material and our newly updated academic citation guidelines will also be presented on the day.
£30 – Learning on Screen member
£50 – Non-member
£15 – TECHNE / CHASE / White Rose students
Event programme
09.30 am – Registration – tea and coffee will be served in the library
10.00 – Chief Executive’s Welcome: Virginia Haworth-Galt, Learning on Screen
10.15 – Creative re-use of archive material in student filmmaking: Dr Shane O’Sullivan, Lecturer in Filmmaking, Kingston University will speak about his work with HE filmmaking students and the films they have made with archive content
10.40 – Creativity, sustainability and the ‘albert’ initiative: Aaron Matthews, BAFTA Industry Sustainability Manager
11.00 – Conversations about creativity: panel discussion featuring members of the Filmmaking Research Network chaired by Dr Joanna Callaghan, Senior Lecturer in Filmmaking at the University of Sussex
12.15 – Creative content: we are opening up our valuable and unique television archive via our off-air digitisation project and making this content available in BoB. Update from Sergio Angelini, Head of Membership Services and Information at Learning on Screen
12.30 – Lunch break (Learning on Screen AGM will take place)
1.45 – Education Copyright Help for Audiovisual Rights in Media (e-CHARM): Dr Jane Secker and Chris Morrison will present the findings and recommendations from their higher education copyright research, work which will form the backbone of Learning on Screen’s dedicated copyright service launching next year
2.15 – ERA update: Helena Djurkovic, Chief Executive of ERA
2.30 – Learning on Screen website reveal: Gabriel Hernandez, Head of Digital Development at Learning on Screen will provide an exclusive look at our new website, launching in February 2018 and fully opening up our wealth of scholarly resources to UK education
2.45 – Audiovisual Citation Guidelines: discussing best practice in audiovisual citation a member of the academic panel involved in the updating of this invaluable resource will present the revised citation guidelines
3.00 pm – Close
Register here: http://bufvc.ac.uk/events/members-day-2017-creativity-copyright-and-citation <http://bufvc.ac.uk/events/members-day-2017-creativity-copyright-and-citation>
Alex Morris
Communications and Marketing Officer
Learning on Screen
Opening up access to moving image and sound since 1948
E-Mail: [log in to unmask] <mailto:[log in to unmask]>
Tel.: 020 7393 1515
Learning on Screen <http://bufvc.ac.uk/> | @LearnonScreen <https://twitter.com/learnonscreen> | @OnDemandBoB <http://twitter.com/ondemandbob>| @bobinschools <https://twitter.com/bobinschools>
Please consider the environment before printing this email
--
Learning on Screen - The British Universities and Colleges Film and Video Council is a limited company registered in England under company number 955348, registered as a charity No. 313582, whose registered office is at 77 Wells Street, London W1T 3QJ
This e-mail (including attachments) and the information it contains are confidential and may be privileged. If you have received this e-mail in error please delete it from your system. Unless you are the intended recipient, you should not copy this e-mail for any purpose, or disclose its contents to any other person. This e-mail may contain personal views which are not the views of Learning on Screen unless specifically stated. Learning on Screen is not responsible for the completeness or accuracy of this communication as it has been transmitted over a public network. It is the recipient's responsibility to scan this e-mail and any attachments for viruses.
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-------------------------------------------------------
MeCCSA is the subject association for the field of media, communication and cultural studies in UK Higher Education.
This mailing list is a free service and is not restricted to members. It is an unmoderated list and content reflect the views of those who post to the list and not of MeCCSA as an organisation.
MeCCSA recommends that the list be used only for posting of information (for example about events, publications, conferences, lectures) of interest to members or to promote discussion of current issues of wide general interest in the field. Posts to the MeCCSA mailing list are public, indexed by Google, and can be accessed from the JISCMail website (http://www.jiscmail.ac.uk/lists/meccsa.html).
Any messages posted to the list are subject to the JISCMail acceptable use policy, which states that users should avoid engaging in unreasonable behaviour, or disrupting the general flow of discussion on a list.
For further information, please visit: http://www.meccsa.org.uk/
------------------------------
Date: Tue, 14 Nov 2017 18:32:38 +0000
From: "Llewella Chapman (AMA - Student)" <[log in to unmask]>
Subject: IAMHIST Blog
Dear colleagues,
For this week's IAMHIST Blog, Michael Cove, Head Writer for WildBear Entertainment, writes on 'Does it have Hitler in the title?': Broadcasting History on Television:
http://iamhist.org/2017/11/broadcasting-history-tv/
Best wishes,
Llewella
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-------------------------------------------------------
MeCCSA is the subject association for the field of media, communication and cultural studies in UK Higher Education.
This mailing list is a free service and is not restricted to members. It is an unmoderated list and content reflect the views of those who post to the list and not of MeCCSA as an organisation.
MeCCSA recommends that the list be used only for posting of information (for example about events, publications, conferences, lectures) of interest to members or to promote discussion of current issues of wide general interest in the field. Posts to the MeCCSA mailing list are public, indexed by Google, and can be accessed from the JISCMail website (http://www.jiscmail.ac.uk/lists/meccsa.html).
Any messages posted to the list are subject to the JISCMail acceptable use policy, which states that users should avoid engaging in unreasonable behaviour, or disrupting the general flow of discussion on a list.
For further information, please visit: http://www.meccsa.org.uk/
--------------------------------------------------------
------------------------------
End of MECCSA Digest - 13 Nov 2017 to 14 Nov 2017 (#2017-304)
*************************************************************
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MeCCSA is the subject association for the field of media, communication and cultural studies in UK Higher Education.
This mailing list is a free service and is not restricted to members. It is an unmoderated list and content reflect the views of those who post to the list and not of MeCCSA as an organisation.
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For further information, please visit: http://www.meccsa.org.uk/
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