Hello List,
if someone is in berlin this Saturday so please feel warmly invited and come by at the router.gallery located inside the panke.gallery …
BEAUTIFUL INTERFACES: THE PRIVACY PARADOX —
VERNISSAGE: 08 July 2017 19:00 — open end location: panke.gallery <http://www.openstreetmap.org/node/2204880969>
opening times: 08 July 2017 end of July
location: panke.gallery <http://www.openstreetmap.org/node/2204880969>
title: BEAUTIFUL INTERFACES: THE PRIVACY PARADOX
curated by Helena Acosta <http://produccionaleatoria.com/> and Miyö Van Stenis <http://miyovanstenis.com/>
Context
BEAUTIFUL INTERFACES: THE PRIVACY PARADOX is a group show curated by Helena Acosta and Miyö Van Stenis featuring work by Jennifer Lyn Morone <http://jenniferlynmorone.com/>, Heather Dewey Hagborg <http://deweyhagborg.com/>, LaTurbo Avedon <http://turboavedon.com/>, Annie Rose Malamet <http://www.annyfanny.info/> and Carla Gannis <http://carlagannis.com/>. BEAUTIFUL INTERFACES: THE PRIVACY PARADOX explores the dichotomy between the private and the public, creating a platform for distribution of data on an independent and anonymous network. The work exhibited at BEAUTIFUL INTERFACES: THE PRIVACY PARADOX will live on a wireless network accessible through the router.gallery which is a understood as the digital satellite of the panke.gallery space. The router have been hacked and are not connected to the internet. The router has a private network, which visitors must login to through their own devices – cellphones, iPads or laptops – to view the artwork. A router is a networking device that forwards data packets between computer networks. Routers perform the "traffic directing" functions of the Internet. By hacking them, the exhibition is reinforcing this idea of the privacy paradox, erasing the router's predetermined function and transforming it into a device that offers a private experience. The hacking process of this exhibition is powered by Occupy.here an open source project developed by Dan Phiffer <https://phiffer.org/> in 2011.
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you can also watch (parallel:)our actual show concrete::dynamic with Alma Alloro (IL 1982) and Horst Bartnig (Ger 1939)
panke.gallery 23 June to 13 July 2017 Finissage at 13th of July 2017 starts at 19:00
Horst Bartnig has worked as a painter and graphic artist since the mid 60s. His early concrete works with computer-generated forms are the result of artistic investigations that anticipated the aesthetic of algorithmically generated computer graphics in digital art and their importance within the digital folklore of the internet.
Alma Alloro is a young artist whose work is inspired by the demoscene and hacker culture of the 80s and 90s. Her work comes out of an understanding of art as an applied, vernacular practice in the Bauhaus tradition.
The combinations of form in the work of Horst Bartnig emerge from a line of inquiry that emphasises the relations among forms as well as the processes of perception itself. The variations in his work are the experimental outcome of a rule that unfolds as a series in space – leading to their convergence in the head of the viewer, as if in a film. Alma Alloro’s work is developed out of her own animations or cracktros from the demoscene, which she brings back into a singular image plane by turning each frame into an individual image, rearranging and reordering them and taking them out of their chronological sequence.
The exhibition “concrete::dynamic” puts these two artists and their works in dialogue. By demonstrating the current aesthetic relevance of the formal languages they use, it also points to the importance of the traditions of Bauhaus and concrete art today.
http://panke.gallery/exhibition/concrete_dynamic
Liebe Grüsse to all
Sakrowski
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