Hi Mia
A bugbear from an archives perspective is that Europeana is limited to digital archives (assuming this is still the case as I haven’t checked recently). Currently only a small proportion of archives are digitised and unless things change dramatically, this is likely to be the case for the foreseeable future. This seems like a big gap.
I also recall that some/many folks in museums find the EDM restrictive (though again I haven’t looked at this recently)
Ade
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Adrian Stevenson
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> On 2 Nov 2016, at 10:44, Mia <[log in to unmask]> wrote:
>
> Dear MCGers,
>
> I have a cheeky request for the list, but hopefully one that's appropriate to the history of discussion on the list and among the MCG community. I'm on a panel at the EuropeanaTech AGM2016 next week, and the topic they've set for debate is:
>
> “Knowing what I know now, what should Europeana and DPLA do differently if they had been conceived today (and not in 2006 and 2012 respectively)?”
>
> The question assumes the same mission (“Make Europe’s/USA’s digital heritage as widely available as possible - for work, for education, for research, for fun!”) and funding.
>
> Given everything we've learnt (and forgotten, and learnt again) since then, *what* and *how* should Europeana and DPLA do things differently if they had a chance to start again today?
>
> You can reply to the list or to me personally ([log in to unmask] - I don't usually use this for personal email, but then I don't usually post my email address!).
>
> Cheers, Mia
>
>
> --------------------------------------------
> http://openobjects.org.uk/
> http://twitter.com/mia_out
> Check out my book! http://bit.ly/CrowdsourcingOurCulturalHeritage
> P.S. I mostly use this address for list mail and don't check it daily
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