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MAT-REN  July 2016

MAT-REN July 2016

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Subject:

The International Art Market Studies Association

From:

Rupert Shepherd <[log in to unmask]>

Reply-To:

[log in to unmask]

Date:

Sun, 10 Jul 2016 16:57:36 +0100

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (109 lines)

The following from Barbara Pezzini:


Dear colleagues and friends,

Together with an international group of colleagues, I am a founding 
member of The International Art Market Studies Association (TIAMSA) 
which was recently set up in London. TIAMSA is a non-profit scholarly 
association that follows the time-tested model of societies such as the 
Association of Historians of Nineteenth Century Art 
(<http://ahnca.org/>) or the Renaissance Society of America 
(<http://rsa.org/>).

TIAMSA will provide a platform for networking and scholarship for 
students of the art market, an area of research which has recently 
become very dynamic. It is open to all disciplines and welcomes 
professionals, independent scholars and students from all backgrounds.

TIAMSA will organize conferences, field trips and gatherings. We have 
also set up a website which we aim to develop into a platform for 
information exchange both for members and non-members. Last but not 
least we also intend to provide a platform for scholarly literature.

As we are only just setting up, our membership fees are modest. Regular 
membership comes at 20 GBP per calendar year, concessionary membership 
at 10 GBP (in 2016 there will be a 50% discount, meaning that regular 
membership for 2016 comes at 10 GBP). Members will receive a reduction 
on our conference registration fee and additional benefits such as 
access to the membership area of the website, discount on publications, 
etc. Membership registration is easy and payment can be made online.

This is a great moment to join as we are still building our structures 
and therefore welcome any kind of involvement. We are particularly 
looking for new members who are interested in heading national or 
regional sub-committees (also in countries outside Europe and North 
America!) or who want to act as ambassadors to various disciplines that 
contribute to art market studies (such as economics, legal studies, 
sociology, art history, history, provenance studies, etc.). We are also 
very happy to welcome students.

On July 13th, 7:30pm we are holding our first Annual General Meeting in 
London at Sotheby’s Institute, 30 Bedford Square, London WC1B 3EE;
if you would like to join you will be able to sign up for membership 
there and then.

If you are interested, please visit <http://artmarketstudies.org/> and 
have a closer look.
The Board and the founding members would be very happy to welcome you as 
a member!

With best wishes,
Barbara Pezzini

**apologies if you receive this email from more than one of us, and 
please forward this email to anyone you think may be interested - if you 
wanted to give the  Association a tweet or any other mention in social 
media, that would be great - thank you!**

———————————

TIAMSA Founding members:
(* = also a member of the Board)

*Lynn Catterson (Ph.D. Columbia University 2002; Independent Scholar, USA)

Alan Crookham (professional archivist, Head of the London National 
Gallery Research Centre)

Christel Force (Associate Research Curator Modern and Contemporary, The 
Metropolitan Museum of Art)

*Frances Fowle (Reader and International Director, Edinburgh College of 
Art, University of Edinburgh; Senior Curator of French Art at the 
Scottish National Gallery)

Antoinette Friedenthal (Ph.D. Free University Berlin, 1999; Independent 
Scholar, Germany)

Jeremy Howard (Head of Research and Academic Projects at Colnaghi; Head 
of Art History at the University of Buckingham; programme director of MA 
in the Art Market and History of Collecting, University of Buckingham 
and National Gallery London)

*Christian Huemer (Head of the ‘Project for the Study of Collecting and 
Provenance’ at the Getty Research Institute, Los Angeles)

*Veronika Korbei (PhD Hamburg University 2012; Independent Scholar, Austria)

*Johannes Nathan (PhD Courtauld Institute 1995; Art Dealer; Independent 
Art Historian; Co-founder of the Forum Kunst und Markt at Technische 
Universität Berlin - <http://fokum.org/>)

*Barbara Pezzini (Index Editor of The Burlington Magazine; Recipient of 
an AHRC Collaborative Doctoral Award between The National Gallery and 
the University of Manchester to study the relationship between the 
museum and London art dealers Agnew’s; Editor-in-chief for the journal 
Visual Resources)

Inge Reist (Director of the Center for the History of Collecting at the 
Frick Collection and Frick Art Reference Library)

Catherine B. Scallen (Andrew W. Mellon Associate Professor in the 
Humanities at Case Western Reserve University, Cleveland OH)

*Jonathan Woolfson (Deputy Director of Sotheby’s Institute of Art, London)


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

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