SUBMISSIONS ARE NOW WELCOME FOR VOLUME 21 OF THE JOURNAL,        A GENERAL INTEREST EDITION





Articles in WORD of 2500-7500 words in endnote format can be submitted by e-mail to editor Dan Shaw [log in to unmask] between April 15 and June 30th of 2016, for the volume published in January of 2017. All submissions that discuss the intersection between philosophy and film are welcome. Authors will typically be informed of the acceptance or rejection of their submissions by August 31st





For more information about the journal and its parent organization, see  spscva.org





For sample articles and information on contents of back issues, see





https://community.lhup.edu/dshaw/journal.htm









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<https://community.lhup.edu/dshaw/journal.htm><https://community.lhup.edu/dshaw/journal.htm><https://community.lhup.edu/dshaw/journal.htm>









Professor Daniel Shaw

Department of Communication and Philosophy

Lock Haven University     (570) 484-2052

Managing Editor, Film and Philosophy



"Whoso would be a man must be a nonconformist. He who would gather immortal palms must not be hindered by the name of goodness, but must explore if it be goodness. Nothing is at last sacred but the integrity of your own mind." Emerson "Self-Reliance"

________________________________

From: Film-Philosophy [[log in to unmask]] on behalf of David Sorfa [[log in to unmask]]

Sent: Friday, January 22, 2016 6:27 AM

To: [log in to unmask]

Subject: [FILM-PHILOSOPHY] Film-Philosophy now available on Edinburgh University Press Journals Online



Film-Philosophy has launched on Edinburgh University Press Journals Online



I am delighted to announce that Film-Philosophy<http://www.euppublishing.com/journal/film> has launched on Edinburgh University Press Journals Online. Edited by Dr David Sorfa, Film-Philosophy<http://www.euppublishing.com/journal/film> is a fully Open Access journal dedicated to the engagement between film and philosophy.





 Browse the table of contents:





What is Film-Philosophy?





David Sorfa





Film-Philosophy, Vol. 20, No. 1, February, 2016: 1-5.

Citation<http://www.euppublishing.com/doi/abs/10.3366/film.2016.0001?ai=1qd&ui=gl8&af=H> | Full Text<http://www.euppublishing.com/doi/full/10.3366/film.2016.0001?ai=1qd&ui=gl8&af=H> | [http://www.euppublishing.com/templates/jsp/_style2/_eup/images/icon_toolBar_pdf.gif] Full Text PDF (31 KB)<http://www.euppublishing.com/doi/pdf/10.3366/film.2016.0001?ai=1qd&ui=gl8&af=H>







  Special Section: Film-Philosophy and a World of Cinemas



Introduction: Film-Philosophy and a World of Cinemas





David Martin-Jones





Film-Philosophy, Vol. 20, No. 1, February, 2016: 6-23.

Citation<http://www.euppublishing.com/doi/abs/10.3366/film.2016.0002?ai=1qd&ui=gl8&af=H> | Full Text<http://www.euppublishing.com/doi/full/10.3366/film.2016.0002?ai=1qd&ui=gl8&af=H> | [http://www.euppublishing.com/templates/jsp/_style2/_eup/images/icon_toolBar_pdf.gif] Full Text PDF (95 KB)<http://www.euppublishing.com/doi/pdf/10.3366/film.2016.0002?ai=1qd&ui=gl8&af=H>











Real Images Flow: Mullā Sadrā Meets Film-Philosophy





Laura U. Marks





Film-Philosophy, Vol. 20, No. 1, February, 2016: 24-46.

Abstract<http://www.euppublishing.com/doi/abs/10.3366/film.2016.0003?ai=1qd&ui=gl8&af=H> | Full Text<http://www.euppublishing.com/doi/full/10.3366/film.2016.0003?ai=1qd&ui=gl8&af=H> | [http://www.euppublishing.com/templates/jsp/_style2/_eup/images/icon_toolBar_pdf.gif] Full Text PDF (119 KB)<http://www.euppublishing.com/doi/pdf/10.3366/film.2016.0003?ai=1qd&ui=gl8&af=H>











Islam, Consciousness and Early Cinema: Said Nursî and the Cinema of God





Canan Balan





Film-Philosophy, Vol. 20, No. 1, February, 2016: 47-62.

Abstract<http://www.euppublishing.com/doi/abs/10.3366/film.2016.0004?ai=1qd&ui=gl8&af=H> | Full Text<http://www.euppublishing.com/doi/full/10.3366/film.2016.0004?ai=1qd&ui=gl8&af=H> | [http://www.euppublishing.com/templates/jsp/_style2/_eup/images/icon_toolBar_pdf.gif] Full Text PDF (88 KB)<http://www.euppublishing.com/doi/pdf/10.3366/film.2016.0004?ai=1qd&ui=gl8&af=H>











Trolls, Tigers and Transmodern Ecological Encounters: Enrique Dussel and a Cine-ethics for the Anthropocene





David Martin-Jones





Film-Philosophy, Vol. 20, No. 1, February, 2016: 63-103.

Abstract<http://www.euppublishing.com/doi/abs/10.3366/film.2016.0005?ai=1qd&ui=gl8&af=H> | Full Text<http://www.euppublishing.com/doi/full/10.3366/film.2016.0005?ai=1qd&ui=gl8&af=H> | [http://www.euppublishing.com/templates/jsp/_style2/_eup/images/icon_toolBar_pdf.gif] Full Text PDF (195 KB)<http://www.euppublishing.com/doi/pdf/10.3366/film.2016.0005?ai=1qd&ui=gl8&af=H>











Non-Cinema: Digital, Ethics, Multitude





William Brown





Film-Philosophy, Vol. 20, No. 1, February, 2016: 104-130.

Abstract<http://www.euppublishing.com/doi/abs/10.3366/film.2016.0006?ai=1qd&ui=gl8&af=H> | Full Text<http://www.euppublishing.com/doi/full/10.3366/film.2016.0006?ai=1qd&ui=gl8&af=H> | [http://www.euppublishing.com/templates/jsp/_style2/_eup/images/icon_toolBar_pdf.gif] Full Text PDF (139 KB)<http://www.euppublishing.com/doi/pdf/10.3366/film.2016.0006?ai=1qd&ui=gl8&af=H>











Non-Cinema, or The Location of Politics in Film





Lúcia Nagib





Film-Philosophy, Vol. 20, No. 1, February, 2016: 131-148.

Abstract<http://www.euppublishing.com/doi/abs/10.3366/film.2016.0007?ai=1qd&ui=gl8&af=H> | Full Text<http://www.euppublishing.com/doi/full/10.3366/film.2016.0007?ai=1qd&ui=gl8&af=H> | [http://www.euppublishing.com/templates/jsp/_style2/_eup/images/icon_toolBar_pdf.gif] Full Text PDF (97 KB)<http://www.euppublishing.com/doi/pdf/10.3366/film.2016.0007?ai=1qd&ui=gl8&af=H>











The Filmmaker as Metallurgist: Political Cinema and World Memory





Patricia Pisters





Film-Philosophy, Vol. 20, No. 1, February, 2016: 149-167.

Abstract<http://www.euppublishing.com/doi/abs/10.3366/film.2016.0008?ai=1qd&ui=gl8&af=H> | Full Text<http://www.euppublishing.com/doi/full/10.3366/film.2016.0008?ai=1qd&ui=gl8&af=H> | [http://www.euppublishing.com/templates/jsp/_style2/_eup/images/icon_toolBar_pdf.gif] Full Text PDF (99 KB)<http://www.euppublishing.com/doi/pdf/10.3366/film.2016.0008?ai=1qd&ui=gl8&af=H>











Sympathy for the Other: Female Solidarity and Postcolonial Subjectivity in Francophone Cinema





Kathleen Scott and Stefanie Van de Peer





Film-Philosophy, Vol. 20, No. 1, February, 2016: 168-194.

Abstract<http://www.euppublishing.com/doi/abs/10.3366/film.2016.0009?ai=1qd&ui=gl8&af=H> | Full Text<http://www.euppublishing.com/doi/full/10.3366/film.2016.0009?ai=1qd&ui=gl8&af=H> | [http://www.euppublishing.com/templates/jsp/_style2/_eup/images/icon_toolBar_pdf.gif] Full Text PDF (131 KB)<http://www.euppublishing.com/doi/pdf/10.3366/film.2016.0009?ai=1qd&ui=gl8&af=H>







If you have any questions about this journal please don’t hesitate to get in touch.



Kind regards,

Katherine



Katherine Marshall

Journals Marketing Manager (maternity cover for Ruth Allison)



Edinburgh University Press

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