JiscMail Logo
Email discussion lists for the UK Education and Research communities

Help for CYBER-SOCIETY-LIVE Archives


CYBER-SOCIETY-LIVE Archives

CYBER-SOCIETY-LIVE Archives


CYBER-SOCIETY-LIVE@JISCMAIL.AC.UK


View:

Message:

[

First

|

Previous

|

Next

|

Last

]

By Topic:

[

First

|

Previous

|

Next

|

Last

]

By Author:

[

First

|

Previous

|

Next

|

Last

]

Font:

Proportional Font

LISTSERV Archives

LISTSERV Archives

CYBER-SOCIETY-LIVE Home

CYBER-SOCIETY-LIVE Home

CYBER-SOCIETY-LIVE  October 2015

CYBER-SOCIETY-LIVE October 2015

Options

Subscribe or Unsubscribe

Subscribe or Unsubscribe

Log In

Log In

Get Password

Get Password

Subject:

[CSL] CONF: RE-CREATE – THEORIES, METHODS AND PRACTICES OF RESEARCH-CREATION IN THE HISTORIES OF MEDIA ART, SCIENCE AND TECHNOLOGY

From:

"Roberts J." <[log in to unmask]>

Reply-To:

Interdisciplinary academic study of Cyber Society <[log in to unmask]>

Date:

Mon, 26 Oct 2015 10:26:29 +0000

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (1 lines)

From: Oliver Grau [mailto:[log in to unmask]] 

Sent: 26 October 2015 09:43

To: Interdisciplinary academic study of Cyber Society

Subject: CONF: RE-CREATE – THEORIES, METHODS AND PRACTICES OF RESEARCH-CREATION IN THE HISTORIES OF MEDIA ART, SCIENCE AND TECHNOLOGY



CONF: RE-CREATE – THEORIES, METHODS AND PRACTICES OF RESEARCH-CREATION IN THE HISTORIES OF MEDIA ART, SCIENCE AND TECHNOLOGY



Montréal, 5-8 November 2015



Université du Québec à Montréal, Agora Hydro-Québec, Coeur des Sciences, 175, avenue du Président-Kennedy, Montréal Exhibition openings and reception on November 5 at Concordia University, E.V. building, 1515 Ste-Catherine West, Montréal



REGISTRATION is still OPEN!  

http://www.mediaarthistory.org/recreate-2015 



Re-Create conference focuses on six core thematic questions:

1). Theoretical Currents: How do the Senses, Animals and the Apocalypse inform research-creation practices ?

(2). Sites: How have sites of research and practice evolved in Latin America, Eastern Europe, Japan, Sweden and Indigenous Cultures?

(3). Histories of the Studio Lab: How have Australian, British, Canadian and American artists historically worked in academia, industry and generative art?

(4). New Methods: What can the concept of co-production (STS),musique concrète,intersectionality theory and critical race studies, as well as the debates about the “practice turn” in higher education provide to the historical and critical positioning of practice?

(5). Digital Humanities and Critical Practices: What are the challenges and the future of transdisciplinary collaboration? What can media archeology do for the humanities and contemporary academic culture? How has failure impacted practice-led research?

(6). Curatorial Actions and Practices: How have philosophy, industrial creation, feminism, sound and “imageness” historically entered into curatorial practices?

Program Chair: Dr. Christopher Salter, Co-Director, Hexagram; Associate Professor Design and Computation Arts, Faculty of Fine Arts, Concordia University Co-Program Chair: Gisèle Trudel, Professor, School of Visual and Media Arts, Arts Faculty, University of Québec at Montreal. Trudel is the former Director of Hexagram-UQAM (2011-13) and Co-Director of Hexagram (2012-15).



Emerging Researchers’ (ER) Symposium des Chercheurs Émergents

04.11.2015 ER Programme here: 

http://www.mediaarthistory.org/recreate-2015/programme-overview-emerging-researchers-symposium



EVENT OVERVIEW



Thursday/jeudi 5.11.2015

DAY/JOUR 1 Media Art Histories Re-CREATE 2015





13h-15h30  OPENING ADDRESS/DISCOURS D’OUVERTURE



Chris SALTER, Concordia University

Oliver GRAU, Media Art Histories, Danube University





SESSION 1 – Setting the Stage : Overview and Precedents



“Pathways to Innovation in Digital Culture” Revisited Michael CENTURY, Rensselaer Polytechnic Institute



Regard transversal sur des pratiques inter- et trans- Louise POISSANT, FRQSC



Art-Science: A lab for discerning modes and logics of interdisciplinarity Georgina BORN, Oxford University



Weaving Strands: Research-creation practices in universities, cultural institutions and artist-run culture in Montreal



Gisèle TRUDEL, Université du Québec à Montréal + Cheryl SIM, DHC/ART Foundation for Contemporary Art 17h – Concordia University, EV building





FOFA Gallery

Biomateria + Contagious Matters

Exhibition – WhiteFeather HUNTER + Tristan MATHESON, Concordia University



Mangling Methodologies in Biological Art and Display Practices Discussion Panel – FREE, OPEN TO PUBLIC



Jens HAUSER, University of Copenhagen, White Feather HUNTER, Concordia University, Tristan MATHESON, Concordia University, Andrew PELLING, University of Ottawa





FOFA Gallery – York Vitrine

Tourmente

Interactive Public Screens – Jean DUBOIS, Université du Québec à Montréal



Hexagram BlackBox

Copacabana Machine Sex: Behind the Scene Robotics installation in process – Bill VORN, Concordia University





KEYNOTE 1

Joan JONAS, Artist, New York

18h-23h – Pavillon Président-Kennedy, UQAM



Irradiate. Drawing electromagnetic frequencies with wind. Projection

architecturale modulée par données environnementales (vent et ondes

électromagnétiques). Ælab (Gisèle Trudel) with Guillaume Arseneault,

Université du Québec à Montréal





Friday/vendredi 6.11.2015 DAY/JOUR 2 Media Art Histories Re-CREATE

2015



9h-10h30 Session 2A – Methodological Entanglements



La méthode de Pierre Scheaffer

Yan BREULEUX, Université du Québec à Chicoutimi



Post-digital Circulationism. On- and Offline Intermedia Discourse in

Contemporary Art and Scholarship, Katja KWASTEK, VU, University

Amsterdam



Discourse-analytical aesthetics for digital cultures

Martina LEEKER + Irina KALDRACK, Leuphana University



Practices and Languages of Art

Sally Jane NORMAN, University of Sussex





Session 2B – Practices : Histories of the StudioLab



Fallout and Spinoffs: Commercializing the Art-Technology Movement.

Patrick McCRAY, University of California at Santa Barbara



Jozef Stanislaus Ostoja-Kotkowski, an Australian artist between Art,

Industry, Science and the Academy. Martyn JOLLY and Anthony OATES,

Australian National University



Multimedia artists and fieldwork (1960-80s)

Jelena MARTINOVIC, Geneva University of Art and Design





11h-12h KEYNOTE 2

Christine VAN ASSCHE, Chief Curator, Centre Pompidou, Paris





13h-15h WORKSHOP/ATELIER

Rekall – An open-source environment to document, analyze and simplify

the restaging of time based media artworks. Clarisse BARDIOT + Guillaume

MARAIS, Université de Valenciennes et du Hainaut-Cambrésis





Session 3A – Theories : Limiting the Anthropocene.  



End Time: Apocalyptic Systems in Media Art and Design

Kevin HAMILTON, University of Illinois, Urbana-Champaign

Orit HALPERN, The New School University



Instrumental Anthropocentrism: insects, sustainable culture and

technological innovation

Roberta BUIANI, Lakehead University



Cultural Software – Materiality and Abstraction in 60s art and

technology

Simon PENNY, University of California at Irvine





Session 3B – Re-Making the Critical University Media Labs, Making,

and Critical Practice  [Panel], Moderator : Nicholas BALAISIS,

Postdoctoral Fellow, University of Waterloo



The productive contradictions of critical making

Matt RATTO + Ginger COONS, University of Toronto



Technoromantics, Maker Culture, and Critical Neo-Luddism

Marcel O’GORMAN, University of Waterloo



Audio Toy Box: Building customizable communication therapy toys using

Radio Frequency Identification, Owen CHAPMAN + Eric POWELL, Concordia

University



Launch of the Media-N Journal’s special edition: Research-Creation:

Explorations

15h30-17h



Session 4A – Sites : Pioneering Experiences in Art, Science and

Technology in Latin America [PANEL]



Fotoformas, 1949-1951: Photography and Algorithmic Devices, An Early

Interaction.

Andrés BURBANO, Universidad de los Andes, Bogota



Franceso Mariotti: in pursuit of a hybrid ideal through art, media and

nature

José-Carlos MARIáTEGUI, Alta Tecnología Andina, Lima



Sighting Technology in Modern and Contemporary Latin American Art

María FERNáNDEZ, Cornell University, Ithaca



Interdisciplinaries Approaches to Second Order Cybernetics During the

Early 70s in Chile : Artistic, Scientific and Techno/Political

Experiences. Marcel VELASCO, Universidad de Chile, Santiago





Session 4B – Archiving Failure: Film, History and Unfinished Projects

[Panel]



Notebooks, raw film reels and ephemera as Research-creation (Process)

Monika Kin GAGNON, Concordia University



Mechanography, Film and Education

Mark HAYWARD, York University



Right before the first boom: The lost stereoscopy of Norman McLaren and

the National Film Board of Canada

Alison Reiko LOADER, PhD candidate, Concordia University



Filming Simondon: Cultural Hysteresis and Technological Humanism

Ghislain THIBAULT, Wilfrid Laurier University







Saturday/samedi 07.11.2015

DAY/JOUR 3 Media Art Histories Re-CREATE 2015





9h-10h30 Session 5A – Media Archaeology and Humanities Labs: Creative

Knowledge and Practice-Based Theory [PANEL]

Moderator: Jussi PARIKKA, University of Southampton



Exhibition as Lab. Erkki Kurenniemi in 2048, Documenta 13

Joasia KRYSA,  Liverpool John Moores University in partnership with

Liverpool Biennial



Media and Computer Archaeology at Humboldt University

Stefan HöLTGEN, Humboldt University Berlin



The Theory & Practice of Posthumanities in the Media Archaeology Lab

Lori EMERSON, University of Colorado at Boulder, Media Archaeology Lab



Situating the Media Archaeology Lab: Research, Art, and the Public

Jesper OLSSON, Linkoping, Sweden



Darren WERSHLER, Concordia University



 

Session 5B – Practices : Curating alternate histories



Museums of the Unfinished for Unstable Memories

Giselle BEIGUELMAN, University of São Paulo



Ca-Re: Mapping and reactivating variable media artworks in the Latin

American context

Jo-Ana MORFIN and Fernando MONREAL,  Escuela Nacional de Conservación

ENCRyM



Image-material-media – a philo-curatorial interrogation

Srajana KAIKINI, Manipal University



On display : the history and representational politics of feminist new

media and performance art, Barbara CLAUSEN, Université du Québec à

Montréal





BOOK LAUNCH : Chris SALTER. Alien Agency: Experimental Encounters with

Art in the Making. MIT Press





11h-12h  KEYNOTE 3 Skawennati, Artist, Montreal





13h-15h WORKSHOP/ATELIER

Perception, Movement, Image – Always More Than Human

Anna MUNSTER + Michele BARKER, University of New South Wales; Erin

MANNING, Concordia University





13h30-15h Session 6A – Theories : Other Senses  



Re-Habilitating Bacteria

Jens HAUSER, University of Copenhagen



Coming To Our Senses: A Report on the Sensory Turn in Curatorial and

Media Art Practice

David HOWES, Concordia University



Edmund Carpenter’s Experiments across Visual Anthropology and

Critical Media Pedagogies

Michael DARROCH, University of Windsor, Hart COHEN, University of

Western Sydney, Paul HEYER, Wilfrid Laurier University





Session 6B – Practices : Curating as research.



Virtual Volumes and Electric Choreographies Kinetic and Light Art in

the David Bermant Collection and Recent Exhibitions

Christiane PAUL, The New School



Sound Citizen: Curating Sound Art in Public Spaces

Morten SøNDERGAARD, Aalborg University



Projection Studies

Gabriel MENOTTI, Universidade Federal do Espírito Santo



New Media Curating : Sound as a Technological Medium

Laura Plana GRACIA





BOOK LAUNCH : Jussi PARIKKA and Joasia KRYSA. Writing and Unwriting

(Media) Art History. MIT Press





Session 7A – Methods : Interdisciplinary Imbroglio.

The Co-production of Art: Collaborations between artists, scientists

and engineers in Sweden, 1967-2009

Anna ORRGHEN, Uppsala University



Armonica/Automaton: Media Archaeologies of Affective Programming

Alison De FREN, Occidental College, Los Angeles



Writing on sound/writing with sound: intersection between sound art

practice and research in sound studies

Budhaditya CHATTOPADHYAY, University of Copenhagen



 

Session 7B – Practices : Tactics, ethnicities and matters



Tactical media in the age of communicative capitalism – closed story,

unfinished project or current alternative?

Maciej Ożóg, University of Łódź



Matter and Thought: Gordon Pask’s Practice-Based Research

María FERNáNDEZ, Cornell University (Ithaca)



Intersectionality and New Media Art: Your Ethnic Apparel is Still

Downloading

Alice Ming Wai JIM, Concordia University





17h15-18h 

Michaela SEISER, DanubeU/Wendy COONES, DanubeU: Archive of Digital Art

– Archive of the Field 



Award Ceremony MediaArtHistories 2015 for Barbara STAFFORD 

Laudatio Oliver GRAU, DanubeU/tba







Sunday/dimanche 08.11.2015

DAY/JOUR 4 Media Art Histories Re-CREATE 2015



9h-10h30 Session 8A – Practices : Differential Sites



Slow-Scan TV Art; Revisited/Revived

Patrick LICHTY, American University of Sharjah



Psychedelic Circuitry 1880–1980. Signals between Esotericism, New

Religions, Engineering and Art – Their Potentials of Positive

Diffraction Today

Shintaro MIYAZAKI, University of Applied Sciences and Arts Northwestern

Switzerland



Chroma Glitch: Datamosh for Digital Video

Carolyn L. KANE, Ryerson University





Session 8B – Interdisciplinarity : Circuit breakdown.



On A Critical History of Media Art in Japan (2014)

Jung-Yeon MA, Tokyo University of the Arts



A Brief (Media) History of the Indigenous Future

Jason Edward LEWIS, Concordia University & Aboriginal Territories in

Cyberspace



Digital Art History, 56°56′51″N 24°6′23″E

Solvita ZARINA, University of Latvia



International Networks of Early Digital Arts

Darko FRITZ, Zagreb





11h30-12h30 Session 9 – Challenges, Best Practices, and the Future of

Transdisciplinary Collaboration in Media Art, Science and Technology

[PANEL]

Ruth WEST, University of North Texas

Roger MALINA, University of Texas

Sara DIAMOND, OCAD University

François-Joseph LAPOINTE, Université de Montréal



12h30-13.30h

WRAP UP SESSION/PLENIÈRE



ANNOUNCEMENTS/ANNONCES

MAH 2017 Venue + Closing remarks/Les mots de la fin



VENUES/LIEUX



Agora Hydro-Québec, Complexe du Coeur des sciences, Hexagram-UQAM

Salle d’expérimentation, Pavillon des Sciences biologiques,

Hexagram-UQAM

Hall Building, Concordia University

FOFA Gallery and York Vitrine, EV Building, Concordia University

BlackBox, Hexagram-Concordia, EV Building

Pavillon Président-Kennedy, UQAM



************************************************************************************

Distributed through Cyber-Society-Live [CSL]: CSL is a moderated discussion

list made up of people who are interested in the interdisciplinary academic

study of Cyber Society in all its manifestations.To join the list please visit:

http://www.jiscmail.ac.uk/lists/cyber-society-live.html

*************************************************************************************



************************************************************************************

Distributed through Cyber-Society-Live [CSL]: CSL is a moderated discussion

list made up of people who are interested in the interdisciplinary academic

study of Cyber Society in all its manifestations.To join the list please visit:

http://www.jiscmail.ac.uk/lists/cyber-society-live.html

*************************************************************************************

Top of Message | Previous Page | Permalink

JiscMail Tools


RSS Feeds and Sharing


Advanced Options


Archives

August 2019
July 2019
June 2019
May 2019
March 2019
February 2019
January 2019
December 2018
November 2018
October 2018
September 2018
August 2018
July 2018
June 2018
May 2018
April 2018
March 2018
February 2018
January 2018
December 2017
November 2017
October 2017
September 2017
August 2017
July 2017
June 2017
May 2017
April 2017
March 2017
January 2017
December 2016
November 2016
October 2016
September 2016
August 2016
June 2016
May 2016
April 2016
March 2016
February 2016
January 2016
December 2015
November 2015
October 2015
September 2015
August 2015
July 2015
June 2015
May 2015
April 2015
March 2015
February 2015
January 2015
December 2014
November 2014
October 2014
September 2014
August 2014
June 2014
May 2014
April 2014
March 2014
February 2014
January 2014
December 2013
November 2013
October 2013
September 2013
August 2013
July 2013
June 2013
May 2013
April 2013
March 2013
February 2013
January 2013
December 2012
November 2012
October 2012
September 2012
August 2012
July 2012
June 2012
May 2012
April 2012
March 2012
February 2012
January 2012
December 2011
November 2011
October 2011
September 2011
July 2011
June 2011
May 2011
April 2011
March 2011
February 2011
January 2011
December 2010
November 2010
October 2010
September 2010
August 2010
July 2010
June 2010
May 2010
April 2010
March 2010
February 2010
January 2010
December 2009
November 2009
October 2009
September 2009
July 2009
June 2009
May 2009
April 2009
March 2009
February 2009
January 2009
December 2008
November 2008
October 2008
September 2008
June 2008
May 2008
April 2008
March 2008
February 2008
January 2008
December 2007
November 2007
October 2007
September 2007
June 2007
May 2007
April 2007
March 2007
February 2007
January 2007
2006
2005
2004
2003
2002
2001
2000


JiscMail is a Jisc service.

View our service policies at https://www.jiscmail.ac.uk/policyandsecurity/ and Jisc's privacy policy at https://www.jisc.ac.uk/website/privacy-notice

Secured by F-Secure Anti-Virus CataList Email List Search Powered by the LISTSERV Email List Manager