*With apologies for cross posting*
The latest issue of Adaptation is now available to read online at http://www.oxfordjournals.org/page/6302/4.
Articles in this issue:
Rewritings, Adaptations, and Gay Literary Criticism: Thomas Mann's Death in Venice
By James P. Wilper
Black Britain and the Classic Adaptation: Integrated Casting in Television Adaptations of Oliver Twist and Little Dorrit
By Rachel Carroll
Adaptation, Re-contextualisation, and Metaphor: Auteur Directors and the Staging of Greek Tragedy
By Avra Sidiropoulou
Queer (Mis)recognition in the BBC's Sherlock
By Stephen Greer
Self-adaptation and Transnationality in Marjane Satrapi's Poulet aux prunes (2011)
By Colleen Kennedy-Karpat
'It Is the Cause ... Let Me Not Name It': (mis)Reading Memento Through Othello
By Andrew Barnaby
Quotation, Memory, and Adaptation in Federico Fellini's Interview (Intervista, 1987)
By Dominic Gavin
Richard Matheson's I Am Legend: Colonization and Adaptation
By Nicola Bowring
Reviews:
Bray & Palmer (eds.), Modern American Drama on Screen
Palmer & Bray (eds.), Modern British Drama on Screen
Reviewed by Elinor Parsons
About Adaptation
Adaptation is an international, peer-reviewed journal, offering academic articles, film and book reviews, including both book to screen adaptation, screen to book adaptation, popular and 'classic' adaptations, theatre and novel screen adaptations, television, animation, soundtracks, production issues, and genres in literature on screen. Adaptation provides an international forum to theorise and interrogate the phenomenon of literature on screen from both a literary and film studies perspective.
For more information and to subscribe please visit www.adaptation.oxfordjournals.org<http://www.adaptation.oxfordjournals.org>.
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