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MEDIEVAL-RELIGION  November 2014

MEDIEVAL-RELIGION November 2014

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Subject:

Re: Saint of the Day: St. Catherine of Alexandria (WAS: Re: [M-R] Saint of the Day: St Edmund King and Martyr)

From:

John Dillon <[log in to unmask]>

Reply-To:

medieval-religion - Scholarly discussions of medieval religious culture <[log in to unmask]>

Date:

Wed, 26 Nov 2014 12:16:10 -0600

Content-Type:

text/plain

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medieval-religion: Scholarly discussions of medieval religion and culture

In yesterday's longish sampling of Catherine images there are faulty links at items i) and mm). In this post they should be corrected.

And one should disregard item b). The length of the now somewhat degraded inscription identifying the figure at left comports better with her being the iconographically similar Irene.

Apologies for the slips,
John Dillon


On 11/26/14, I wrote:

> Further images of Catherine of Alexandria:
> 
> a) As depicted in the earlier eleventh-century mosaics (restored between 1953 and 1962) in the katholikon of the monastery of Hosios Loukas (St. Luke of Stiria) near Distomo in Phokis: 
> http://tinyurl.com/39uqg7t
> 
> b) As depicted (at left; at right, St. Photini) in a later twelfth-century fresco (betw. 1160 and 1190) in the church of St. Nicholas Kasnitzis in Kastoria:
> http://www.premioceleste.it/indi/_pics/9/3/Grecia-Kastoria-Nikolaos-Kasnitzis-14_19352_31892.jpg
> 
> c) As depicted in an earlier thirteenth-century fresco (1233/1234) from the chapel of St. Nicholas in the Penteli caves in northern Attika, now in the Byzantine and Christian Museum in Athens:
> http://www.byzantinemuseum.gr/pictures/b_1950_1068.jpg
> http://www.byzantinemuseum.gr/en/collections/wall_paintings/?bxm=1068
> 
> d) As depicted in a thirteenth-century wall painting in Hailes Church (Glos):
> http://www.sacred-destinations.com/england/hailes-church/photos/d80_008
> 
> e) As depicted in the later thirteenth-century frescoes (1259) in the church of Sts. Nicholas and Panteleimon at Boyana near the Bulgarian capital of Sofia:
> http://galenf.com/Bulgaria/36/bu_0010b.jpg
> 
> f) As depicted in a later thirteenth-century (ca. 1260) Cistercian psalter (Besançon, Bibliothèque municipale, ms. 54, fol. 11r):
> http://tinyurl.com/332y45h
> 
> g) As depicted in a later thirteenth-century psalter for the Use of Reims (Carpentras, Bibliothèque municipale, ms. 77 (\1), fol. 178v):
> http://tinyurl.com/3a8pdqe
> 
> h) As depicted in a late thirteenth-century Book of Hours (ca. 1280-1290) for the Use of Thérouanne (Marseille, Bibliothèque municipale, ms. 111, fol. 148r):
> http://tinyurl.com/2v485b6
> 
> i) As depicted in an initial in a late thirteenth- / early fourteenth-century copy of Clemence of Barking's _La vie sainte Katherine_ (London, BL, MS add. 70513, fol. 246r):
> http://arts.uwaterloo.ca/~drussell/images/Kth246r.jpg
> NB: Texts of the poem from this and two other witnesses are available at no. 13 here:
> http://margot.uwaterloo.ca/campsey/CmpBrowserFrame_f.html
> 
> j) As depicted (at left; at right, St. Irene) as depicted in the earlier fourteenth-century frescoes (betw. ca. 1311 and ca. 1322) in the church of St. Nicholas Orphanos in Thessaloniki:
> http://tinyurl.com/p5n6deg
> 
> k) As depicted (in this detail view, upper register at right) by Simone Martini in his earlier fourteenth-century Polyptych of Santa Caterina (1319) in the Museo Nazionale di San Matteo in Pisa:
> http://www.wga.hu/art/s/simone/4altars/3pisa/3pisa.jpg
> 
> l) As depicted in an earlier fourteenth-century panel painting (ca. 1330) by Gregorio d'Arezzo and Donato d'Arezzo in the J. Paul Getty Museum, Los Angeles:
> http://www.insecula.com/oeuvre/photo_ME0000095165.html
> 
> m) As depicted in an illumination, attributed to the Fauvel Master, in an earlier fourteenth-century collection of French-language saint's lives (Paris, BnF, ms. Français 183, fol. 100v):
> http://tinyurl.com/ykkzgpo
> 
> n) As depicted in an earlier fourteenth-century panel painting (betw. 1335 and 1340) by Bernardo Daddi in a private collection in Milan: 
> http://tinyurl.com/yku9mwa
> 
> o) As depicted (at right; at left, St. Augustine of Hippo) as depicted in an earlier fourteenth-century glass window (ca. 1340) in the entrance hall -- an enclosed porch -- of the Basilika Mariä Himmelfahrt in Gurk (Land Kärnten):
> http://www.burgenseite.com/glas/gurk_glas_3.jpg
> 
> p) As depicted in an earlier fourteenth-century panel painting (betw. 1330 and 1350) by Barna da Siena of Catherine's mystical marriage with Christ, now in the Museum of Fine Arts, Boston:
> http://tinyurl.com/2ewhze2
> 
> q) As depicted in an earlier fourteenth-century panel painting (betw. 1342 and 1345) by Pietro Lorenzetti in the Metropolitan Museum of Art, New York:
> http://www.metmuseum.org/toah/works-of-art/13.212
> 
> r) As depicted in an illumination by Richard or Jeanne de Montbaston in an earlier fourteenth-century copy (1348) of the _Legenda aurea_ in its French-language version by Jean de Vignay (Paris, BnF, ms. Français 241, fol. 316r):
> http://tinyurl.com/yktrtxz
> 
> s) As depicted (at right; at left, St. John the Baptist) in a mid-fourteenth-century panel painting by Paolo Veneziano in the Art Institute of Chicago:
> http://www.insecula.com/oeuvre/photo_ME0000093460.html
> 
> t) As depicted (lower register, far left) by Paolo Veneziano and Giovannino Veneziano in their mid-fourteenth-century Coronation of the Virgin altarpiece in the Pinacoteca comunale in San Severino Marche (MC):
> http://tinyurl.com/6ffo4r
> 
> u) As depicted on one side of a fourteenth-century double icon from Veria (Imathia prefecture) in northern Greece, now in the Byzantine and Christian Museum in Athens:
> http://tinyurl.com/6m2mv2b
> 
> v) As depicted in a fourteenth-century fresco on an arch soffit in the chiesa di San Salvatore in Canzano (TE) in northern Abruzzo:
> http://tinyurl.com/nuzx5j7
> 
> w) As portrayed (at left; at right, St. Lucy) flanking St. Flavian of Rome in a fourteenth-century fresco in the lower church of the basilica di San Flaviano in Montefiascone (VT) in northeastern Lazio:
> http://upload.wikimedia.org/wikipedia/commons/9/9b/Montefiascone_san_flaviano.JPG
> 
> x) As portrayed (before and after restoration) in a later fourteenth-century sandstone sculpture (betw. 1350 and 1362) in the Kreuzkapelle of the Michaelerkirche in Vienna:
> http://www.michaelerkirche.at/articles/2010/04/12/a2620/p0/HlKatharina_Vergleich.jpg
> 
> y) As depicted in the later fourteenth-century frescoes (1360s and 1370s; restored in 1968-1970) in the church of St. Demetrius in Marko's Monastery at Markova Su¨ica (near Skopje) in the Former Yugoslav Republic of Macedonia:
> http://tinyurl.com/3lmf88z
> 
> z) As portrayed on a late fourteenth-century silver gilt reliquary pendant of French origin (betw. 1370 and 1395) in the Victoria and Albert Museum in London:
> http://collections.vam.ac.uk/item/O109237/reliquary-pendant-unknown/
> 
> aa) As depicted (martyrdom scene) by Giovanni di Benedetto and workshop in a late fourteenth-century Franciscan Book of Hours from Milan (ca. 1385-1390; Paris, BnF, ms. Latin 757, fol. 362v):
> http://tinyurl.com/qctzzuy
> 
> bb) As depicted (at right; at left, St. Nicholas of Myra) in a late fourteenth- or early fifteenth-century panel painting (ca. 1395-1400 or ca. 1405) by Gentile da Fabriano in the Staatliche Museen in Berlin:
> http://www.wga.hu/art/g/gentile/virgin_c.jpg
> 
> cc) As portrayed in a late fourteenth- or earlier fifteenth-century ivory statuette from the Rheinland now in Paris in the Musée du Louvre (the first two photographs courtesy of Genevra Kornbluth):
> http://www.kornbluthphoto.com/images/Catherine1.jpg
> http://www.kornbluthphoto.com/images/Catherine2.jpg
> 
> dd) As depicted (scenes, starting here and going forward) in the earlier fifteenth-century (ca. 1407) Belles Heures of Jean de France, Duc de Berry (ca. 1407; The Cloisters Collection, Metropolitan Museum of Art, New York, ms. 1954 [54.1.1], fols. 15r-20r):
> http://blog.metmuseum.org/artofillumination/manuscript-pages/folio-15r/ 
> 
> ee) As depicted (scenes from her legend) in an earlier fifteenth-century fresco (betw. 1428 and 1431) by Masolino da Panicale in the cappella di Santa Caterina in Rome's basilica di San Clemente:
> http://www.wga.hu/art/m/masolino/clemente/02clemen.jpg
> 
> ff) As depicted with a donor in a mid-fifteenth-century glass window panel (ca. 1450) from the église Saint-Étienne in Elbeuf (Seine-Maritime), now in The Cloisters Collection, Metropolitan Museum of Art, New York:
> http://tinyurl.com/bro2bd5
> 
> gg) As portrayed in a later fifteenth-century polychromed wooden reliquary bust (ca. 1465) of northern Netherlandish origin in the Metropolitan Museum of Art, New York:
> http://tinyurl.com/cehrsm5
> http://www.flickriver.com/photos/elissacorsini/2469273485/
> 
> hh) As depicted in a later fifteenth-century panel painting (1467) by Michael Pacher in the Tiroler Landesmuseum Ferdinandeum in Innsbruck:
> http://www.wga.hu/art/p/pacher/various/1lauren3.jpg
> 
> ii) As depicted in a later fifteenth-century panel painting by Carlo Crivelli (ca. 1470; from his now dismembered Montefiore altarpiece) in the chiesa di Santa Lucia in Montefiore dell'Aso (AP) in the Marche:
> http://tinyurl.com/2c2cx9
> Detail view:
> http://tinyurl.com/2dd4ar
> 
> jj) As portrayed in relief on a wing of a later fifteenth-century altarpiece made in Cologne, since 1931 in Sankt Peters Klosters kyrka, Lund:
> http://tinyurl.com/285r4mv
> 
> kk) As depicted (lower register, far left) by Sandro Botticelli in the central panel of his Barnabas Altarpiece (c1487) in Galleria degli Uffizi, Florence:
> http://www.wga.hu/art/b/botticel/3barnaba/10barnab.jpg
> Detail view:
> http://tinyurl.com/k47pgzc 
> 
> ll) As portrayed in a late fifteenth- or early sixteenth-century statue in Jelling Kirke, Jelling, Sydjylland:
> http://tinyurl.com/299esod
> 
> mm) As depicted in a late fifteenth- or early sixteenth-century icon in the Simonopetra monastery on Mt. Athos:
> http://home.yebo.co.za/~xenitis/AgAikaterini.jpg
> 
> nn) As depicted in a late fifteenth- or earlier sixteenth-century drawing by Albrecht Dürer in the Metropolitan Museum of Art, New York:
> http://www.metmuseum.org/collections/search-the-collections/90001741
> 
> oo) As depicted trampling the emperor Maximianus in a late fifteenth- or earlier sixteenth-century glass roundel of southern Netherlandish origin in the Metropolitan Museum of Art, New York:
> http://tinyurl.com/bwrevqg
> 
> pp) As depicted in an earlier sixteenth-century glass window panel of local origin in the Museum Schnütgen in Cologne:
> http://tinyurl.com/3adest2
> 
> Best,
> John Dillon
>

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