From: Benjamin Meyer-Krahmer <[log in to unmask]>
Date: Apr 12, 2014
Subject: CFP: Curatorial Things (Berlin, 30 Oct-1 Nov 14)
Haus der Kulturen der Welt, Berlin, October 30 - November 1, 2014
Deadline: May 20, 2014
Call for Papers
Curatorial Things
Organizers: Beatrice von Bismarck, Benjamin Meyer-Krahmer, Thomas Weski
Cultures of the Curatorial, Academy of Visual Arts Leipzig
(www.kdk-leipzig.de)
Curatorial Things
Meaning and status of things have changed significantly since the
beginning of the 21st century. This becomes particularly evident with
regards to the handling of things in the context of presentation. In the
practice of today's globalized exhibition system they are of high
mobility just like people, discourses and spaces and are involved in
changing signifying contexts. As a result traditional concepts of how
things obtain meaning as exhibits begin to dissolve and get
re-formulated, which in turn entails far-reaching consequences for the
ways of dealing with them as well as for the conditions of these
practices. A critical attitude toward the representative capability of
things in the context of presentation can be traced back to the early
20th century and its validity for today should be considered. However,
the current transdisciplinary interrelation of discourses and
praxis-theory approaches provide a situation which allows for an
analysis of the status of things which is specifically related to the
curatorial. Three interrelated aspects testifying to the altered
understanding of things have gained substantial weight for the current
curatorial discourse: The first relates to the changed attitude towards
the "container function" of exhibits. Through its attribution things in
Western culture initially became repositories of meaning and thereby
obtained the central constituting role in the conception of the museum.
Recent discourses on the function of museums in a global context and
their relation to different media and forms of cultural production made
a revision of this notion necessary. Just as little as this
representative function can be generalized in regards to non-Western
exhibition practice and institutions, it cannot be applied to the
curatorial practice of other disciplines – such as theater, dance or
film. Secondly, the things one encounters in curatorial situations – as
works of art, cultural objects and exhibits – are not anymore static or
material neccesarily but are accompagnied, if not replaced, by elements,
which are in their materiality, appearance and meaning ephemeral,
flexible and incomplete. In this setting, meaning, function and status
of curatorial things are in flux and require new tools of assessment,
interpretation and operation. Thirdly finally, in recent debates things
have acquired the status of agents, thus acting as participants in
presentational situations. Beyond visualizations of theoretical concepts
this has consequences for the experience in exhibitions as much as for
curatorial strategies.
The international conference "Curatorial Things" will investigate the
implications, consequences and potentials, which arise from the
entanglement of these aspects and their developments. It is based on the
understanding of curatorial practice as constructing constellations.
Bringing together theoreticians, academic researchers, curators and
artists from a variety of professional and disciplinary backgrounds the
conference aims at exploring from different cultural and institutional
perspectives the changes, effects and power attributed to things as
participants in such curatorial constellations.
Please send your abstract (max. 300 words), short CV and contact
information to [log in to unmask] by May 20th, 2014.
Reference / Quellennachweis:
CFP: Curatorial Things (Berlin, 30 Oct-1 Nov 14). In: H-ArtHist, Apr 12,
2014. <http://arthist.net/archive/7444>.
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