"Visual artists must live like kings or gods" – artists' homes in the
Middle Ages and the Early Modern Era
International Conference, Historisches Rathaus (Großer Ratssaal),
Nuremberg 11-14 June 2015
Conference languages: German, English
Organisers: Dr. Thomas Schauerte, Dr. Andreas Tacke, University
Professor
Contact / applications: Danica Brenner M.A., University of Trier, TAK –
artifex, Im Treff 23, D-54286 Trier; email: [log in to unmask]
"Plastic artists should dwell like kings and gods: how else are they to
build for kings and gods?"(trans. Thomas Carlyle; Goethe, Wilhelm
Meister's Journeyman Years II, 8). – What pertained to Goethe in a
figurative sense is our question from varying perspectives in respect to
the real visual artist in Europe up to 1800: Exceptional artists such as
Goethe but also Mantegna, Dürer, Michelangelo, Rubens, Rembrandt or the
Asam Brothers sometimes lived almost princely. But does this apply in
general to the European artist of the pre-modern era?
The conference will take a look at the artist's home and initially
examine his status from the perspective of social topography. What
factors influenced this status? To be considered are, for example, the
neighbourhood, the proximity to possible clients or to prestigious
places for sales such as centrally located squares, prominent streets or
significant churches. The conference will investigate architecture and
furnishings, the iconography and iconology of an iconographical program
of artists' homes from the perspective of art history and cultural
history. Finally, the conference will also examine an early nascent
conservation of the artist's home or the dwelling as a place of
remembrance in the period before 1800 and thus explore questions of the
history of discourse or perception.
But we also expressly request papers deviating from the idea of the
artist's home à la Goethe, rather talks considering those visual artists
who rented or who frequently moved and therefore acquired no property,
also talks on artists who found accommodations with their clients. What
do we know about these artists' flats or their homes?
Where and in what cities did artists' quarters, artists' streets or
blocks of flats evolve, places where artists lived over a longer period?
Who lived with the artist? How were the studios situated? Were there
sales rooms in the house, in the flat? Were they also used for art
instruction, to hold "academies" (Joachim von Sandrart)? Is there a
difference between the artists bound to guilds and those who worked at
court?
The conference will examine text and picture sources to determine the
image of artistic self-portrayal at the time via the medium "artist's
house". The latter is primarily to be viewed from the standpoint of the
visual artist's strategies to rise to a higher stratum in a hierarchical
society where he was relegated to the status of craftsman. What was the
role of the sometimes extensive art collections for which rooms were
often exclusively built or reserved?
Using case studies, overview representations and comparative
examinations, the conference will approach the topic from the
perspective of different disciplines, primarily, however, from the
perspective of art history, cultural history, and social history.
Abstracts for as yet unpublished articles (a maximum of 2,000
characters, including spaces) with a brief CV and a possible selection
of relevant publications may be submitted in German or English by 31
August 2014 to Danica Brenner M.A., email: [log in to unmask]
Publication of the articles is planned for 2016 in the series "artifex –
Sources and Studies on the Social History of the Artist" (Michael Imhof
Verlag, Petersberg).
The conference is held in cooperation with the Albrecht-Dürer-Haus,
curated by Dr. Thomas Schauerte (the Nuremberg Museums) and the Social
History of the Artist Research Centre (SHARC), principally the EU
project "artifex", directed by Dr. Dr. Andreas Tacke, Professor
(University of Trier, Chair, Art History).
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