Birth (Jonathan Glazer, 2004).
Richard
On Sun, June 3, 2012 17:35, Frank, Michael wrote:
> please excuse/forgive that last email . . . it was one of those
> "failing-to-keep-track-of-the-serpentine-twises-of-an-email-thread"
> issues and my face is bright red
>
> mike
>
> -----Original Message-----
> From: Frank, Michael
> Sent: Sunday, June 03, 2012 12:33 PM
> To: 'Film-Philosophy'
> Subject: RE: [FILM-PHILOSOPHY] query: "female gothic"
>
>
> hi again marcelline --
>
> i feel churlish sending this after your very generous offer of sending
> the PDF, but i just got a follow up email from you that was simply your
> first response repeated, with no PDF or link . . . since i know that i
> often forget to include attachments i hope you won't mind my asking
> whether that was the email you said you'd send along or whether that will
> be coming later
>
> thanks again
>
> mike
>
> -----Original Message-----
> From: Film-Philosophy [mailto:[log in to unmask]] On Behalf Of
> Marcelline Block
> Sent: Sunday, June 03, 2012 12:17 PM
> To: [log in to unmask]
> Subject: Re: [FILM-PHILOSOPHY] query: "female gothic"
>
>
> hi Michael, You may be interested in a chapter about the female gothic
> film which is in my edited collection. This chapter proposes a genre based
> on the female gothic called "The Career-Woman-in-Peril Thriller" (films
> from the late 80s to mid-2000s). The reference is as follows:
> Soare, Monica. "Return of the Female Gothic: The Career-Woman-in-Peril
> Thriller." In Block, Marcelline, ed., Situating the Feminist Gaze and
> Spectatorship in Postwar Cinema (Newcastle: Cambridge Scholars, 2010),
> 88-119.
> All the best,
> Marcelline
>
>
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>
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