ROSALIND KRAUSS ON CY TWOMBLY
ROSALIND KRAUSS
Readymade forms such as the palm frond
of the casting media
(see here on the right)
attest to the relation Twombly is marking to plaster.
Leaf form fans itself out.
Image of a body leaning over water.
Nothing more than pale imitation.
On Tue, Feb 7, 2012 at 5:36 AM, Barry Alpert <[log in to unmask]>wrote:
> ROSALIND KRAUSS ON CY TWOMBLY
>
>
> ROSALIND KRAUSS
>
> Readymade forms such as the palm frond
> of the casting media
> (see here on the right)
> attest to the relation Twombly is marking to plaster.
> Leaf form fans itself out.
> Image of a body leaning over water.
> Nothing more than pale imitation.
> Duchamp takes up in the work “Tu m’”.
>
> Kelly called “Colors For A Large Ball”.
> Readymade: An Artistic Production.
> Another readymade adopted by Johns,
> up to a feeling of space & light.
> Space & Light I mean,
> such as the “Light Bulb” or the “Flashlight”.
>
>
> ROSALIND KRAUSS
>
>
> Recoding
> of the painterly gesture as graffiti:
> streets and latrines, though rarely signed,
> a painterly genre, namely
> Landscape,
> in which he works.
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>
>
> Barry Alpert
>
>
>
> On Mon, 6 Feb 2012 09:21:42 -0700, Douglas Barbour <[log in to unmask]>
> wrote:
>
> >Interesting: some of the images he painted or drew remind me of the
> landscapes of the great Australian artist, Fred Williams.
> >
> >In the poem, the term works, as I see it referring to those seemingly
> dashed off pencil sketches, which are the Twomblys I like best (& which
> Barthes wrote about with such delight).
> >
> >Doug
> >On 2012-02-05, at 1:39 PM, bobbi lurie wrote:
> >
> >> de rien, Monsieur Halvard
> >>
> >> using Twombly as a reference .... c'est magnifique!
> >>
> >>
> http://www.google.com/search?q=cy+twombly&hl=en&site=webhp&prmd=imvnso&tbm=isch&tbo=u&source=univ&sa=X&ei=5-guT7SiE8TO2AXLvpjpDg&sqi=2&ved=0CFEQsAQ&biw=1324&bih=613
> >>
> >>
> >> bobbi
> >>
> >>
> >>
> >>
> >> On Sun, Feb 5, 2012 at 1:26 PM, Halvard Johnson <[log in to unmask]>
> wrote:
> >>
> >>> Merci, bobbi.
> >>>
> >>>
> >>> Serving the tri-state area.
> >>>
> >>> Hal
> >>>
> >>> Halvard Johnson
> >>> ================
> >>>
> >>> [log in to unmask]
> >>>
> >>> On Barcelona <http://onbarcelona.blogspot.com/> (submissions sought;
> email
> >>> to my address above)
> >>> Truck: https://plus.google.com/106252913724243142175
> >>> http://sites.google.com/site/halvardjohnson/Home
> >>> http://entropyandme.blogspot.com
> >>> http://imageswithoutwords.blogspot.com
> >>> http://www.hamiltonstone.org
> >>> <http://www.hamiltonstone.org/>
> >>> https://sites.google.com/site/vidalocabooks/
> >>> <http://www.hamiltonstone.org/>
> >>> Remains To Be Seen <https://sites.google.com/site/vidalocabooks/>*,
> >>> Remains
> >>> To Be Seen (Vol. II) <https://sites.google.com/site/vidalocabooks/>,**
> >>> Remains
> >>> To Be Seen (Vol. III) <https://sites.google.com/site/vidalocabooks/>,
> >>> *Sonnets
> >>> from the Basque & Other Poems <
> >>> https://sites.google.com/site/vidalocabooks/>
> >>> *, *Mainly Black <https://sites.google.com/site/vidalocabooks/>,
> *Obras
> >>> P�blicas <https://sites.google.com/site/vidalocabooks/>; **The
> Perfection
> >>> of Mozart's Third Eye and Other
> >>> Sonnets<
> >>>
> http://www.scribd.com/doc/27039868/Halvard-Johnson-THE-PERFECTION-OF-MOZART-S-THIRD-EYE-Other-Sonnets
> >>>>
> >>> ; **Organ Harvest with Entrance of
> >>> Clones<
> >>>
> http://www.amazon.com/Harvest-Entrance-Clones-Halvard-Johnson/dp/0965404390/ref=sr_1_1?ie=UTF8&s=books&qid=1283182804&sr=8-1
> >>>>
> >>> ; **Tango Bouquet <https://sites.google.com/site/vidalocabooks/>;
> **Theory
> >>> of Harmony<
> >>>
> https://docs.google.com/viewer?url=http://xpressed.wippiespace.com/fall04/theory1.pdf
> >>>>
> >>> ; **Rapsodie espagnole<
> >>>
> https://docs.google.com/viewer?url=http://xpressed.wippiespace.com/rapsodi.pdf
> >>>>
> >>> ; **Guide to the Tokyo
> >>> Subway<
> >>>
> http://www.amazon.com/Guide-Tokyo-Subway-Other-Poems/dp/0971487316/ref=sr_1_3?s=books&ie=UTF8&qid=1283183153&sr=1-3
> >>>>
> >>> ; **The Sonnet Project<
> >>>
> https://docs.google.com/viewer?url=http://xpressed.wippiespace.com/hsonnet.pdf
> >>>>
> >>> ; **G(e)nome <http://xpressed.wippiespace.com/fall03/genome.pdf>;
> **Winter
> >>> Journey <http://capa.conncoll.edu/johnson.winter.html>;
> >>> **Eclipse<http://capa.conncoll.edu/johnson.eclipse.html>
> >>> ; **The Dance of the Red Swan <
> http://capa.conncoll.edu/johnson.dance.html
> >>>>
> >>> ; **Transparencies & Projections<
> >>> http://capa.conncoll.edu/johnson.transp.html>
> >>> *
> >>>
> >>>
> >>>
> >>>
> >>> On Sun, Feb 5, 2012 at 2:24 PM, bobbi lurie <[log in to unmask]>
> >>> wrote:
> >>>
> >>>> This is great, Hal.
> >>>> "Twomblyesque" is wonderful--!!!
> >>>>
> >>>> Bobbi Lurie
> >>>>
> >>>> On Sun, Feb 5, 2012 at 10:35 AM, Halvard Johnson <[log in to unmask]>
> >>>> wrote:
> >>>>
> >>>>> *Mis(sin)g
> >>>>>
> >>>>> Garrulous dissolutions, a warm
> >>>>> house. Twomblyesque scribblings.
> >>>>> Indigenous interchanges on a global
> >>>>> basis. Postprandialen Serenaden.*
> >>>>>
> >>>>>
> >>>>> Serving the tri-state area.
> >>>>>
> >>>>> Hal
> >>>>>
> >>>>> Halvard Johnson
> >>>>> ================
> >>>>>
> >>>>> [log in to unmask]
> >>>>>
> >>>>> On Barcelona <http://onbarcelona.blogspot.com/> (submissions sought;
> >>>> email
> >>>>> to my address above)
> >>>>> Truck: https://plus.google.com/106252913724243142175
> >>>>> http://sites.google.com/site/halvardjohnson/Home
> >>>>> http://entropyandme.blogspot.com
> >>>>> http://imageswithoutwords.blogspot.com
> >>>>> http://www.hamiltonstone.org
> >>>>> <http://www.hamiltonstone.org/>
> >>>>> https://sites.google.com/site/vidalocabooks/
> >>>>> <http://www.hamiltonstone.org/>
> >>>>> Remains To Be Seen <https://sites.google.com/site/vidalocabooks/>*,
> >>>>> Remains
> >>>>> To Be Seen (Vol. II) <https://sites.google.com/site/vidalocabooks/
> >,**
> >>>>> Remains
> >>>>> To Be Seen (Vol. III) <https://sites.google.com/site/vidalocabooks/
> >,
> >>>>> *Sonnets
> >>>>> from the Basque & Other Poems <
> >>>>> https://sites.google.com/site/vidalocabooks/>
> >>>>> *, *Mainly Black <https://sites.google.com/site/vidalocabooks/>,
> >>> *Obras
> >>>>> P�blicas <https://sites.google.com/site/vidalocabooks/>; **The
> >>>> Perfection
> >>>>> of Mozart's Third Eye and Other
> >>>>> Sonnets<
> >>>>>
> >>>>
> >>>
> http://www.scribd.com/doc/27039868/Halvard-Johnson-THE-PERFECTION-OF-MOZART-S-THIRD-EYE-Other-Sonnets
> >>>>>>
> >>>>> ; **Organ Harvest with Entrance of
> >>>>> Clones<
> >>>>>
> >>>>
> >>>
> http://www.amazon.com/Harvest-Entrance-Clones-Halvard-Johnson/dp/0965404390/ref=sr_1_1?ie=UTF8&s=books&qid=1283182804&sr=8-1
> >>>>>>
> >>>>> ; **Tango Bouquet <https://sites.google.com/site/vidalocabooks/>;
> >>>> **Theory
> >>>>> of Harmony<
> >>>>>
> >>>>
> >>>
> https://docs.google.com/viewer?url=http://xpressed.wippiespace.com/fall04/theory1.pdf
> >>>>>>
> >>>>> ; **Rapsodie espagnole<
> >>>>>
> >>>>
> >>>
> https://docs.google.com/viewer?url=http://xpressed.wippiespace.com/rapsodi.pdf
> >>>>>>
> >>>>> ; **Guide to the Tokyo
> >>>>> Subway<
> >>>>>
> >>>>
> >>>
> http://www.amazon.com/Guide-Tokyo-Subway-Other-Poems/dp/0971487316/ref=sr_1_3?s=books&ie=UTF8&qid=1283183153&sr=1-3
> >>>>>>
> >>>>> ; **The Sonnet Project<
> >>>>>
> >>>>
> >>>
> https://docs.google.com/viewer?url=http://xpressed.wippiespace.com/hsonnet.pdf
> >>>>>>
> >>>>> ; **G(e)nome <http://xpressed.wippiespace.com/fall03/genome.pdf>;
> >>>> **Winter
> >>>>> Journey <http://capa.conncoll.edu/johnson.winter.html>;
> >>>>> **Eclipse<http://capa.conncoll.edu/johnson.eclipse.html>
> >>>>> ; **The Dance of the Red Swan <
> >>>> http://capa.conncoll.edu/johnson.dance.html
> >>>>>>
> >>>>> ; **Transparencies & Projections<
> >>>>> http://capa.conncoll.edu/johnson.transp.html>
> >>>>> *
> >>>>>
> >>>>
> >>>
> >>
> >
> >Douglas Barbour
> >[log in to unmask]
> >
> >http://www.ualberta.ca/~dbarbour/
> >http://eclecticruckus.wordpress.com/
> >
> >Latest books:
> >Continuations (with Sheila E Murphy)
> >http://www.uap.ualberta.ca/UAP.asp?LID=41&bookID=664
> >Wednesdays'
> >
> http://abovegroundpress.blogspot.com/2008/03/new-from-aboveground-press_10.html
> >
> >What dull barbarians are not proud of
> >their dullness and barbarism?
> >
> > Thackeray
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
>
--
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