Totally share your perception, Tim - I think some of what you include in sense 4 I rather confusedly tried to shoehorn into sense 3, but I certainly did intend to include all those aspects. I also share your experience of something instantly recognizable (first four lines, usually) - exceptions apply, naturally. I've often thought it would repay examining what lies behind this strong sense of recognition, but I get put off by the thought of spending all that time with poems I'm usually not that keen on. (And when I am keen on them, then I don't want to make a big deal about the mannerism, or whatever it is.)
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