I've often implied as much.
"What does a poet need an unlisted
number for?"
--George Costanza
Hal
Halvard Johnson
================
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<http://www.hamiltonstone.org/>
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<http://www.hamiltonstone.org/>
*Mainly Black<https://docs.google.com/document/edit?id=1i_JGJ_FqQldEnUq7cwjV8giYykz_tsGbTkC2EkAP3IM&hl=en&pli=1#>
, **Obras Públicas<https://sites.google.com/site/vidalocabooks/halvard-johnson-obras-publicas>
; **The Perfection of Mozart's Third Eye and Other
Sonnets<http://www.scribd.com/doc/27039868/Halvard-Johnson-THE-PERFECTION-OF-MOZART-S-THIRD-EYE-Other-Sonnets>
;*
*Organ Harvest with Entrance of
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; **Tango Bouquet<https://docs.google.com/Doc?docid=0ATDp6rzKkBkhZGZwand2cHdfOWc1Mnh3Zw&hl=en>
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; *
***Rapsodie espagnole<https://docs.google.com/viewer?url=http://xpressed.wippiespace.com/rapsodi.pdf>
; **Guide to the Tokyo
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; **The Sonnet Project<https://docs.google.com/viewer?url=http://xpressed.wippiespace.com/hsonnet.pdf>
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***G(e)nome <http://xpressed.wippiespace.com/fall03/genome.pdf>; **Winter
Journey <http://capa.conncoll.edu/johnson.winter.html>;
**Eclipse<http://capa.conncoll.edu/johnson.eclipse.html>
; **The Dance of the Red Swan <http://capa.conncoll.edu/johnson.dance.html>;
*
*Transparencies & Projections <http://capa.conncoll.edu/johnson.transp.html>
*
On Mon, Feb 21, 2011 at 4:39 PM, Douglas Barbour
<[log in to unmask]>wrote:
> What one remembers of Note on Camp (& much else by Sontag) is both its own
> style (beauty) & the fact that most of the theorizing that followed in her
> footsteps was only lengthy footnotes to what she had already implied (or
> outright said).
>
> Why I read so little theory now but go back to writers like her & the
> equally brilliant in his own way Guy Davenport.
>
> Doug
>
> On 2011-02-19, at 11:49 PM, Stephen Vincent wrote:
>
> > Chris, I do know how "camp" plays out as a current literary theory. I was
> > referring to Susan Songtag's "Notes On Camp", first published in 1964. I
> think
> > there were a total of 54 or so 'notes.' And it is interesting to me how
> they
> > resonate in the work of Ashberry and O'Hara
>
> Douglas Barbour
> [log in to unmask]
>
> http://www.ualberta.ca/~dbarbour/
> http://eclecticruckus.wordpress.com/
>
> Latest books:
> Continuations (with Sheila E Murphy)
> http://www.uap.ualberta.ca/UAP.asp?LID=41&bookID=664
> Wednesdays'
>
> http://abovegroundpress.blogspot.com/2008/03/new-from-aboveground-press_10.html
>
> Language has unmistakably made plain that memory is not an instrument for
> exploring the past but its theater. It is the medium of past experience,
> just as the earth is the medium in which dead cities lie buried.
>
> Walter Benjamin
>
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