On Sat, 2011-01-01 at 10:16 -0700, Douglas Barbour wrote:
> We can always hope, Patrick. Let's do so.
One of my still life edition prints is dated 1-1-11, so lets hope even
more so given the depressing state of the art objects for sale market.
(I am currently running at a 50% failure rate on silver gelatin print
flaws on very expensive paper, given the hell like summer weather here.
But this still matches the costs of digital prints, done for me by a
lab. The Flood Watch grid series would cost around 2.5K AUD to print...
and I haven't considered how to frame it... about another 500 AUD, at
have chronic fatigue syndrome so may be delayed in reply or brain fog weird
just to let you know that's all, Chris Jones.