Oy!
Hal
Serving the tri-state area.
Halvard Johnson
================
[log in to unmask]
http://sites.google.com/site/halvardjohnson/Home
http://entropyandme.blogspot.com
http://imageswithoutwords.blogspot.com
http://www.hamiltonstone.org
<http://www.hamiltonstone.org/>
http://sites.google.com/site/vidalocabooks/home
<http://www.hamiltonstone.org/>
*Mainly Black<https://docs.google.com/document/edit?id=1i_JGJ_FqQldEnUq7cwjV8giYykz_tsGbTkC2EkAP3IM&hl=en&pli=1#>
, **Obras Públicas<https://sites.google.com/site/vidalocabooks/halvard-johnson-obras-publicas>
; **The Perfection of Mozart's Third Eye and Other
Sonnets<http://www.scribd.com/doc/27039868/Halvard-Johnson-THE-PERFECTION-OF-MOZART-S-THIRD-EYE-Other-Sonnets>
;*
*Organ Harvest with Entrance of
Clones<http://www.amazon.com/Harvest-Entrance-Clones-Halvard-Johnson/dp/0965404390/ref=sr_1_1?ie=UTF8&s=books&qid=1283182804&sr=8-1>
; **Tango Bouquet<https://docs.google.com/Doc?docid=0ATDp6rzKkBkhZGZwand2cHdfOWc1Mnh3Zw&hl=en>
; **Theory of Harmony<https://docs.google.com/viewer?url=http://xpressed.wippiespace.com/fall04/theory1.pdf>
; *
***Rapsodie espagnole<https://docs.google.com/viewer?url=http://xpressed.wippiespace.com/rapsodi.pdf>
; **Guide to the Tokyo
Subway<http://www.amazon.com/Guide-Tokyo-Subway-Other-Poems/dp/0971487316/ref=sr_1_3?s=books&ie=UTF8&qid=1283183153&sr=1-3>
; **The Sonnet Project<https://docs.google.com/viewer?url=http://xpressed.wippiespace.com/hsonnet.pdf>
; *
***G(e)nome <http://xpressed.wippiespace.com/fall03/genome.pdf>; **Winter
Journey <http://capa.conncoll.edu/johnson.winter.html>;
**Eclipse<http://capa.conncoll.edu/johnson.eclipse.html>
; **The Dance of the Red Swan <http://capa.conncoll.edu/johnson.dance.html>;
*
*Transparencies & Projections <http://capa.conncoll.edu/johnson.transp.html>
*
On Mon, Jan 31, 2011 at 10:11 AM, Douglas Barbour
<[log in to unmask]>wrote:
> Well, Patrick would be unable to resist going to this one:
>
> R105. Faith and the Writer: Inspiration and Practice. (Dinah Lenney, Askold
> Melnyczuk, Brenda Miller, Dani Shapiro, David Biespiel) Panelists will
> discuss the link between faith and creativity in both secular and nonsecular
> work. There is no question that writers and readers are looking for larger
> meanings and resonances: but can art be accomplished without mysterious
> influences? Are we hard-wired to seek divine inspiration, or is writing a
> spiritual practice in and of itself? And is doubt a necessary component to
> the art? To faith? To faith in art? Must we be absolute believers to carry
> on?
>
> Doug
> On 2011-01-31, at 8:02 AM, Barry Alpert wrote:
>
> > Would you pay $245 to attend this ? Only the memory of snapping
> embarrassing photos of soon-to-be chairman of the National Endowment for the
> Arts Dana Gioia on the dance floor remains from my immersion in this
> conference on its last landing in this area. I await the collision between
> the predicted ice storm and an over-inflated balloon.
> >
> > http://www.awpwriter.org/conference/2011sched.php
> >
> >
> > Barry
> >
>
> Douglas Barbour
> [log in to unmask]
>
> http://www.ualberta.ca/~dbarbour/
> http://eclecticruckus.wordpress.com/
>
> Latest books:
> Continuations (with Sheila E Murphy)
> http://www.uap.ualberta.ca/UAP.asp?LID=41&bookID=664
> Wednesdays'
>
> http://abovegroundpress.blogspot.com/2008/03/new-from-aboveground-press_10.html
>
> Language has unmistakably made plain that memory is not an instrument for
> exploring the past but its theater. It is the medium of past experience,
> just as the earth is the medium in which dead cities lie buried.
>
> Walter Benjamin
>
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