Dear Memebers,
Please note the corrections to the below event, especially the venue which is now Adelphi House except for the Kings Arms evening event on the 2nd,
Michael
Bigger than Words, Wider than Pictures: Noise, Affect, Politics Programme
Thursday July 1st: Adelphi House, The Crescent, Salford, Cnr. Adelphi St: http://www.salford.ac.uk/travel/campus-map.pdf <http://www.salford.ac.uk/travel/campus-map.pdf>
9-930 Registration and Coffee, AH012 Ante-Room
930 -10 Introductions, AH012: Michael Goddard, Benjamin Halligan
10-11 Plenary 1, AH012: Sheila Whiteley: The Space Between the Notes or 'Are you Experienced?' Chair: Benjamin Halligan
11-1130 Coffee Break
1130-1 Parallel Sessions 1:
1A: Post-Punk Noise, AH012
Chair: Sheila Whiteley
Make a Joyous Noise: The Pentecostal Nature of American Noise Music
(Seb Roberts, musician, sound engineer, recording artist)
Left Handed Blows in Noisyland: The Contrasting Noise Musics of the Gordons/Bailter Space and the Dead C.
(Michael Goddard, University of Salford)
1B: Theorising, Analysing Noise, AH 206
Chair:
"Noise was born": Noise as a tool of cultural analysis
(Bruce Johnson, University of Turku, Finland)
An informed realism: Gilbert Simondon and the concepts of form and information in biological ontogenesis
(Cécile Malaspina, University of the West of England)
Simbiotecnoise - Noise, Order and Extensions of Humankind
(Vinicius Andrade Pereira, UERJ (Rio de Janeiro State University)
100-200 Lunch
200-330 Parallel Sessions 2:
2A: Industrial Musics and Noise, AH012
Chair: Michael Goddard
The Imagery, noise and affect of politics in art: Industrial music 1975 to the present
(Peter Webb, Goldsmiths College, University of London)
Hör mit Schmerzen
(Jennifer Shryane, University of Liverpool)
J. G. Thirlwell: Educating the Ear [Announcement]
(Ursula-Helen Kassaveti, University of Athens)
2B: Politics of Noise, AH215 (Boardroom)
Chair: Ben Halligan
Noise Aesthetics go Political: Egor Letov and Russkii Proryv
(Yngvar Steinholt, University of Tromso, Norway)
Pop Noise: Noise as a Political statement in Riot Grrrl and Tweecore
(Rachael Neiman, Manchester University)
Devour Your Limitations!
(Mattin, noise artist)
2C: Noise and the Digital, AH 206
Chair:
The matter of numbers: sound and the experience of noise in analog and digital models
(José Cláudio Siqueira Castanheira, Universidade Federal Fluminense - UFF, Brazil)
Glitch Studies Manifesto Presentation
(Rosa Menkman)
Xenakisian Sound Synthesis; Its Aesthetics and Influence on 'Post Digital' Computer Noise
(Christopher Haworth, Queens University Belfast)
330-4 Coffee Break
4-5 Plenary 2, AH012: Stephen Mallinder, White Heat White Noise: Ambient Noise in Pre-Punk and Post-Punk Music. Chair: Michael Goddard
5-6 Reception at Adelphi House, AH012 Ante-Room
6-8 Film Screening, AH012: Beat is the Law plus Q and A with the director, Eve Wood
8 Informal Dinner
Friday July 2nd : Adelphi House
1030-11 Coffee
11-1230 Parallel Sessions 3:
3A: Placing Noise Musics, AH012
Chair: Michael Goddard
Aural and Non-Aural Manifestations of Noise in the Music of Filthy Turd
(James Mooney, University of Leeds)
Noise as material impact: new uses of sound in noise related movements
(Rafael Sarpa, Universidade do Estado do Rio de Janeiro (UERJ))
Noise as music: Is there a historic continuum?
(Joseph Tham, National University of Singapore)
3B: Noise, Psychiatry and Anti-Psychiatry, AH215 (Boardroom)
Chair: Benjamin Halligan
Music beyond the pleasure principle: Thinking noise through Freudian affect
(Clara Latham, New York University)
"Kill Your Sons": Lou Reed's Verification of Psychiatry's Covert Social Function
(Nicola Spelman, Salford University)
Releasing the Inner Idiot: Noise Music, Marginality and Madness
(Marie Thompson, Newcastle University)
3C: Cinematic Noise, AH206
Chair:
Listening between the lines: Sound effects and meaning in the cinema
(Liz Greene, Unversity of Belfast)
A Transgressive Reaction: Noise and Rape in Irreversible
(Laura Wilson, Manchester University)
"Once It's Gone, You'll Never Hear That Frequency Again..." - Representing tinnitus and hearing loss in contemporary cinema
(Robert Walker, Edinburgh Napier / sound designer)
1-2 Lunch
2-330 Parallel Sessions 4:
4A: Performing Noise Musics, AH012
Chair:
Sounding Transitory Utopias: Improvisation, Potenza and Praxis
(bricolagekitchen/oneoftheroughs, aka Gillian Whiteley/Geoff Bright, Loughborough University/Sheffield Hallam University)
The Meaning of Indeterminacy: Performance and Aesthetic Selection in Noise Music
(Joseph Klett, Yale University)
Report on the Noise Concerto
(Eric Lyon, Queens University Belfast)
4B: Noise, Politics and Everyday Life, AH215 (Boardroom)
Chair:
A Politics of Scattered Points: The non-musician and quotidian psychedelia
(Ben Langford Knight, University of Glasgow)
Sshhh!
(Daniel Cookney, Salford University)
An Anatomy of Courtroom Noise
(Frank Carrigan, Macqaurie University)
4C: Audiovisual Noise Aesthetics, AH206
Chair: Daniel Bird
Visual Noise Aesthetics
(Rich Housh, University of Kansas)
The Perception of Noise in Avant-Garde Cinema
(Rob Gawthrop, University College, Falmouth)
Sound Manifesto: Lee Renaldo's Notes for Robert Smithson
(Felicity Colman, Manchester Metropolitan University, UK)
330-4 Coffee Break
4-5 Plenary 3: Paul Hegarty, A Chronic Condition: Noise and Time. Chair: Michael Goddard
6-730 Dinner at Kings Arms, Bloom St, Salford: http://www.studiosalford.com/pages/map.php <http://maps.google.co.uk/maps?hl=en&rlz=1W1GGLL_enGB&um=1&ie=UTF-8&q=kings+arms+salford&fb=1&gl=uk&hq=kings+arms&hnear=Salford+Lancashire&cid=0,0,11396332434136843487&ei=DeAZTKSGCYH_4AaRqJGoCg&sa=X&oi=local_result&ct=image&resnum=1&ved=0CBUQnwIwAA>
730-12 Noise Gig, Kings Arms,
<http://maps.google.co.uk/maps?hl=en&rlz=1W1GGLL_enGB&um=1&ie=UTF-8&q=kings+arms+salford&fb=1&gl=uk&hq=kings+arms&hnear=Salford+Lancashire&cid=0,0,11396332434136843487&ei=DeAZTKSGCYH_4AaRqJGoCg&sa=X&oi=local_result&ct=image&resnum=1&ved=0CBUQnwIwAA>
730-800 Cyborg Baby, Jon Aveyard
800-830 I Polly Touch, Christine Ellison
830-850 Para-Musical Sound Studies with Video, Christopher Gladwyn
850-930 Safe
9.30-1030 Simbiotecnoise
1030-1130 The Telescopes (Infinite Suns)
Saturday, July 3 Adelphi House
10-1130 Parallel Sessions 5:
5A: Classical, Avant-Classical and Beyond, AH012
Chair:
Sound Barriers: The Framing Functions of Noise and Silence
(Alexis Paterson, Cardiff University)
Listening Aside: Noise and the Aesthetics of Distraction in Contemporary Composition
(Eldritch Priest, Carleton University, Canada)
World as Noise and Representation: A Study on Karkowski and Furudate's "World as will" Trilogy
(J.-P. Caron, University of Sao Paulo / University of Paris 8)
5B: Noise and The City, AH215
Chair:
The Opacity of the Invisible Presence: Noise Pollution and the City
(Saeed Hydaralli, City Life and Well-Being: The Grey Zone of Health and Illness and OCAD,
Toronto)
The City as an Aural Map
(Deepa Ramaswamy, Architectural Association in London)
Ideal Noise: Producing the Sounds of the City
(Peter Tschirhart, University of Virginia)
5C: Language, Writing and Noise, AH206
Chair: Tom Sykes
Considering Sound: Language, Meaning and the Construction of Noise
(Khadijah White, Annenberg School for Communication)
Music for a Blind Idiot God: A Weird Ecology of Noise
(Dean Lockwood, University of Lincoln)
Resonant Frequencies: The Relationship of Sound Poetry and Noise
(Matt Dalby)
1130-12: Coffee Break
12-130 Final Round Table: Sheila Whiteley, Paul Hegarty, Stephen Lawrie, Stuart Braithwaite (TBC) and Mattin. Chair: Benjamin Halligan.
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