His early drawings are very fine, whatever his training.
At 12:54 AM 4/17/2010, you wrote:
>His background and training though were in commercial draughtsmanship, as
>they used to call it, were they not?
>
>On 17 April 2010 01:36, Mark Weiss <[log in to unmask]> wrote:
>
> > On the other hand, he drew like an angel until he discovered silkscreen.
> >
> >
> > At 07:50 PM 4/16/2010, you wrote:
> >
> >> Warhol's Wall St aphorisms have no logical necessity. In the either
> >> sentence
> >> one could substitute any other qualification for the term 'business' and
> >> have the same quality of thought as Warhol's gobshite pronouncements, for
> >> instance:
> >>
> >> 'Tiddlywinks art is the step that comes after art'
> >> 'Being good in tractor-production/zen/party doctrine/flower
> >> arranging/toilet
> >> training/origami is the most fascinating kind of art'
> >>
> >> On 16 April 2010 23:11, Halvard Johnson <[log in to unmask]> wrote:
> >>
> >> > "Business art is the step that comes after art."
> >> > "Being good in business is the most fascinating kind of art."
> >> > --Andy Warhol
> >> >
> >> > Hal
> >> >
> >> > Halvard Johnson
> >> > ================
> >> >
> >> > The Perfection of Mozart's Third Eye (downloadable and free) is @
> >> >
> >> >
> >>
> http://www.scribd.com/doc/27039868/Halvard-Johnson-THE-PERFECTION-OF-MOZART-S-THIRD-EYE-Other-Sonnets
> >> >
> >> > [log in to unmask]
> >> > http://sites.google.com/site/halvardjohnson/Home
> >> > http://entropyandme.blogspot.com
> >> > http://imageswithoutwords.blogspot.com
> >> > http://www.hamiltonstone.org
> >> >
> >> >
> >> >
> >> >
> >> >
> >> > On Fri, Apr 16, 2010 at 5:27 PM, Chris Jones <[log in to unmask]>
> >> > wrote:
> >> >
> >> > > On Fri, 2010-04-16 at 12:23 +1000, Alison Croggon wrote:
> >> > > > The Business of Poetry - Unleash the power of language to create
> >> many
> >> > > > streams of revenue!
> >> > >
> >> > > The sad thing about the facebook blurb is that it is so much what life
> >> > > is like... like I need to get abn or should I go the hobbyist
> >> route....
> >> > >
> >> > > --
> >> > > have chronic fatigue syndrome so may be delayed in reply or brain fog
> >> > weird
> >> > >
> >> > > just to let you know that's all, Chris Jones.
> >> > >
> >> > > Blog: http://abdevpoetics.blogspot.com/
> >> > >
> >> >
> >>
> >>
> >>
> >> --
> >> David Bircumshaw
> >> "A window./Big enough to hold screams/
> >> You say are poems" - DMeltzer
> >> Website and A Chide's Alphabet
> >> http://www.staplednapkin.org.uk
> >> The Animal Subsides http://www.arrowheadpress.co.uk/books/animal.html
> >> Facebook: http://www.facebook.com/david.bircumshaw
> >> twitter: http://twitter.com/bucketshave
> >> blog: http://groggydays.blogspot.com/
> >>
> >
> > Announcing The Whole Island: Six Decades of Cuban Poetry (University of
> > California Press).
> > http://go.ucpress.edu/WholeIsland
> >
> > "Not since the 1982 publication of Paul Auster's Random House Book of
> > Twentieth Century French Poetry has a bilingual anthology so effectively
> > broadened the sense of poetic terrain outside the United States and also
> > created a superb collection of foreign poems in English. There is nothing
> > else like it." John Palattella in The Nation
> >
>
>
>
>--
>David Bircumshaw
>"A window./Big enough to hold screams/
>You say are poems" - DMeltzer
>Website and A Chide's Alphabet
>http://www.staplednapkin.org.uk
>The Animal Subsides http://www.arrowheadpress.co.uk/books/animal.html
>Facebook: http://www.facebook.com/david.bircumshaw
>twitter: http://twitter.com/bucketshave
>blog: http://groggydays.blogspot.com/
Announcing The Whole Island: Six Decades of Cuban Poetry (University
of California Press).
http://go.ucpress.edu/WholeIsland
"Not since the 1982 publication of Paul Auster's Random House Book of
Twentieth Century French Poetry has a bilingual anthology so
effectively broadened the sense of poetic terrain outside the United
States and also created a superb collection of foreign poems in
English. There is nothing else like it." John Palattella in The
Nation
|