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MEDIEVAL-RELIGION  March 2010

MEDIEVAL-RELIGION March 2010

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Subject:

saints of the day 12. March

From:

John Dillon <[log in to unmask]>

Reply-To:

medieval-religion - Scholarly discussions of medieval religious culture <[log in to unmask]>

Date:

Fri, 12 Mar 2010 15:39:45 -0600

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medieval-religion: Scholarly discussions of medieval religion and culture

Today (12. March) is the feast day of:

1)  Innocent I, pope (d. 417).  According the _Liber Pontificalis_, I. was the son of a man named from Albano named Innocentius.  I.'s contemporary Jerome (_Epistulae_, 130. 16) called him the son and successor of St. Anastasius I; opinions differ not only on the advisability of taking literally _filius_ in that utterance but also on the advisability of even informing one's readership that there is a question here.  Cf. e.g. both the [old]  _Catholic Encyclopedia_, s.v. "Pope Innocent I", and J. N. D. Kelly, _The Oxford Dictionary of Popes_, with New Material by Michael Walsh (Oxford, 2005), s.v. "Innocent I, St", neither of which is forthcoming about contrary evidence or contrary views in this matter.

I., who succeeded Anastasius as bishop of Rome in late December 401, was exceptionally active in exercising influence throughout the Catholic oikumene and in promoting therein the primacy of Rome.  He supported St. John Chrysostom when the latter was ejected from the see of Constantinople and exiled, he supported St. Jerome when his monasteries at Bethlehem were violated by unruly miscreants, and he supported the African church against Pelagius, whose views on grace he publicly condemned.  I. had the good fortune to be absent from Rome during Alaric's sack in 410.  He died on this day and was buried in the cemetery of Pontianus on the Via Portuensis.


2)  Paul Aurelian (d. 6th cent.).  P. (in French, Paul Aurélien, Paul de Léon; also forms with Pol; Aurelian is a by-name suggestive of Roman culture) is one of the largely legendary founding saints of Brittany.  According to his late ninth-century Vita (BHL 6585) by Wrmonoc, a monk of Landévennec, P. was a Briton religious from Glamorgan educated by St. Illtud at his school at Llantwit.  Together with twelve companions he voyaged across the Channel to Armorica, where a local count gave him both the island of Batz, on which he built a monastery, and a Roman fort on the mainland that became the nucleus of a settlement ancestral to today's Saint-Pol-de-Léon (Finistère), where in time he became bishop.  Thus far this Vita, in which miracles and healing springs figure largely but in which little is said about P. himself that critically inclined others have found credible.

P. has been venerated on this day at Saint-Pol-de-Léon (in Breton, Kastell-Paol) since at least the eighth century.  In the tenth century relics believed to be his were removed to Fleury-sur-Loire, where in 1562 they were profaned by Calvinists who sacked the abbey.  P.'s major monument is the chiefly thirteenth-/sixteenth-century ex-cathedral dedicated to him at Saint-Pol-de-Léon.  Here's an illustrated, French-language Wikipedia page on this church, which contains putative relics of P. said to have been translated back from Fleury before the sack:
http://tinyurl.com/27gz2a
The originally sixteenth-century chapelle de Prad-Paol at Plouguerneau/Plougerne (Finistère) is adjacent to three springs legendarily called into being by P.:
http://tinyurl.com/yrr89f
 

3)  Theophanes the Confessor (d. 817 or 818).  The wealthy and ascetic T. founded the monastery of Megas Agros ("Great Acre") at Mount Sigriane on the southern side of the Propontis and ruled it as abbot.  A convinced iconophile, he could not be persuaded -- even after two years of prison -- to endorse the emperor Leo V's policy of iconoclasm.  When T. was very frail he was exiled to Samothrace.  He died there shortly after his arrival.  His fellow sufferer St. Theodore the Stoudite wrote a panegyric on the translation of his relics (BHG 1792b).

T. is the author of an important chronicle covering the years 285-813, a continuation of that of George the Syncellus.  In the 870s this was translated into Latin by Anastasius Bibliothecarius and thus became known in the Latin West.

In the absence of a readily locatable medieval image on the Web of the iconophile T., herewith an image of the iconoclast Leo V on one of his coins:
http://www.grifterrec.com/coins/romaion/i_byz_1629_o.jpg


4)  Alphege the Elder (d. 951).  The monk A. (also Elphege; in Anglo-Saxon, Ælfheah) the Bald succeeded St. Birstan (d. 931) in the see of Winchester.  A leading early figure in English Benedictine reform (P. H. Sawyer called him "the prime mover of the monastic renaissance"), he is now seen only rather dimly through his surviving charters, through the Vitae of Sts. Dunstan and Æthelwold (Ethelwold), and through brief mentions in later eleventh- and twelfth-century English ecclesiastical historians.  The best known anecdote about A. concerns his ordaining to the priesthood on the same day Dunstan (said to have been his kinsman), Æthelwold, and a third monk named Æthelstan and then, gathering them together, correctly predicting how each would finish his ecclesiastical career.  A. is called "the Elder" to distinguish him from his martyred homonym of 19. April (who prior to his translation to Canterbury had also been bishop of Winchester).


5)  Symeon the New Theologian (d. 1022).  A monk and abbot mostly in Constantinople, the mystic S. was a disciple of St. Symeon the Stoudite and a prolific writer who emphasized a personal experience of God.  His controversial teachings led to a brief exile in 1009.


6)  Bernard of Carinola (d. early 12th cent.).  Today's less well known saint of the Regno used to be known as Bernard of Capua, thanks to his entry in the pre-2001 RM, which read: "Capuae sancti Bernardi, Episcopi et Confessoris."  There is no evidence that he died anywhere other than at Carinola (CE) in northern Campania, which has his presumed remains, and -- contrary to what the RM's wording might have suggested to incautious readers -- none that he was ever bishop of Capua.

B. is first recorded with certainty from 1101.  We know very little about him: his probably fourteenth-century Vita (BHL 1205) is largely uninformative, while the dates and other details of his translation of St. Martin of Monte Masssico (one of the saints of Gregory the Great's _Dialogues_) to his newly built cathedral at Carinola (two versions: BHL 5602, 5604) are thought to be inventions of the Cassinese historian and forger Peter the Deacon.  We last hear of him in 1104 in a donation by Richard II of Capua to Sant'Angelo in Formis.

The Vita does tell us that, before he became bishop of Carinola, B. was Richard's chaplain at Capua when R.'s father Jordan (d. 1090) was prince and that, when B. did become bishop, Jordan's brother Jonathan was governor of Carinola (presumably as count, though the Vita is not so specific).  These dignitaries were of the family of Rainulf Drengot sometimes referred to (esp. when differentiating them from the Hautevilles) as the "Aversa Normans".  The bishops they appointed tended to be Norman; it is supposed, therefore, that B. too was probably a Norman.  He was remembered as the bishop who built Carinola's cathedral and who brought the remains of St. Martin to it.  Inscriptional evidence suggests that the cathedral's initial phase, often (thanks to Peter the Deacon) placed in the years 1087-1094, actually dates from 1100 to 1108 or 1109; B.'s death is commonly put in the latter year.

Carinola's ex-cathedral (in 1818 the diocese was absorbed by that of Sessa, now Sessa Aurunca) of Santa Maria and San Giovanni Battista was built just off the Via Appia on land said to have been donated by (count) Jonathan.  The site included a paleochristian funerary chapel, which latter since at least the fourteenth century has been included within the cathedral's fabric.  The cathedral has frescoes and reliefs from the twelfth century (or late eleventh, if you accept Peter the Deacon's dating and discount the later inscriptions).  A plan of the building (whose history is complicated) and an expandable view of its Renaissance pronaos, showing the three original portals (not entirely in their medieval state), are here:
http://www.cesn.it/patrimonio_architet/campania/carinola.htm
An aerial view:
http://tinyurl.com/2tjmno
A better view of the central portal:
http://tinyurl.com/yeqyrkq
Detail (one of the lions on the portal):
http://tinyurl.com/ydgnup7
The belltower:
http://static.panoramio.com/photos/original/1433396.jpg
http://static.panoramio.com/photos/original/4140180.jpg
Further views (including some of the interior) are here:
http://tinyurl.com/yj73dua
The Italia nell'Arte Medievale page on this church (but the site, alas, is still off-line):
http://www.medioevo.org/artemedievale/Pages/Campania/Carinola.html

When B.'s cult originated is not clear.  It is attested to at Capua from the fourteenth century and in the fifteenth B.'s presumed remains at Carinola were solemnly translated to a place of honor in his cathedral, where they were laid to rest in the re-used late antique sarcophagus shown here (whose fenestella was carved only in 1760):
http://tinyurl.com/ybq98za
Some of B.'s presumed relics are kept in a modern display reliquary atop the sarcophagus:
http://tinyurl.com/yzzuytz

Though B. no longer graces the pages of the RM, the diocese of Sessa Aurunca continues to remember him on this day.  For his hagiographic dossier, other source material, and further discussion, see Amalia Galdi, _Santi, territori, poteri e uomini nella Campania medievale_ (Salerno: Laveglia, 2004; Schola Salernitana. Studi e Testi, no. 9), esp. pp. 153-72 and 248-52.

Part of the tradition implies that before the construction of B.'s cathedral the diocese was centered on nearby Ventaroli (CE), a _frazione_ of Carinola.  Two illustrated, Italian-language pages on the latter's "romanesque" church of Santa Maria in Foroclaudio are here:
http://utenti.lycos.it/carnet/carinola/ventaroli.htm
http://www.cesn.it/patrimonio_architet/campania/ventaroli.htm
A better view of the late eleventh-century apse fresco:
http://tinyurl.com/33656x
An expandable front view of this structure is here (showing the facade after the collapse in 2007 of the ornamental portal):
http://tinyurl.com/27p43e
A view from before the collapse:
http://tinyurl.com/2oj6co


7)  Fina (Bl.; d. 1253).  The not yet canonized F. is the local saint of San Gimignano (SI) in southern Tuscany, where a hospital named for her was founded not long after her death.  In about 1300 the rector of that hospital asked an up and coming Dominican who was also a native of the town, Fra Giovanni da San Gimignano, to compose a suitable Vita of F.  The little we know about F. comes from this Vita (BHL 2978), produced by Giovanni with the help of a few witnesses to events of over fifty years earlier, of local traditions some of which will already have been known to him, and of his training in the Dominican educational system which Michèle Mulchahey has elucidated in _"First the Bow is Bent in Study-- : Dominican Education before 1350" (Toronto: PIMS, 1998) and in subsequent work.  Giovanni, whose several sermon collections were widely held in late medieval Dominican libraries, would in 1329 found San Gimignano's Dominican convent of the Santissima Assunta.

In Fra Giovanni's telling, F. was a girl of admirable virtues and straightened means who while in bed was afflicted with a form of paralysis that made her completely immobile.  One side of her body became so painful that she spent five years lying on the other side on a wooden board, receiving visitors, engaging in small acts of charity permitted by her poverty, and providing moral lessons while her rotting flesh adhered to the board and was nibbled by mice whom her visitors could see emerging from holes that they had gnawed in her body.  After F.'s mother died a friend looked in at times to take care the increasingly destitute sufferer.

Toward the end of her ordeal F. experienced visions, including one in which a diabolical serpent appeared to her and was repelled with the sign of cross and another in which St. Gregory the Great informed her that she would die soon, on his day.  Which she did (12. March is Gregory's _dies natalis_, though the RM now commemorates him on 3. September).  Miracles confirmed F.'s sanctity: bells were heard to ring and when F.'s body had been removed from the board for burial the flesh that remained stuck to the latter was sweet-smelling.

Other miracles occurred after F.'s burial.  Fra Giovanni closes with a catalogue of enough of these to certify J.'s enduring power.  An unsuccessful attempt was made in 1462 to have F. canonized by the Sienese pope Pius II (he had canonized St. Catherine of Siena in 1461).  In 1481 Sixtus IV authorized her cult for San Gimignano.  F. entered the RM in 2001 as a Beata.

Many medievalists are probably familiar with San Gimignano thanks to
its use by Franco Zeffirelli in his stupendously awful _Fratello Sole,
Sorella Luna_ (_Brother Sun, Sister Moon_).  For those who aren't, here
are two distance views of the city and its famous towers:
http://tinyurl.com/ya7kekb
http://tinyurl.com/yhllelk         
An aerial view of the city's medieval center:
http://tinyurl.com/y8cp5dj
And here are the towers again, held by none other than F. herself as
the city's patron (in an altarpiece from 1402 ascribed to Lorenzo di
Niccolò):
http://vitruvio.imss.fi.it/foto/luoghi/Siena/OspSFi01rs.jpg

F. reposes in a later fifteenth-century chapel, designed by Giuliano da Maiano, in San Gimignano's principal church, its chiesa collegiata di Santa Maria Assunta, consecrated in 1148.  Some views of that edifice (restored after having been damaged in World War II):
http://tinyurl.com/yh3gtf2
http://static.panoramio.com/photos/original/24313082.jpg
http://tinyurl.com/yk3mh6e
http://tinyurl.com/yzwps65
http://tinyurl.com/ycwuap5
A view of the church in its war-damaged state:
http://tinyurl.com/yh94kn9

The chapel is decorated with frescoes from 1475 or a little after by Domenico Ghirlandaio illustrating a) the apparition of St. Gregory the Great to F. and b) F.'s funeral service:
http://tinyurl.com/ylxfeo8
An Italian-language page on the chapel as a whole:
http://it.wikipedia.org/wiki/Cappella_di_Santa_Fina
A view of what is said to have been F.'s house in San Gimignano:
http://www.asangimignano.com/_pics/guida/csf.jpg

According to the Istituto e Museo di Storia della Scienza in Florence, the figure on the left in this panel painting by Benozzo Gozzoli, now in the Petit Palais in Avignon, is F.:
http://tinyurl.com/ycujpaz
The French governmental database Joconde appears not to share this view:
http://tinyurl.com/y8up8et

Best,
John Dillon
(last year's post revised and with the additions of Alphege the Elder and Fina)

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