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NEW-MEDIA-CURATING  January 2010

NEW-MEDIA-CURATING January 2010

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Subject:

[propaganda] _la máquina podrida aka la desdentada_

From:

nilo casares <[log in to unmask]>

Reply-To:

nilo casares <[log in to unmask]>

Date:

Tue, 26 Jan 2010 20:55:57 +0100

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (314 lines)

scroll down for english



exposición:::::::::::::::::::la máquina podrida aka la desdentada
:::::::::::::::::::::::::::::1999-2004
:::::::::::::::::::::::::::::todo el net.art en un portátil
:::::::::::::::::::::::::::::de brian mackern

obra de::::::::::::::::::::::brian mackern

comisario::::::::::::::::::::nilo casares

coordinación técnica:::::::::àngela montesinos

producción:::::::::::::::::::
y organización:::::::::::::::meiac


textos del catálogo::::::::::rodrigo alonso
:::::::::::::::::::::::::::::andrés burbano
:::::::::::::::::::::::::::::nilo casares
:::::::::::::::::::::::::::::gabriel galli
:::::::::::::::::::::::::::::brian mackern
:::::::::::::::::::::::::::::àngela montesinos

coordinado por:::::::::::::::nilo casares

traducciones:::::::::::::::::polisemia

diseña:::::::::::::::::::::::fundc [http://www.fundc.com]

edita::::::::::::::::::::::::meiac



inauguración:::::::::::::::::[20h00m/05.02.10]

calendario:::::::::::::::::::[05.02.10)(04.04.10]
:::::::::::::::::::::::::::::de martes a sábados
:::::::::::::::::::::::::::::10h00m-13h30m/17h00m-21h00m
:::::::::::::::::::::::::::::domingos
:::::::::::::::::::::::::::::10h00m-13h30m


sala:::::::::::::::::::::::::3a planta
:::::::::::::::::::::::::::::meiac
:::::::::::::::::::::::::::::virgen de guadalupe, 7.
:::::::::::::::::::::::::::::e46001-badajoz
:::::::::::::::::::::::::::::+34924013060
:::::::::::::::::::::::::::::[[log in to unmask]]
:::::::::::::::::::::::::::::[http://www.meiac.es]


contacto de prensa:::::::::::àngela montesinos
:::::::::::::::::::::::::::::[[log in to unmask]]


:::::::::::::::::::::::::::::presentación de la expo::::::::::::::::::::::

la máquina podrida es una exposición sorprendente que emana de un 
viejo ordenador portátil del año 1999, propiedad del net.artista 
uruguayo brian mackern, para recrear la época en que el net.art tuvo 
su momento de mayor brillo y, tal vez por ello, de estertor previo a 
la aparición de la web 2.0 (conocida como red social)

brian mackern es un artista fundacional que se anticipó en el 
desarrollo de interfaces sonoras online y offline.
fundador de los directorios online <artef@ctos virtuales> 
[http://www.internet.com.uy/vibri] y netart latino database 
[http://netart.org.uy/latino/index.html] (en la actualidad propiedad 
del meiac.
sus sitios de referencia son http://netart.org.uy, 
http://no-content.net y http://34s56w.org.

su ordenador, la máquina podrida, está completo y lleno de todos los 
datos contenidos hasta el momento en que se decidió su venta, día 
08.05.2004, porque fue el instrumento de trabajo (el taller, en 
términos clásicos) que acompañó a brian mackern entre los años 1999 y 
2004, tanto en sus trabajos personales como en sus encargos para 
otros artistas o en sus net jamm, aparte de sus trabajos como 
videojockey [vj], conferencias y workshops.
en fin, su herramienta.

un ordenador completo de información e historia adquirido por el 
meiac con el fin de exponerlo a la posteridad cuando el desarrollo de 
hardware y software nos impida ver muchas de las piezas hospedadas en 
su ordenador.
la exposición se estructura en 5 estaciones navegadas por el propio 
brian mackern.

1- estación antropológica: contenidos y componentes de hardware de la 
máquina. sonidos generados por su funcionamiento. referencias a sus 
archivos, etc.

2- estación taller: obra propia (código fuente-obra visible). el 
código fuente de obra propia y, a la vez, la navegación final de la 
misma.

3- estación internet y redes: contenido relacionado con muchos de los 
proyectos grupales y colaborativos en que ha intervenido brian 
mackern.

4- estación archivo, documentación y análisis: recopilación aleatoria 
de información acerca del net.art y de la cultura de internet de 
aquella época.

5- estación histórica. historia del net.art: remezcla de un sinfín de 
sitios de net.art, en muy diferentes estados de conservación, muchos 
de ellos readaptados en su código para permitir su navegación dentro 
de la máquina sin necesidad de conexión a internet.

:::::::::::::::::::::::::::imágenes:::::::::::::::::::::::::::::::::::::::::

a: momento de arranque de la subasta de la máquina podrida, peam, 
pescara (italia), 2004
http://dl.dropbox.com/u/3064699/la_podrida/a.JPG

b: muestra de los directorios contenidos en la máquina podrida
http://dl.dropbox.com/u/3064699/la_podrida/b.JPG

c: disco duro de la máquina podrida con la huella dactilar de su 
propietario: brian mackern
http://dl.dropbox.com/u/3064699/la_podrida/c.JPG

d: alguna de las pegatinas de la máquina podrida
http://dl.dropbox.com/u/3064699/la_podrida/d.JPG

e: teclas que le faltan a la máquina podrida y razón por la que 
recibe también el nombre de la desdentada
http://dl.dropbox.com/u/3064699/la_podrida/e.JPG

f: modo en que fue expuesta la máquina podrida para su subasta en el 
peam, pescara (italia), 2004
http://dl.dropbox.com/u/3064699/la_podrida/f.JPG

g: monstruo que acompaña a la máquina podrida en todos sus viajes, 
junto a la mochila que se aprecia en la imagen anterior
http://dl.dropbox.com/u/3064699/la_podrida/g.JPG

h: la máquina podrida en funcionamiento durante la exposición para su 
subasta en el peam, pescara (italia), 2004
http://dl.dropbox.com/u/3064699/la_podrida/h.JPG

:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::



arriba español



exhibition:::::::::::::::::::the rotten machine aka the toothless old thing
:::::::::::::::::::::::::::::1999-2004
:::::::::::::::::::::::::::::all net.art in a brian mackern's laptop

works of:::::::::::::::::::::brian mackern

curator::::::::::::::::::::::nilo casares

technical coordination:::::::àngela montesinos

production:::::::::::::::::::
and organization:::::::::::::meiac


texts of catalogue:::::::::::rodrigo alonso
:::::::::::::::::::::::::::::andrés burbano
:::::::::::::::::::::::::::::nilo casares
:::::::::::::::::::::::::::::gabriel galli
:::::::::::::::::::::::::::::brian mackern
:::::::::::::::::::::::::::::àngela montesinos

edited by::::::::::::::::::::nilo casares

translation::::::::::::::::::polisemia

designer:::::::::::::::::::::fundc [http://www.fundc.com]

publisher::::::::::::::::::::meiac



opening::::::::::::::::::::::[20h00m/05.02.10]

schedule:::::::::::::::::::::[05.02.10)(04.04.10]
:::::::::::::::::::::::::::::from tuesdays until saturdays
:::::::::::::::::::::::::::::10h00m-13h30m/17h00m-21h00m
:::::::::::::::::::::::::::::sundays
:::::::::::::::::::::::::::::10h00m-13h30m


gallery::::::::::::::::::::::3th floor
:::::::::::::::::::::::::::::meiac
:::::::::::::::::::::::::::::virgen de guadalupe, 7.
:::::::::::::::::::::::::::::e46001-badajoz
:::::::::::::::::::::::::::::+34924013060
:::::::::::::::::::::::::::::[[log in to unmask]]
:::::::::::::::::::::::::::::[http://www.meiac.es]

press contact::::::::::::::::àngela montesinos
:::::::::::::::::::::::::::::[[log in to unmask]]


:::::::::::::::::::::::::::::exhibition intro::::::::::::::::::::::

the rotten machine is a surprising exhibition that emanates from an 
old laptop from 1999, owned by the uruguayan netartist brian mackern, 
to recreate the time when net.art had its peak brightness, and 
perhaps therefore, the rattle before the emergence of web 2.0 (known 
as social network).

brian mackern is a founding artist who was ahead of the time in the 
development of online and offline soundvisual interfaces. founder of 
online directories <artef@ctos virtuales> 
[http://www.internet.com.uy/vibri] and latin netart database 
[http://netart.org.uy/latino/index.html] (currently owned by meiac).
his reference sites are http://netart.org.uy, http://34s56w.org and 
http://no-content.net.

his computer, the rotten machine, it's full and complete of all the 
data collected until the moment it was decided to be sold, on the 8th 
of may, 2004. it was the working tool (the studio, in classical 
terms) that accompanied brian mackern between 1999 and 2004, both in 
his personal work and in collaborative works with other artists and 
net jamms, apart from his work as a vj, conferences and workshops. in 
short, his tool.

a computer full of information and history, acquired by the meiac in 
order to expose it to posterity, when the development of hardware and 
software will prevent us from viewing many of the art pieces hosted 
on this computer.

the exhibition is divided into 5 audiovisual stations navigated by 
brian mackern himself.

1 - anthropological station: content and hardware components of the 
machine. sounds generated by its operation. references to files, etc.

2 - studio station: personal work (source files and visible works). 
the source code of his own work and at the same time the navigation 
of it.

3 - internet and networking station: content related to many of the 
projects and online/offline collaborative groups in which brian 
mackern has intervened.

4 - file, documentation and analysis station: random collection of 
information about net.art and internet culture of that time.

5 - history station. history of net.art: remix of endless net.art 
sites, in different states of preservation, many of them with 
retrofitted code to allow navigation within the machine without 
internet connection.

:::::::::::::::::::::::::::::::pics:::::::::::::::::::::::::::::::::::::::


a: starting point for the auction of the "rotten machine". peam, 
pescara (italy), 2004
http://dl.dropbox.com/u/3064699/la_podrida/a.JPG

b: display of directories contained in the computer
http://dl.dropbox.com/u/3064699/la_podrida/b.JPG

c: hard disk of the rotten machine with the fingerprint of its owner, 
brian mackern
http://dl.dropbox.com/u/3064699/la_podrida/c.JPG

d: some of the stickers on the computer
http://dl.dropbox.com/u/3064699/la_podrida/d.JPG

e: keys that are missing, the reason why this computer is also called 
*the toothless old thing*
http://dl.dropbox.com/u/3064699/la_podrida/e.JPG

f: way in which *the rotten machine* was exposed for auction in peam, 
pescara (italy), 2004
http://dl.dropbox.com/u/3064699/la_podrida/f.JPG

g: accompanying monster for the rotten machine during countless 
tours, alongside with the backpack shown in the picture above
http://dl.dropbox.com/u/3064699/la_podrida/g.JPG

h: the rotten machine working, during the exhibition for its auction 
at peam, pescara (italy), 2004
http://dl.dropbox.com/u/3064699/la_podrida/h.JPG

:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::


-- 


copyleft (todos os direitos ao reve's) nilo casares


life is too short to drink bad wine / la vida es demasiado breve como 
para beber mal vino / a vida é muito curta para beber vinho mau / la 
vita è troppo corta per bersi un vino scadente / het leven is te kort 
om slechte wijn te drinken


beijos em espiral:: besos en espiral:: besades en espiral:: baisers 
en spirale:: baci a spirale:: spiral kisses :: spiral kyssar:: 
spiraalzoenen:: pocalunki spiralowe:: muxu kiribilatuak:: kierteisia 
suukkoja:: spiralni poljupci:: spiralküsse:: spiraal soene


http://comisario.net
http://twitter.com/140_pulsaciones


if file > 2mb; send it to nilo dot casares at gmail dot com

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