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FILM-PHILOSOPHY  December 2009

FILM-PHILOSOPHY December 2009

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Subject:

New Review of Film and Television Studies, December 2009

From:

warren buckland <[log in to unmask]>

Reply-To:

Film-Philosophy Salon <[log in to unmask]>

Date:

Mon, 7 Dec 2009 15:23:51 +0000

Content-Type:

text/plain

Parts/Attachments:

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text/plain (88 lines)

Dear Colleagues

find below the contents of the New Review of Film and Television 
Studies, volume 7, number 4 (December 2009).

In our expanded book review section, you will find reviews of books of 
particular interest to film-philosophers:

Brian Bergen-Aurand reviews Sarah Cooper’s Selfless Cinema? Ethics and 
French Documentary, Jane Stadler’s Pulling Focus: Intersubjective 
Experience, Narrative Film, and Ethics, and Catherine Wheatley’s Michael 
Haneke’s Cinema: The Ethic of the Image;

while William Brown reviews Daniel Shaw's Film and Philosophy: Taking 
Movies Seriously.


Warren Buckland
Editor, New Review of Film and Television Studies
www.tandf.co.uk/journals/titles/17400309.asp


Articles
Paul McDonald
Miramax, Life is Beautiful, and the Indiewoodization of the 
foreign-language film market in the US


William McClain
Film-fiction: Fan magazines, narrative, and spectatorship in American 
cinema of the 1910s


Barry Salt
The Shape of 1959


Martha P. Nochimson
Passion for Documentation: An Interview With Jia Zhangke


Glen Creeber
‘The Truth is Out There! Not!’: Shameless and the moral structures of 
contemporary social realism


Cathy Johnson
Trading Auntie: the exploitation and protection of intellectual property 
rights during the BBC’s monopoly years


Book reviews
Brian Bergen-Aurand
Film/Ethics

William Brown
Review of Daniel Shaw, Film and Philosophy: Taking Movies Seriously


Alberto Mira
A Review of: Bernard P.E. Bentley, A Companion to Spanish Cinema


The New Review of Film and Television Studies promotes current research 
in the humanities that makes a central contribution to film and 
television studies. The journal publishes research dedicated to clearly 
formulated, reliable methods of analysis, well posed questions examining 
resolvable problems, and focused deliberation on those problems. Essays 
on film theory (of all varieties), film narratology, and contemporary 
filmmaking practices are particularly welcome. The journal is driven by 
the belief that intellectually rigorous research in the humanities is 
both possible and necessary. In-depth stand-alone essays or extracts 
from major research projects in progress are particularly welcome.

Please note: the journal does not accept papers written from a social 
science perspective.

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