I think he 's way out of order. There's an interesting discussion of this on
my facebook page for those who are on there...
Sally Evans
http://www.desktopsallye.com
http://www.poetryscotland.co.uk
tel UK 01877 339449
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----- Original Message -----
From: "Douglas Barbour" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Monday, November 09, 2009 5:05 PM
Subject: Re: motion's borrowing
Have to say that Motion certainly did admit all, & say what he was
about. So, the only question is, How good is the result?
It's 'found,' all right, but as a collage, as some kind of modernist
'take', in which the 'cinematic' cutting actually does something
extra, beyond what the original quotes did in Shephard's book? To me
it doesn't seem like Motion added much...
Doug
On 9-Nov-09, at 12:14 AM, Max Richards wrote:
> An Equal Voice
> In this 'found poem' for Remembrance Day, Andrew Motion stitches together
> the
> words of several generations of shellshocked soldiers from the first
> world war
> to the present
>
> Andrew Motion
> guardian.co.uk, Saturday 7 November 2009
>
> Doctors, historians and other experts have documented the effects of
> shellshock
> – thanks to them, we know that the term covers a multitude of ailments,
> and is
> the result of far more than just shells going off. But, as Ben Shephard
> wrote in
> his history of medical psychiatry, the people who have suffered from it
> have
> often been too ill to speak. They have been left out of the record. I
> wanted to
> hear from them. This is a "found" poem, a stitching together of the
> voices of
> shellshocked people. Their words have been taken from a variety of
> sources, from
> the first world war to the present, and are presented in the poem in
> roughly
> chronological order. There's a fragment of Siegfried Sassoon in there,
> but most
> are from unknown soldiers. Together, they give a sense of moving through
> time to
> establish what is horribly recurrent about this affliction. It is a poem
> by
> them, orchestrated by me.
Douglas Barbour
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