----- Original Message -----
From: "Frederick Pollack" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Wednesday, August 05, 2009 12:30 PM
Subject: Re: "incapacity"/New Formalism
----- Original Message -----
From: "Douglas Barbour" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Wednesday, August 05, 2009 11:20 AM
Subject: Re: "incapacity"
Given my biases, I dont even know who the, um, 'important' (?)
'USAmerican New Formalist' poets are. Let alone whatever poem by one
of them might be 'close to genius.'
So, I simply cannot even venture an opinion on this one....
Doug
Four poems by Edgar Bowers, a New Formalist who was neither a Ming nor a
Triv.
Amor Vincit Omnia
Love is no more.
It died as the mind dies: the pure desire
Relinquishing the blissful form it wore,
The ample joy and clarity expire.
Regret is vain.
Then do not grieve for what you would efface,
The sudden failure of the past, the pain
Of its unwilling change, and the disgrace.
Leave innocence,
And modify your nature by the grief
Which poses to the will indifference
That no desire is permanent in sense.
Take leave of me.
What recompense, or pity, or deceit
Can cure, or what assumed serenity
Conceal the mortal loss which we repeat?
The mind will change, and change shall be relief.
Elegy: Walking the Line
Every month or so, Sundays, we walked the line,
The limit and the boundary. Past the sweet gum
Superb above the cabin, along the wall—
Stones gathered from the level field nearby
When first we cleared it. (Angry bumblebees
Stung the two mules. They kicked. Thirteen, I ran.)
And then the field: thread-leaf maple, deciduous
Magnolia, hybrid broom, and, further down,
In light shade, one Franklinia Alatamaha
In solstice bloom, all white, most graciously.
On the sunnier slope, the wild plums that my mother
Later would make preserves of, to give to friends
Or sell, in autumn, with the foxgrape, quince,
Elderberry, and muscadine. Around
The granite overhang, moist den of foxes;
Gradually up a long hill, high in pine,
Park-like, years of dry needles on the ground,
And dogwood, slopes the settlers terraced; pine
We cut at Christmas, berries, hollies, anise,
And cones for sale in Mister Haymore’s yard
In town, below the Courthouse Square. James Haymore,
One of the two good teachers at Boys’ High,
Ironic and demanding, chemistry;
Mary Lou Culver taught us English: essays,
Plot summaries, outlines, meters, kinds of clauses
(Noun, adjective, and adverb, five at a time),
Written each day and then revised, and she
Up half the night to read them once again
Through her pince-nez, under a single lamp.
Across the road, on a steeper hill, the settlers
Set a house, unpainted, the porch fallen in,
The road a red clay strip without a bridge,
A shallow stream that liked to overflow.
Oliver Brand’s mules pulled our station wagon
Out of the gluey mire, earth’s rust. Then, here
And there, back from the road, the specimen
Shrubs and small trees my father planted, some
Taller than we were, some in bloom, some berried,
And some we still brought water to. We always
Paused at the weed-filled hole beside the beech
That, one year, brought forth beech nuts by the thousands,
A hole still reminiscent of the man
Chewing tobacco in among his whiskers
My father happened on, who, discovered, told
Of dreaming he should dig there for the gold
And promised to give half of what he found.
During the wars with Germany and Japan,
Descendents of the settlers, of Oliver Brand
And of that man built Flying Fortresses
For Lockheed, in Atlanta; now they build
Brick mansions in the woods they left, with lawns
To paved and lighted streets, azaleas, camellias
Blooming among the pines and tulip trees—
Mercedes Benz and Cadillac Republicans.
There was another stream further along
Divided through a marsh, lined by the fence
We stretched to posts with Mister Garner’s help
The time he needed cash for his son’s bail
And offered all his place. A noble spring
Under the oak root cooled his milk and butter.
He called me “honey,” working with us there
(My father bought three acres as a gift),
His wife pale, hair a country orange, voice
Uncanny, like a ghost’s, through the open door
Behind her, chickens scratching on the floor.
Barred Rocks, our chickens; one, a rooster, splendid
Sliver and grey, red comb and long sharp spurs,
Once chased Aunt Jennie as far as the daphne bed
The two big king snakes were familiars of.
My father’s dog would challenge him sometimes
To laughter and applause. Once, in Stone Mountain,
Travelers, stopped for gas, drove off with Smokey;
Angrily, grievingly, leaving his work, my father
Traced the car and found them way far south,
Had them arrested and, bringing Smokey home,
Was proud as Sherlock Holmes, and happier.
Above the spring, my sister’s cats, black Amy,
Grey Junior, down to meet us. The rose trees,
Domestic, Asiatic, my father’s favorites.
The bridge, marauding dragonflies, the bullfrog,
Camellias cracked and blackened by the freeze,
Bay tree, mimosa, mountain laurel, apple,
Monkey pine twenty feet high, banana shrub,
The owls’ tall pine curved like a flattened S.
The pump house Mort and I built block by block,
Smooth concrete floor, roof pale aluminum
Half-covered by a clematis, the pump
Thirty feet down the mountain’s granite foot.
Mort was the hired man sent to us by Fortune,
Childlike enough to lead us. He brought home,
Although he could not even drive a tractor,
Cheated, a worthless car, which we returned.
When, at the trial to garnishee his wages,
Frank Guess, the judge, Grandmother’s longtime neighbor,
Whose children my mother taught in Cradle Roll,
Heard Mort’s examination, he broke in
As if in disbelief on the bank’s attorneys:
“Gentlemen, must we continue this charade?”
Finally, past the compost heap, the garden,
Tomatoes and sweet corn for succotash,
Okra for frying, Kentucky Wonders, limas,
Cucumbers, squashes, leeks heaped round with soil,
Lavender, dill, parsley, and rosemary,
Tithonia and zinnias between the rows;
The greenhouse by the rock wall, used for cuttings
In late spring, frames to grow them strong for planting
Through winter into summer. Early one morning
Mort called out, lying helpless by the bridge.
His ashes we let drift where the magnolia
We planted as a stem divides the path
The others lie, too young, at Silver Hill,
Except my mother. Ninety-five, she lives
Three thousand miles away, beside the bare
Pacific, in rooms that overlook the Mission,
The Riviera, and the silver range
La Cumbre east. Magnolia grandiflora
And one druidic live oak guard the view.
Proudly around the walls, she shows her paintings
Of twenty years ago: the great oak’s arm
Extended, Zeuslike, straight and strong, wisteria
Tangled among the branches, amaryllis
Around the base; her cat, UC, at ease
In marigolds; the weeping cherry, pink
And white arms like a blessing to the blue
Bird feeder Mort made; cabin, scarlet sweet gum
Superb when tribes migrated north and south.
Alert, still quick of speech, a little blind,
Active, ready for laughter, open to fear,
Pity, and wonder that such things may be,
Some Sundays, I think, she must walk the line,
Aunt Jennie, too, if she were still alive,
And Eleanor, whose story is untold,
Their presences like muses, prompting me
In my small study, all listening to the sea,
All of one mind, the true posterity.
The Mountain Cemetery
With their harsh leaves old rhododendrons fill
The crevices in grave plots’ broken stones.
The bees renew the blossoms they destroy,
While in the burning air the pines rise still,
Commemorating long forgotten biers.
Their roots replace the semblance of these bones.
The weight of cool, of imperceptible dust
That came from nothing and to nothing came
Is light within the earth and on the air.
The change that so renews itself is just.
The enormous, sundry platitude of death
Is for these bones, bees, trees, and leaves the same.
And splayed upon the ground and through the trees
The mountains’ shadow fills and cools the air,
Smoothing the shape of headstones to the earth.
The rhododendrons suffer with the bees
Whose struggles loose ripe petals to the earth,
The heaviest burden it shall ever bear.
Our hard earned knowledge fits us for such sleep.
Although the spring must come, it passes too
To form the burden suffered for what comes.
Whatever we would give our souls to keep
Is merely part of what we call the soul;
What we of time would threaten to undo
All time in its slow scrutiny has done.
For on the grass that starts about the feet
The body’s shadow turns, to shape in time,
Soon grown preponderant with creeping shade,
The final shadow that is turn of earth;
And what seems won paid for as in defeat.
For Louis Pasteur
“Who is Apollo?” College student
How shall a generation know its story
If it will know no other? When, among
The scoffers at the Institute, Pasteur
Heard one deny the cause of child-birth fever,
Indignantly he drew upon the blackboard,
For all to see, the Streptococcus chain.
His mind was like Odysseus and Plato
Exploring a new cosmos in the old
As if he wrote a poem—his enemy
Suffering, disease, and death, the battleground
His introspection. “Science and peace,” he said,
“Will win out over ignorance and war,”
But then, the virus mutant in his vein,
“Death to the Prussian!” and “revenge, revenge!”
How shall my generation tell its story?
Their fathers jobless, boys for the CCC
And NYA, the future like a stairwell
To floors without a window or a door,
And then the army: bayonet drill and foxhole;
Bombing to rubble cities with textbook names
Later to bulldoze streets for; their green bodies
Drowned in the greener surfs of rumored France.
My childhood friend, George Humphreys, whom I still see
Still ten years old, his uncombed hair and grin
Moment by moment in the Hürtgen dark
Until the one step full in the sniper’s sight,
His pastor father emptied by the grief.
Clark Harrison, at nineteen a survivor,
Never to walk or have a child or be
A senator or governor. Herr Wegner,
Who led his little troop, their standards high
And sabers drawn, against a panzer corps,
Emerging from among the shades at Dachau
Stacked like firewood for someone else to burn;
And Gerd Radomski, listening to broadcasts
Of names, a yearlong babel of the missing,
To find his wife and children. Then they came home,
Near middle age at twenty-two, to find
A new reunion of the church and state,
Cynical Constantines who need no name,
Domestic tranquility beaten to a sword,
Sons wasted by another lie in Asia,
Or Strangeloves they had feared that August day;
And they like runners, stung, behind a flag,
Running within a circle, bereft of joy.
Hearing of the disaster at Sedan
And the retreat worse than the one from Moscow,
Their son among the missing or the dead,
Pasteur and his wife Mary hired a carriage
And, traveling to the east where he might try
His way to Paris, stopping to ask each youth
And comfort every orphan of the state’s
Irascibility, found him at last
And, unsurprised, embraced and took him in.
Two wars later, the Prussian, once again
The son of Mars, in Paris, Joseph Meister—
The first boy cured of rabies, now the keeper
Of Pasteur’s mausoleum—when commanded
To open it for them, though over seventy,
Lest he betray the master, took his life.
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