I agree with you Alan, this is certainly a concern.
Any suggestions as to what we can actually do about this?
I also wanted to ask the list, especially people working in academia,
whether you use open platforms for publishing i.e. print on demand (for
example OpenMute). These, unlike conventional publishing houses, allow
for contributors to use alternative copyright licenses and for materials
to be published online /made downloadable for free if contributors are
happy with it. Nonetheless, I have encountered a resistance amongst
academic colleagues, especially from disciplines such as drama where
there possibly is less discussion about /awareness of copyright issues
(due to the nature of the discipline). Up to now the main reason (in the
UK) seems to have been RAE and a confusion as to whether print on demand
publications could be submitted, or how they would be assessed compared
to conventional publishing projects. Any ideas?
Thanks
Maria X
Alan Sondheim wrote:
> I wonder about lists petering out in general; at one point they were
> replete with discussion. Cybermind years and years ago became an online
> community (a book-length study by Jon Marshall has been published), but
> the surface discussion disappeared. Cyberculture was created in relation
> to that but discussion petered out there as well. In my area of new media
> / cultural politics, o-o is gone, nettime-l is there but the discussion
> seems low (it's still the best of these lists), 7-11 is a shell. nn -
> also
> known as Integer or antiorp - used to be a regular denizen of these and
> she's disappeared as well. Poetics used to have a lot of wild poetry and
> discussion; it's now more academic discussion and the poetry's gone for
> the most part.
>
> In the meantime social networking sites and blogs have obviously
> increased
> but I think the idea of a commons forum has been lost. I've been increas-
> ingly frustrated by JSTOR and the like - most of which operate on the
> presumption that intellectual thought is exclusive, should be paid for
> with a fairly hefty price, and should be difficult if not impossible to
> access by the general non-affiliated public. Academia is more and more
> exclusionary in this regard, I think. Twice recently I had university
> affiliations and the difference was night and day...
>
> - Alan
>
>
>
> On Thu, 15 Jan 2009, Sue Thomas wrote:
>
>> List members might be interested to know a little more about WDL. The
>> full
>> description is as follows:
>>
>>
>>
>> The impact of digital technologies on writing and lived experience
>>
>> WRITING AND THE DIGITAL LIFE explores the impact of digital technologies
>> upon writing and lived experience within an interdisciplinary
>> context. We
>> talk about the relationship of writing and reading in the context of
>> many
>> subjects including 'new and old' media; craft, art, process and
>> practice;
>> social networks; cooperation and collaboration; narrative and memory;
>> human
>> computer interaction; imagination; nature; mind; body, and spirit.
>> Contributions related to research, writing and teaching in the arts,
>> sciences, and humanities are all welcome.
>>
>>
>>
>> You can read the archives here
>> <http://jiscmail.ac.uk/lists/writing-and-the-digital-life.html>
>> http://jiscmail.ac.uk/lists/writing-and-the-digital-life.html
>>
>>
>>
>> I started WDL in February 2005. I had just moved from the trAce Online
>> Writing Centre <http://tracearchive.ntu.ac.uk>
>> http://tracearchive.ntu.ac.uk to De Montfort University and everyone was
>> asking what I would be doing post-trAce. I wasn't sure myself, so I
>> set up
>> WDL to keep the conversation going and find out what people wanted.
>> We then
>> set up a collaborative blog which ran until 2007
>> <http://www.hum.dmu.ac.uk/blogs/wdl/>
>> http://www.hum.dmu.ac.uk/blogs/wdl/
>> Since the WDL blog closed to new entries, the list has continued but has
>> been very quiet. Meanwhile, my attention has moved towards research into
>> transliteracy, a bold Theory of Everything
>> http://www.transliteracy.com and
>> to developing the Online MA in Creative Writing and New Media with Kate
>> Pullinger http://www.creativewritingandnewmedia.com
>>
>>
>>
>> I've just checked and the list has 250 subscribers in 18 countries:
>>
>>
>>
>> * Country Subscribers
>> * ------- -----------
>> * Argentina 1
>> * Australia 8
>> * Brazil 4
>> * Canada 9
>> * Croatia 1
>> * Czech Republic 1
>> * France 1
>> * Greece 1
>> * Ireland 1
>> * Italy 2
>> * Japan 1
>> * Netherlands 2
>> * New Zealand 2
>> * Niue 1
>> * Spain 1
>> * United Kingdom 54
>> * United States 143
>> * Zimbabwe 1
>> *
>> * Total number of "concealed" subscribers: 16
>> * Total number of users subscribed to the list: 234 (non-"concealed"
>> only)
>> * Total number of countries represented: 18 (non-"concealed"
>> only)
>> * Total number of local host users on the list: 0 (non-"concealed"
>> only)
>>
>>
>>
>> It's interesting to see WDL come back to life, especially since many
>> members
>> have been on the new media writing scene a long time. I look forward to
>> seeing what develops!
>>
>>
>>
>> Best
>>
>> Sue
>>
>>
>>
>>
>>
>> __________
>>
>> Sue Thomas
>> Professor of New Media, De Montfort University, Leicester, UK
>>
>> Currently Visiting Scholar, English Dept, University of California Santa
>> Barbara
>> <http://www.suethomas.net/> http://www.suethomas.net
>>
>> <mailto:[log in to unmask]> [log in to unmask]
>>
>>
>>
>>
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>>
>>
>
>
>
> | Alan Sondheim Mail archive: http://sondheim.rupamsunyata.org/
> | To access the Odyssey exhibition The Accidental Artist:
> | http://slurl.com/secondlife/Odyssey/48/12/22
> | Webpage (directory) at http://www.alansondheim.org
> | [log in to unmask], [log in to unmask], tel US 718-813-3285
>
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--
Maria Chatzichristodoulou [aka maria x] PhD Art and Computational Technologies Goldsmiths Digital Studios skype: mariax_gr www.cybertheater.org
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