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MEDIEVAL-RELIGION  December 2008

MEDIEVAL-RELIGION December 2008

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Subject:

saints of the day 25. December

From:

John Dillon <[log in to unmask]>

Reply-To:

medieval-religion - Scholarly discussions of medieval religious culture <[log in to unmask]>

Date:

Wed, 24 Dec 2008 22:32:33 -0600

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medieval-religion: Scholarly discussions of medieval religion and culture

Today (25. December) is the feast day of:

1) The Nativity of Jesus Christ. Good cheer to all!
 

2) Anastasia of Sirmium (d. ca. 304, supposedly). A. is a martyr of Sirmium in Pannonia, today's Sremska Mitrovica in Serbia. Her cult was brought to Rome before the development of her romance-like Passio (BHL 400). This is a lengthy and complicated attempt to provide a narrative for the dedicatee of Rome's titular and stational church of Sant'Anastasia, where in the sixth century, when it was still just the _titulus Anastasiae_, A. was already celebrated, as she still is, at the second Mass on Christmas (the Mass at dawn).

Here's A. on the extreme left in this view of the heavily restored procession of the virgin martyrs (ca. 561) at Ravenna's church of Sant'Apollinare Nuovo:
http://tinyurl.com/ybfcwt

The abbey church of Santa Maria in Sylvis, an eighth-century foundation (762) at today's Sesto al Règhena (PN) in Friuli-Venezia Giulia shelters in its crypt a sarcophagus of St. Anastasia. Herewith a distance view, followed by a close-up:
http://tinyurl.com/9mwaz5
http://flickr.com/photos/renzodionigi/2930600389/sizes/l/
Considered a masterpiece of Lombard sculpture, it may be a reworked abbatial throne.
While we're here, some illustrated pages on this abbey:
http://www.prosesto.org/inglese-abbazia.htm
http://users.libero.it/abatermanno/
This page has some very nice expandable interior views of the church, showing some of the frescoes:
http://www.natisone.it/messe/messe323.htm
This blog post offers other views, also expandable, of the abbey (views of the church mostly towards the end):
http://tinyurl.com/a63jj7
Further views, also expandable and mostly of frescoes:
http://www.lucabaradello.it/reghena.html

A small Greek monastery dedicated to A. near Matino (LE) on the Salentine Peninsula in Apulia is first attested from 1099; in the later Middle Ages it was a dependency of the larger Greek house of San Mauro near Gallipoli. The monastery was dissolved in the fifteenth century but its chapel survived until the seventeenth (when it was replaced by a fairly standard rural church). A fairly recent study is Aldo De Bernart, _Una fondazione bizantina nel basso Salento. Santa Anastasia a Matino_ (Galatina: Congedo, 1990).

A more substantial deep southern dedication to A. is the cathedral of Santa Severina (KR) in Calabria, built from 1274 to 1295 over an early eleventh-century predecessor and repeatedly rebuilt from the seventeenth century to the early twentieth:
http://tinyurl.com/bcgtv
http://www.i-m-patron.gr/news2/images/italia_patriarch_04.jpg
The adjacent eighth- or ninth-century baptistery (not its original function) preserves an early medieval baptismal font. Herewith an exterior and an interior view of this structure, considered the oldest surviving building from Byzantine Calabria (the entrance shown is a late medieval addition):
http://tinyurl.com/aakvs
http://www.ilpetilino.it/paesi/img/ss2.jpg

Santa Severina is perched on a cliff:
http://web.tiscalinet.it/siberene/santa.htm
and is notable not only for its big church but also for its castle:
http://tinyurl.com/8ym7t
The same is true for Motta Sant'Anastasia (CT) in eastern Sicily (that's Mt. Etna in the background):
http://www.siciliatourist.tv/etnatv/sud/mottanastasia47.jpg
http://tinyurl.com/7dh8zy
http://www.babbidamotta.it/ingiro/img24.jpg
The 'Motta' part of its name is the equivalent of French 'motte' and has the same basic meaning. The most probable explanation of the 'Sant'Anastasia' part is that it too once referred to the eminence upon which the town sits and that its original form, in Greek, was Anastasis (in this instance not Resurrection but rather the more generic Upstanding). In Sicilian Arabic it was Nastasiah. The conversion to a "saintly" toponym, already attested in the eleventh century, will have been analogous to the development of Santa Severina from ancient Siberene. Although A. is indeed the town's patron saint, her relic in its Chiesa Madre (now dedicated to Our Lady of the Rosary) arrived only in 1703, officially replacing an earlier one dubiously claimed to have been brought to the town in 1408.

The castle is really a Norman keep, constructed between 1070 and 1074 and given to the bishop of Catania in 1091. In the later Middle Ages it became a baronial possession. Renovated in the fifteenth century, it was restored in the twentieth and now serves as a hall for gatherings and special events. Some views follow:
http://www.prolocomottasantanastasia.it/images/dongione.jpg
http://www.icastelli.it/regioni/sicilia/catania/Mottasanta_hr.jpg
A sequence of views is here:
http://www.siciliatourist.tv/etnatv/sud/mottacastello.htm
This is how the building appeared in the early twentieth century, when the town had just acquired it from its former baronial owners:
http://tinyurl.com/dn8wh

The chiesa di Sant'Anastasia in Tissi (SS) in northwestern Sardinia is originally of the twelfth century but was expanded in the seventeenth. Herewith a brief, Italian-language account and some exterior views (most are slightly expandable):
http://tinyurl.com/a79x42
http://www.arketipoweb.com/Il_territorio_di_Tissi/10_01.htm
http://www.flickr.com/photos/sandropatrizia/779807290/

At Zadar (Italian: Zara) in Croatia, A. is the principal patron saint (feast day: 15. January). The city's italianate cathedral of Sv. Stosija (S. Anastasia), housing a sarcophagus containing A.'s supposed remains (translated from Constantinople), was built in two phases, one in the twelfth century and one in the thirteenth. The facade, incorporating an earlier rose window under the smaller upper one, dates from 1324; the belltower is chiefly modern. The church was leveled by bombing in World War II; most of what one sees today is therefore reconstruction. Herewith a few exterior views:
http://branimir.com/photos/zadar/donat/Pages/Image7.html
http://branimir.com/photos/zadar/donat/Pages/Image6.html
http://branimir.com/photos/zadar/donat/Pages/Image13.html
http://branimir.com/photos/zadar/donat/Pages/Image10.html
http://branimir.com/photos/zadar/donat/Pages/Image8.html
Apse view (the polygonal church on the left is Sv. Donat):
http://www.globalgeografia.com/album/croazia/zara.jpg
Interior view:
http://tinyurl.com/y7dqqr

Verona's largest "gothic" church is the formerly Dominican pile popularly known as Santa Anastasia after its original dedication as well as that of a predecessor church on the same site. Begun in the late thirteenth century, since 1307 it has also honored St. Peter Martyr (the official name of the church is San Pietro da Verona in Sant'Anastasia). Completed (except for the facade) in the fifteenth century, it was restored in 1878-81. A detailed, Italian-language account of it and of the adjacent San Giorgetto is here:
http://tinyurl.com/7r63z
English-language account with expandable views (mostly details):
http://www.verona.com/index.cfm?Page=Guida&section=luoghi&id=984

Some exterior views (incl. the fifteenth-century belltower):
http://tinyurl.com/b6fxt
http://www.froehlich.priv.at/galerie/verona04/original/stf316.html
http://www.shakespeareinitaly.it/IMGP0109.JPG

Front views, with San Giorgetto at left:
http://it.wikipedia.org/wiki/Immagine:Santanastasiaverona.jpg
http://www.shakespeareinitaly.it/IMGP0098.JPG

Main portal (showing polychrome marbles):
http://www.mestieriarte.it/images/images_1/marmo/opere/verona.jpg
Main portal, sculptural details and faded frescoing:
http://www.verona.com/Data/Photos/20010620/DSC00027.JPG
http://www.verona.com/Data/Photos/20010620/DSC00026.JPG

The portal was once adorned with fifteenth-century reliefs of scenes from Peter Martyr's life; two of these remain:
http://www.aboutromania.com/verona9.html
http://www.verona.com/Data/Photos/20010620/DSC00023.JPG
http://www.verona.com/Data/Photos/20010620/DSC00024.JPG
And here's a restored Peter Martyr on the trumeau:
http://www.verona.com/index.cfm?page=immagini_dettaglio&id_immagine=248

Some interior views (most are expandable):
http://tinyurl.com/m9q8b
http://tinyurl.com/8ahky8
http://tinyurl.com/nd8s4
http://tinyurl.com/rfa2m
http://tinyurl.com/mjr8x


3) Peter the Venerable (Bl.; d. 1156). Abbot of Cluny from 1152, he befriended Peter Abelard and through his writings fought heresy, Judaism, and Islam. In the latter context, he commissioned a Latin translation of the Qur'an.

For visual interest, herewith some views, etc. of what remains of the abbey at Cluny:
http://romanes.com/Cluny/
http://www.art-roman.net/cluny/cluny.htm
http://www.art-roman.net/cluny/cluny2.htm
http://www.art-roman.net/cluny/cluny3.htm
http://architecture.relig.free.fr/cluny1.htm
http://www.sacred-destinations.com/france/cluny-abbey.htm
http://www.kunsttrip.nl/kerken/cluny/cluny.htm


4) Jacopone of Todi (Bl.; d. ca. 1306). Jacopo dei Benedetti (_Jacopone_ is a nickname; an English-language equivalent would be 'Big Jim') was a lawyer who after the sudden death of his wife gave away his wealth and became a penitent, first on his own and later as a Franciscan tertiary. An adherent of the Spiritual party, he declared Boniface VIII's election to have been invalid. For that he was not only excommunicated but also imprisoned for the remainder of B.'s pontificate. J. is best known for his numerous _laude_ (hymns of praise) written in Umbrian vernacular for the use of his order. The evidence for the oft-repeated assertion that J. was the author or probable author of the _Stabat mater dolorosa_ is late and unconvincing.

J. died on this day at the Poor Clares' convent of San Lorenzo at the Umbrian town of Collazzone, not far from Todi. Herewith a distance view of Collazzone:
http://tinyurl.com/32xamo
Here's J. as depicted by Paolo Uccello (d. 1475) in the cathedral of Prato (PO) in Tuscany:
http://tinyurl.com/2jpzr2
And here's a page with expandable views of an important manuscript of J.'s _laudario_ (Todi, Biblioteca comunale, ms. 194):
http://www.iacoponetodi.it/it/immagini/codice-194.html

Best,
John Dillon
(last year's post revised)

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