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SPAN  October 2008

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Subject:

PM BOOK REVIEW, Prior, Collins, From Pac-man to Pop Music

From:

Nick Prior <[log in to unmask]>

Reply-To:

Scottish Pop Academic Network <[log in to unmask]>

Date:

Wed, 15 Oct 2008 15:39:28 +0100

Content-Type:

multipart/mixed

Parts/Attachments:

Parts/Attachments

text/plain (235 lines) , n.prior.vcf (13 lines)

Forgot to add:

Karen Collins, Ed., /From Pac-Man to Pop Music: Interactive Audio Games 
and New Media,/ Ashgate 2008

Dr Nick Prior
Sociology
University of Edinburgh
CMB

0131 6503991

Jan Fairley wrote:

> Hi there Everyone on a lovely sunny Autumn day in Edinburgh...
>
> here is the latest list of books that I have available for allocation 
> for review for Popular Music Journal (CUP). The way I allocate is that 
> people who read the list and feel that a book on it is right up their 
> street for reviewing - then get in touch with me following these rules 
> (!!!)
>
> 1. please put in subject line of your email the following words: PM 
> BOOK REVIEW, your surname, the surname of the book's author and the 
> title of the book. Please do this for ALL correspondence inc
>
> luding sending the Book Review itself - I really need reviewers to do 
> this as it helps me not lose reviews etc i get mails of several 
> hundred if i have been away and things can go astray
>
> so an email subject line would read (as one of mine would have read 
> recently)
>
> PM Book Review: Fairley, Leonard, Gender in the Music Industry
>
> 2. In body of email put full book title and your snail mail name and 
> address safe for posting - and a land line telephone number for any 
> small queries - just in case at editing time
>
> 3. Review should not exceed 1000 words MAXIMUM - we need to keep to 
> this number as these days we are covering many more books in our pages 
> - in respect of the many books on Popular Music coming out - if 
> something is only worth 500 words I will let you know when book is 
> sent out ... these word counts are generous - newspaper / media 
> reviews are usually 100, 250, 400, 800 ....
>
> 3. if there are 1-2 books you feel you could cover together in one 
> review then let me know
>
> 4. top of review should read as follows
>
> /Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali/. By Emma 
> Baulch. Durham and London: Duke University Press 2007. 226pp. ISBN 
> 978-0-8223-4115-4
>
> the bottom should have your name and name of your institution (no 
> title needed)
>
> 4. Please don't take another book if you have one already out for 
> review - please just get that review completed and send it to me asap 
> please! I could do with some reviews for January 2009
>
> 5. Please notre that PM Book Reviews are now available on the PM CUP 
> website
>
> Looking forward to hearing from you all! I am planning to send out 
> books whe i find time in next few weeks - early November at latest ...
>
> 'scuse any typos ...
>
> cheers
>
> Jan
>
> BOOK LIST AS OF OCTOBER 2008
>
> Francesco Adinolfi, /Mondo Exotica: Sounds, visions, obsessions of the 
> cocktail generation/ (ed and trans by Karen Pinkus and Jason 
> Vivrette), Duke University Press, 2008
>
> Clarence Bernard Henry,/ Let’s Make Some Noise, Axé and the African 
> Roots of Brazilian Popular Music, /UP
>
> Mississippi, 2008/ /
>
> / /
>
> //Ed. David W. Bernstein, /The /
>
> /San Francisco// //Tape// //Center//: 1960s Counter Culture and the 
> Avant-Garde, /UCLA Press, 2008/ /
>
> //
>
> Ken Bielen, /The Words and Music of Neil Young, /The Praeger 
> Singer-Songwriter Collection, Praeger 2008
>
> Patrick Burke, /Come In and Hear The Truth Jazz and Race on /
>
> /52^nd Street//,/ Chicago, 2008
>
> Baur, Knapp,
>
> Warwick, Eds., /Musico Logical Identities, Essays in Honor of Susan 
> McClary/, Ashgate 2008
>
> Karen Chilton, /Hazel Scott: The Pioneering Journey of a Jazz Pianist 
> from Café Society to //Hollywood// to HUAC,/ U Michigan Pres, 2008
>
> / /
>
> Karen Collins, Ed., /From Pac-Man to Pop Music: Interactive Audio 
> Games and New Media,/ Ashgate 2008
>
> Max Cryer, /Love Me Tender, The Stories Behind the World’s Best-Loved 
> Songs,/ Frances Lincoln, 2008
>
> Don Cusic/, Discovering Country Music, /Praeger 2008
>
> Hazel Dickens & Bill C. Malone, /Working Girl Blues: the Life and 
> Music of Hazel Dickens /Illinois 2008
>
> Keith Negus, /Bob Dylan/, Indiana UP, 2008
>
> Kay Dickinson, /Off Key When Film and Music Won’t Work Together/, OUP, 
> 2008
>
> Joe Evans with Christopher Brooks, /Follow Your Heart: Moving With The 
> Giants of Jazz, Swing and Rhythm and Blues/, Illinois 2008
>
> Charles Fairchild,/ Pop Idols and Pirates: Mechanisms of Consumption 
> and the Global Circulation of Popular Music, /Ashgate 2008/ /
>
> / /
>
> Dai Griffiths,
>
> /Elvis Costello//,/ Indiana UP, 2008
>
> Olivier Julien, Ed.,/ Sgt. Pepper and the Beatles: It Was Forty Years 
> Ago Today,/ Ashgate 2008/ /
>
> Joe Tarr, /The Words and Music of Patti Smith,/ Praeger 
> Singer-Songwriter Collection, 2008
>
> Simone Kruger, /Ethnography in the Perfrming Arts, A Student Guide,/ 
> JMU/ Palatine 2008
>
> Ed William A Everett and Paul R Laird,/ The Cambridge Companion to the 
> Musical/, 2^nd edition CUP 2008
>
> Charles Hiroshi Garrett, /Struggling to Define a Nation: American 
> Music and the Twentieth Century, /UCLA 2008
>
> Edward C Latham, /Tonality as Drama, Closure and Interruption in Four 
> Twentieth Century American Operas, /U North Texas Press, 2008
>
> Michael Long, /Beautiful Monsters, Imagining the Classic in Musical 
> Media, /UCLA Press, 2008
>
> Jeffery S. McMillan, /Delightfulee, The Life and Music of Lee Morgan,/ 
> U. Michigan 2008
>
> James E Perone, /The Words and Music of Prince, /The Praeger 
> Singer-Songwriter Collection, Praeger 2008
>
> Kerry L. Smith, /Encyclopedia of Indie Rock,/ Greenwood Press 2008
>
> Sean Stroud, /The Defence of Tradition in Brazilian Popular Music: 
> Politics, Culture and the Creation of Música Popular Brasileira,/ 
> Ashgate 2008
>
> Thomas Turino, /Music as Social Life: The Politics of Particpation, /U 
> Chicago Press, 2008
>
> Christopher Washburne, /Sounding Salsa: Performing Latin Music in 
> //New York City//,/ Temple University Press 2008
>
> Sheila Whitely, ed., /Christmas, Ideology and Popular Culture, /EUP 2008
>
> Lloyd Whitesell, /The Music of Joni Mitchell/, OUP 2008
>
> Carys Wyn Jones, /The Rock Canon Canonical Values in the Reception of 
> Rock Albums, /Ashgate 2008
>
> Sarah Caldwell, /Challenges A Memoir of My Life in Opera, /Wesleyan 
> University Press, 2008
>
> Nathan Wiseman-Trowse, /Performing Class In British Popular Music, 
> /Palgrave Macmillan, 2008
>
> * *
>
> *Awaiting ALLOCATION from earlier 2008 *
>
> * *
>
> Javier Campos Calvo-Sotelo, /Fiesta Identidad y contracultura 
> Contribuciones al estudio historico de la gaita en //Galicia//,/ 
> Pontevedra, 2007
>
> Nick Collins and Julio d’Escriván (Eds), /The //Cambridge// Companion 
> to Electronic Music/, CUP, 2007
>
> Mark Clague, ed. /The Memoirs of //Alton// Augustus Adams, Sr First 
> Black Bandmaster of the //United States// Navy/ , University of 
> California Press 2008
>
> / /
>
> Eddy Determeyer, /Rhythm Is Our Business, Jimmie Lunceford and the 
> //Harlem// Express/, U Michigan Press (2007)
>
> Caryl Flinn, /Brass Diva:/ /The Life and Legends of Ethel Merman/, U 
> California Press (2007)
>
> Craig Havigurst, /Air// //Castle// of the South: WSM and the Making of 
> //Music// //City//,/ University of Illinois Press, 2007
>
> Michael Pickering, /Blackface Minstrelsy in //Britain//,/ Ashgate, 2008
>
> Jan Fairley
> 7A Cluny Gardens
> Edinburgh EH10 6BE
> tel: +44 (0) 131 447 8515
> www.janfairley.com <http://www.janfairley.com>



-- 
The University of Edinburgh is a charitable body, registered in
Scotland, with registration number SC005336.


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