My own view, having
> recently spent ten quid to look at Cy Twombly's infantile rubbish, is
> that the kind of Art shown at Tate etc... is hopelessly bankrupt as a
> form of cultural endeavour, not least because of its metaphysical
> disavowal of its own technicity, and that if there is to be a form of
> art (lower case 'a') that might be fit for the new rhythms of our
> digital culture then it is new media art.
I find this take on Cy Twombly astonishing! How is it possible to have
become so reductive about the medium in which an art work is made?
Surely, if anything, Twombly's exploration of minimal, primitive
markings - the relationship between mark and sign, scribbling and
writing, meaning and noise, that goes 'back' to the very origins of the
human need to mediate his/her relationship with the world symbolically -
foregrounds the the crisis of art/painting in the age of technical
reproduction. How is this need for symbolic mediation given form in the
aftermath of two world wars, mass mechanical extermination, the space
race, you name it. Do you really think that in the absence of
photography, an artist would have arrived at this degree of painterly
self-reflexivity and deconstruction? The irony is of course that the
advent of mechanical reproduction freed art (albeit already moving into
its role as 'autonomous' activity) from the last vestiges of its use
value - the work of representation - forcing or allowing it to enter
into the phase of its existential self-interrogation (one that presumes
a consciousness of its conditions of technicity, and which therefore
should please you!!, and one that shows no signs of coming to an end).
Twombly's work registers this loss of social function whilst at the same
time giving the uncertainty and doubt brought on by it an exquisite and
tentative beauty - turning it into great art. Something that few new
media artists seem to be able to achieve at the current impasse of the
'whatever art' and the 'whatever subject'. When I contemplate this
particular piece of new media art - http://dogsears.ica.org.uk/ - I find
your unconditional championing of new media art even more perplexing,
and even begin to sympathise with Eshun's decision.
J
|