italian-studies: Scholarly discussions in any field of Italian studies
Sorry Danielle,
I see only the registration form but not the programme.
Roberta
Quoting danielle hipkins <[log in to unmask]>:
> italian-studies: Scholarly discussions in any field of Italian
> studies
> <table cellspacing='0' cellpadding='0' border='0' ><tr><td
> style='f> ont: inherit;'><P> </P>
> <P>Dear Colleagues,</P>
> <P> </P>
> <P>I am forwarding a revised programme for this forthcoming
> conference, whi> ch features the exciting addition of a recently
restored and little
> known&n> bsp;short, product of a collaboration between Mario
Soldati and
> Cesar> e Zavattini, amongst others, entitled: Chi <SPAN
> style="FONT-SIZE: 1> 2pt; FONT-FAMILY: 'Times New Roman'; mso-
fareast-font-family: 'Times
> New Ro> man'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB;
> mso-bidi-langu> age: AR-SA">è</SPAN> Dio? (1945). It will be
presented by
> Daniela Trev> eri-Gennari (Oxford Brookes) and Marco Vanelli
(University of
> Pisa).</P>
> <P> </P>
> <P>I would also like to remind you that the deadline for
> registration > falls tomorrow (booking form attached). However, any
registration
> forms arr> iving by the end of this week will not be subjected to
the penalty
> charge.<> /P>
> <P>Best wishes,</P>
> <P>Danielle Hipkins</P>
> <P> </P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><B
> style="mso-bidi-fon> t-weight: normal"><SPAN style="FONT-FAMILY:
Garamond"><FONT
> size=3>The > Child in Italian Film – provisional programme<?
xml:namespace
> prefix> = o ns = "urn:schemas-microsoft-com:office:office"
> /><o:p></o:p></FONT> ></SPAN></B></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
> style="FONT-FAMI> LY: Garamond"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><B
> style="mso-bidi-fon> t-weight: normal"><SPAN style="FONT-FAMILY:
Garamond"><FONT
> size=3>Mond> ay 14<SUP>th</SUP> July<o:p></o:p></FONT></SPAN></B></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
> style="FONT-FAMI> LY: Garamond"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><B
> style="mso-bidi-fon> t-weight: normal"><SPAN style="FONT-FAMILY:
Garamond"><FONT
> size=3>9.30> -10am Registration<o:p></o:p></FONT></SPAN></B></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
> style="FONT-FAMI> LY: Garamond"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><FONT size=3><B
> style> ="mso-bidi-font-weight: normal"><SPAN style="FONT-FAMILY:
> Garamond">10-> 10.45am (M&D room) Keynote address:
</SPAN></B><SPAN
> style="FONT-FAMI> LY: Garamond">Robert Gordon (<?xml:namespace
prefix = st1 ns =
> "urn:sch> emas-microsoft-com:office:smarttags" /><st1:place
> w:st="on"><st1:PlaceTyp> e w:st="on">University</st1:PlaceType> of
<st1:PlaceName
> w:st="on">Camb> ridge</st1:PlaceName></st1:place>) 'Revisiting
<I>Bicycle
> Thieves</I>'<o:p>> </o:p></SPAN></FONT></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><B
> style="mso-bidi-fon> t-weight: normal"><SPAN style="FONT-FAMILY:
Garamond"><FONT
> size=3>10.4> 5-11.00am</FONT></SPAN></B><SPAN style="FONT-FAMILY:
> Garamond"><FONT size> =3> <B style="mso-bidi-font-weight: normal">
(M&D room)
> Keynote addr> ess:</B> Jaimey Fisher (<st1:PlaceType
> w:st="on">University</st1:PlaceTyp> e> of <st1:PlaceName
w:st="on">California</st1:PlaceName>,
> <st1:place w:s> t="on"><st1:City
w:st="on">Davis</st1:City></st1:place>),
> ‘The > Militarized Gaze and Children's Unknowing
Glances:<BR>Demobilizing
> Percepti> on in Postwar German and Italian
> Cinema’<o:p></o:p></FONT></SPAN></> P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
> style="FONT-FAMI> LY: Garamond"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><FONT size=3><B
> style> ="mso-bidi-font-weight: normal"><SPAN style="FONT-FAMILY:
> Garamond">11-> 11.30</SPAN></B><SPAN style="FONT-FAMILY: Garamond">
Coffee
> break<o:p></o> :p></SPAN></FONT></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
> style="FONT-FAMI> LY: Garamond"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><B
> style="mso-bidi-fon> t-weight: normal"><SPAN style="FONT-FAMILY:
Garamond"><FONT
> size=3>11.3> 0-1.00 <o:p></o:p></FONT></SPAN></B></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><B
> style="mso-bidi-fon> t-weight: normal"><SPAN style="FONT-FAMILY:
Garamond"><FONT
> size=3>Pane> l 1a: The Neorealist Child and beyond (M&D
> room)<o:p></o:p></FONT></SPA> N></B></P>
> <UL style="MARGIN-TOP: 0cm" type=disc>
> <LI class=MsoNormal style="MARGIN: 0cm 0cm 0pt; mso-list: l2
> level1 lfo> 2; tab-stops: list 36.0pt"><SPAN style="FONT-FAMILY:
> Garamond"><FONT size> =3>Paola Moscarelli (<st1:place
w:st="on"><st1:PlaceName
> w:st="on">Lo> yola</st1:PlaceName> <st1:PlaceName
> w:st="on">Marymount</st1:PlaceName> <> st1:PlaceType
w:st="on">University</st1:PlaceType></st1:place>),
> â€> ˜Pricò, or, the Clouding of a Spirit’
> <o:p></o:p></FONT></SP> AN></LI>
> <LI class=MsoNormal style="MARGIN: 0cm 0cm 0pt; mso-list: l2
> level1 lfo> 2; tab-stops: list 36.0pt left 281.25pt"><FONT
size=3><SPAN
> style="FONT> -FAMILY: Garamond">Gabor Gergely (<st1:place
> w:st="on"><st1:PlaceType w:s> t="on">University</st1:PlaceType> of
<st1:PlaceName
> w:st="on">Exeter</s> t1:PlaceName></st1:place>), </SPAN><SPAN
style="FONT-FAMILY:
> Garamond; ms> o-bidi-font-family: Arial">‘<EM><SPAN style="FONT-
FAMILY:
> Garamon> d; mso-bidi-font-family: Arial">The Young and the
Damned</SPAN></EM>,
> a sur> realist critique of the child in Neorealism’</SPAN><SPAN
> style="F> ONT-FAMILY: Garamond"><o:p></o:p></SPAN></FONT></LI>
> <LI class=MsoNormal style="MARGIN: 0cm 0cm 0pt; mso-list: l2
> level1 lfo> 2; tab-stops: list 36.0pt"><SPAN style="FONT-FAMILY:
> Garamond"><FONT size> =3>Michael Lawrence (<st1:PlaceName
> w:st="on">Middlesex</st1:PlaceName>> <st1:PlaceType
w:st="on">University</st1:PlaceType>),
> ‘<SPAN sty> le="mso-bidi-font-weight: bold">Children, Performance
and Realism -
> from > <st1:country-region w:st="on">Italy</st1:country-region> to
> <st1:place w:> st="on"><st1:country-region
> w:st="on">India</st1:country-region></st1:p>
lace>’<o:p></o:p></SPAN></FONT></SPAN></LI></UL>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
> style="FONT-FAMI> LY: Garamond"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><B
> style="mso-bidi-fon> t-weight: normal"><SPAN style="FONT-FAMILY:
Garamond"><FONT
> size=3>Pane> l 1b: History and the Italian Child on screen (Lecture
Theatre
> 1)<o:p></o:p> ></FONT></SPAN></B></P>
> <UL style="MARGIN-TOP: 0cm" type=disc>
> <LI class=MsoNormal style="MARGIN: 0cm 0cm 0pt; mso-list: l7
> level1 lfo> 3; tab-stops: list 36.0pt"><SPAN style="FONT-FAMILY:
> Garamond"><FONT size> =3>Irene Lottini (<st1:place
w:st="on"><st1:PlaceType
> w:st="on">Unive> rsity</st1:PlaceType> of <st1:PlaceName
> w:st="on">Iowa</st1:PlaceName></s> t1:place>), ‘From <I style="mso-
bidi-font-style:
> normal">Pinocchi> o</I> to <I style="mso-bidi-font-style:
normal">Cuore</I>: Children
> in Ea> rly Italian Cinema’<o:p></o:p></FONT></SPAN></LI>
> <LI class=MsoNormal style="MARGIN: 0cm 0cm 0pt; mso-list: l7
> level1 lfo> 3; tab-stops: list 36.0pt"><SPAN style="FONT-FAMILY:
> Garamond"><FONT size> =3>Giovanna De Luca (<st1:place
w:st="on"><st1:City
> w:st="on">College> of Charleston</st1:City>, <st1:State
> w:st="on">SC</st1:State></st1:place> >), ‘Reality Invented through
the Child’s
> Eyes’<B s> tyle="mso-bidi-font-weight:
> normal"><o:p></o:p></B></FONT></SPAN></LI>
> <LI class=MsoNormal style="MARGIN: 0cm 0cm 0pt; mso-list: l7
> level1 lfo> 3; tab-stops: list 36.0pt"><FONT size=3><SPAN
style="FONT-FAMILY:
> Garam> ond">Lindsay Myers (Galway, <st1:place
w:st="on"><st1:PlaceType
> w:st="o> n">University</st1:PlaceType> of <st1:PlaceName
> w:st="on">Ireland</st1:Pl> aceName></st1:place>), </SPAN><SPAN
style="FONT-FAMILY: Garamond;
> mso-bid> i-font-family: 'Courier New'">'From Page to Screen: An
Analysis of
> the Role> of the Child in Edmondo De Amicis, <I style="mso-bidi-
font-style:
> normal> ">Cuore</I> (1886) and Luigi Comencini's <I
> style="mso-bidi-font-style: n> ormal">Cuore</I> (1984)'</SPAN><B
style="mso-bidi-font-weight:
> normal"><S> PAN style="FONT-FAMILY:
> Garamond"><o:p></o:p></SPAN></B></FONT></LI></UL>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
> style="FONT-FAMI> LY: Garamond"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><FONT size=3><B
> style> ="mso-bidi-font-weight: normal"><SPAN style="FONT-FAMILY:
> Garamond">1.0> 0-2.00</SPAN></B><SPAN style="FONT-FAMILY: Garamond">
> lunch<o:p></o:p></S> PAN></FONT></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
> style="FONT-FAMI> LY: Garamond"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><B
> style="mso-bidi-fon> t-weight: normal"><SPAN style="FONT-FAMILY:
Garamond"><FONT
> size=3>2-3.> 30<o:p></o:p></FONT></SPAN></B></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><B
> style="mso-bidi-fon> t-weight: normal"><SPAN style="FONT-FAMILY:
Garamond"><FONT
> size=3>Pane> l 2a: Masculine Identities and the Child (M&D
> room)<o:p></o:p></FONT></> SPAN></B></P>
> <UL style="MARGIN-TOP: 0cm" type=disc>
> <LI class=MsoNormal style="MARGIN: 0cm 0cm 0pt; mso-list: l4
> level1 lfo> 1; tab-stops: list 36.0pt"><SPAN style="FONT-FAMILY:
> Garamond"><FONT size> =3>Sergio Rigoletto (<st1:place
w:st="on"><st1:PlaceType
> w:st="on">Un> iversity</st1:PlaceType> of <st1:PlaceName
> w:st="on">Reading</st1:PlaceNa> me></st1:place>), ‘Apocalyptic
Scenarios, the Child and the
> Crisis > of Masculinity in Marco Ferreri’s <I
> style="mso-bidi-font-style: > normal">L’ultima donna</I> and <I
> style="mso-bidi-font-style: nor> mal">Ciao
Maschio</I>’<o:p></o:p></FONT></SPAN></LI>
> <LI class=MsoNormal style="MARGIN: 0cm 0cm 0pt; mso-list: l4
> level1 lfo> 1; tab-stops: list 36.0pt"><SPAN style="FONT-FAMILY:
> Garamond"><FONT size> =3>Louis Bayman (King’s College, <st1:City
> w:st="on"><st1:place> w:st="on">London</st1:place></st1:City>),
‘Manhood,
> suffering, a> nd the pre-pubescent boy in post-war Italian
melodrama’
> <o:p></o:p>> </FONT></SPAN></LI>
> <LI class=MsoNormal style="MARGIN: 0cm 0cm 0pt; mso-list: l4
> level1 lfo> 1; tab-stops: list 36.0pt"><FONT size=3><SPAN
style="FONT-FAMILY:
> Garam> ond">Catherine O’Rawe (<st1:place w:st="on"><st1:PlaceType
> w:st> ="on">University</st1:PlaceType> of <st1:PlaceName
> w:st="on">Bristol</s> t1:PlaceName></st1:place>), ‘</SPAN><SPAN
> style="FONT-FAMILY: Gar> amond; mso-bidi-font-family: 'Courier
New'">Future Perfect: the Child
> and P> olitics in Recent Italian Cinema’</SPAN><SPAN
> style="FONT-F> AMILY: Garamond"><o:p></o:p></SPAN></FONT></LI></UL>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
> style="FONT-FAMI> LY: Garamond"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><B
> style="mso-bidi-fon> t-weight: normal"><SPAN style="FONT-FAMILY:
Garamond"><FONT
> size=3>Pane> l 2b: The Female Child in Contemporary Cinema (Lecture
Theatre
> 1)<o:p></o:p> ></FONT></SPAN></B></P>
> <UL style="MARGIN-TOP: 0cm" type=disc>
> <LI class=MsoNormal style="MARGIN: 0cm 0cm 0pt; mso-list: l3
> level1 lfo> 7; tab-stops: list 36.0pt"><SPAN style="FONT-FAMILY:
> Garamond"><FONT size> =3>Danielle Hipkins (<st1:place
w:st="on"><st1:PlaceType
> w:st="on">Un> iversity</st1:PlaceType> of <st1:PlaceName
> w:st="on">Exeter</st1:PlaceNam> e></st1:place>), ‘Women and
Children First: Narratives of
> Prostitut> ion and the Child on
Screen’<o:p></o:p></FONT></SPAN></LI>
> <LI class=MsoNormal style="MARGIN: 0cm 0cm 0pt; mso-list: l3
> level1 lfo> 7; tab-stops: list 36.0pt"><SPAN style="FONT-FAMILY:
> Garamond"><FONT size> =3>Malena Janson (<st1:place
w:st="on"><st1:PlaceName
> w:st="on">Stock> holm</st1:PlaceName> <st1:PlaceType
> w:st="on">University</st1:PlaceType><> /st1:place>), ‘From Refugee
Kid to Astrid Lindgren Child in
> One Hou> r and a Half. Some tendencies in Contemporary Swedish
> Children’s Fi> lm’<o:p></o:p></FONT></SPAN></LI>
> <LI class=MsoNormal style="MARGIN: 0cm 0cm 0pt; mso-list: l3
> level1 lfo> 7; tab-stops: list 36.0pt"><SPAN style="FONT-FAMILY:
> Garamond"><FONT size> =3>Erminia Passananti (<st1:place
w:st="on"><st1:PlaceType
> w:st="on">> University</st1:PlaceType> of <st1:PlaceName
> w:st="on">Oxford</st1:PlaceN> ame></st1:place>), ‘<SPAN style="mso-
bidi-font-weight:
> bold">The > child as mirror of atonement and redemption in <I
> style="mso-bidi-fo> nt-style: normal">Caos
> Calmo</I>’</SPAN><o:p></o:p></FONT></SPAN></> LI></UL>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
> style="FONT-FAMI> LY: Garamond"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><FONT size=3><B
> style> ="mso-bidi-font-weight: normal"><SPAN style="FONT-FAMILY:
> Garamond">3.3> 0-4 </SPAN></B><SPAN style="FONT-FAMILY:
Garamond">Coffee
> break<o:p></o:p> ></SPAN></FONT></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
> style="FONT-FAMI> LY: Garamond"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><FONT size=3><B
> style> ="mso-bidi-font-weight: normal"><SPAN style="FONT-FAMILY:
> Garamond">4-5> : Keynote address (M&D room):</SPAN></B><SPAN
> style="FONT-FAMILY: Gar> amond"> Aine O’Healy (<st1:PlaceName
> w:st="on">Loyola</st1:PlaceN> ame> <st1:PlaceName
w:st="on">Marymount</st1:PlaceName>
> <st1:PlaceType w:> st="on">University</st1:PlaceType>): 'Tales from
the streets of
> <st1:City> w:st="on"><st1:place
w:st="on">Naples</st1:place></st1:City>:
> Deconstr> ucting childhood in the films of Antonio
> Capuano'<o:p></o:p></SPAN></FONT><> /P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
> style="FONT-FAMI> LY: Garamond"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><FONT size=3><B
> style> ="mso-bidi-font-weight: normal"><SPAN style="FONT-FAMILY:
> Garamond">6.0> 0 </SPAN></B><SPAN style="FONT-FAMILY:
Garamond">Drinks reception
> (Long L> ounge)<B style="mso-bidi-font-weight:
> normal"><o:p></o:p></B></SPAN></FON> T></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><FONT size=3><B
> style> ="mso-bidi-font-weight: normal"><SPAN style="FONT-FAMILY:
> Garamond">6:3> 0 </SPAN></B><SPAN style="FONT-FAMILY:
Garamond">Evening meal (Long
> Loung> e)<o:p></o:p></SPAN></FONT></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
> style="FONT-FAMI> LY: Garamond"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><FONT size=3><B
> style> ="mso-bidi-font-weight: normal"><SPAN style="FONT-FAMILY:
> Garamond">8-1> 0: Film screening and</SPAN></B><SPAN style="FONT-
FAMILY:
> Garamond"> <B s> tyle="mso-bidi-font-weight: normal">Q&A session
with the
> director (M&> amp;D room):</B> Antonio Capuano, <I style="mso-bidi-
font-style:
> normal">> La guerra di Mario</I> (2005, with English subtitles),
preceded by
> screenin> g of Mario Soldati short: <I style="mso-bidi-font-style:
> normal">Chi e Di> </I>o? (1945) (recently restored and shown only
twice in
> <st1:country-regio> n w:st="on"><st1:place
> w:st="on">Italy</st1:place></st1:country-region>> )<I style="mso-
bidi-font-style:
> normal"><o:p></o:p></I></SPAN></FONT></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
> style="FONT-FAMI> LY: Garamond"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><B
> style="mso-bidi-fon> t-weight: normal"><SPAN style="FONT-FAMILY:
Garamond"><FONT
> size=3>Tues> day 15<SUP>th</SUP>
July<o:p></o:p></FONT></SPAN></B></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
> style="FONT-FAMI> LY: Garamond"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><FONT size=3><B
> style> ="mso-bidi-font-weight: normal"><SPAN style="FONT-FAMILY:
> Garamond">9-1> 0am: Keynote address (M&D room):</SPAN></B><SPAN
> style="FONT-FAMILY: > Garamond"> Paul Sutton (<st1:place
w:st="on"><st1:PlaceType
> w:st="on">U> niversity</st1:PlaceType> of <st1:PlaceName
> w:st="on">Roehampton</st1:Pla> ceName></st1:place>): ‘Missing
Children and Curious
> Spectators: Inv> estigating Contemporary Italian
> Cinema’<o:p></o:p></SPAN></FONT></P> >
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><B
> style="mso-bidi-fon> t-weight: normal"><SPAN style="FONT-FAMILY:
Garamond"><o:p><FONT
> size=3> > </FONT></o:p></SPAN></B></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><FONT size=3><B
> style> ="mso-bidi-font-weight: normal"><SPAN style="FONT-FAMILY:
> Garamond">10-> 10.30am </SPAN></B><SPAN style="FONT-FAMILY:
Garamond">Coffee
> break<o:p><> /o:p></SPAN></FONT></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
> style="FONT-FAMI> LY: Garamond"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><B
> style="mso-bidi-fon> t-weight: normal"><SPAN style="FONT-FAMILY:
Garamond"><FONT
> size=3>10.3> 0-12.00am<o:p></o:p></FONT></SPAN></B></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><B
> style="mso-bidi-fon> t-weight: normal"><SPAN style="FONT-FAMILY:
Garamond"><FONT
> size=3>Pane> l 3a (M&D room): Spaces for the
> Child<o:p></o:p></FONT></SPAN></B></P>
> <UL style="MARGIN-TOP: 0cm" type=disc>
> <LI class=MsoNormal style="MARGIN: 0cm 0cm 0pt; mso-list: l0
> level1 lfo> 4; tab-stops: list 36.0pt"><SPAN style="FONT-FAMILY:
> Garamond"><FONT size> =3>Pauline Small (Queen Mary, <st1:place
w:st="on"><st1:City
> w:st="on> ">London</st1:City></st1:place>),‘The Kid Stays in the
> Pictureâ> €™<o:p></o:p></FONT></SPAN></LI>
> <LI class=MsoNormal style="MARGIN: 0cm 0cm 0pt; mso-list: l0
> level1 lfo> 4; tab-stops: list 36.0pt"><FONT size=3><SPAN
style="FONT-FAMILY:
> Garam> ond">Daniela La Penna (<st1:place w:st="on"><st1:PlaceType
> w:st="on">Un> iversity</st1:PlaceType> of <st1:PlaceName
> w:st="on">Reading</st1:PlaceNa> me></st1:place>),</SPAN><SPAN
style="FONT-FAMILY: Garamond;
> mso-bidi-font> -family: 'Courier New'"> ‘The Miraculous Child.
Parables of
> Regress> ion in Edoardo Winspeare's Cinema’</SPAN><SPAN
> style="FONT-FAMILY> : Garamond"><o:p></o:p></SPAN></FONT></LI>
> <LI class=MsoNormal style="MARGIN: 0cm 0cm 0pt; mso-list: l0
> level1 lfo> 4; tab-stops: list 36.0pt"><SPAN style="FONT-FAMILY:
> Garamond"><FONT size> =3>Alex Marlowe-Mann (<st1:place
w:st="on"><st1:PlaceType
> w:st="on">U> niversity</st1:PlaceType> of <st1:PlaceName
> w:st="on">Leeds</st1:PlaceNam> e></st1:place>), ‘From <I
style="mso-bidi-font-style:
> normal">Scu> gnizzo</I> to <I style="mso-bidi-font-style:
normal">Muschillo</I>:
> Re-in> venting the Neapolitan Archetype of the Street Urchin in
Antonio
> Capuanoâ> €™s <I style="mso-bidi-font-style: normal">Vito e gli
altri</I>
> (1991> )<o:p></o:p></FONT></SPAN></LI></UL>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt 18pt"><SPAN
> style="FONT> -FAMILY: Garamond"><o:p><FONT
> size=3> </FONT></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><B
> style="mso-bidi-fon> t-weight: normal"><SPAN style="FONT-FAMILY:
Garamond"><FONT
> size=3>Pane> l 3b: The Traumas of Childhood and Postmodernity
(Lecture Theatre
> 1)<o:p></> o:p></FONT></SPAN></B></P>
> <UL style="MARGIN-TOP: 0cm" type=disc>
> <LI class=MsoNormal style="MARGIN: 0cm 0cm 0pt; mso-list: l5
> level1 lfo> 6; tab-stops: list 36.0pt"><FONT size=3><SPAN
style="FONT-FAMILY:
> Garam> ond">Roger Pitt (<st1:place w:st="on"><st1:PlaceType
> w:st="on">Universi> ty</st1:PlaceType> of <st1:PlaceName
> w:st="on">Exeter</st1:PlaceName></st> 1:place>), ‘</SPAN><SPAN
style="FONT-FAMILY: Garamond;
> mso-bidi-f> ont-family: Arial">Re-defining symmetry: The return
of Childhood
> in Gi> anni Amelio's <I style="mso-bidi-font-style: normal">Il ladro
di
> bambini<> /I>’</SPAN><SPAN style="FONT-FAMILY:
> Garamond"><o:p></o:p></SPAN>> </FONT></LI>
> <LI class=MsoNormal style="MARGIN: 0cm 0cm 0pt; mso-list: l5
> level1 lfo> 6; tab-stops: list 36.0pt"><SPAN style="FONT-FAMILY:
> Garamond"><FONT size> =3>Monica Jansen (<st1:place
w:st="on"><st1:PlaceName
> w:st="on">Utrec> ht</st1:PlaceName> <st1:PlaceType
> w:st="on">University</st1:PlaceType></s> t1:place>), ‘Bildung of
the Filmic Child between Utopia and
> Dystopi> a: From <I style="mso-bidi-font-style: normal">I bambini ci
> guardano</I> > to <I style="mso-bidi-font-style: normal">Certi
> bambini</I><o:p></o:p></F> ONT></SPAN></LI>
> <LI class=MsoNormal style="MARGIN: 0cm 0cm 0pt; mso-list: l5
> level1 lfo> 6; tab-stops: list 36.0pt"><SPAN style="FONT-FAMILY:
> Garamond"><FONT size> =3>Inge Lanslotts (Lessius, <st1:place
w:st="on"><st1:PlaceType
> w:st=> "on">University</st1:PlaceType> of <st1:PlaceName
> w:st="on">Louvain</st1:> PlaceName></st1:place>), ‘Film narratives
of Exiled
> Childhood: the > Visualization of Blindness and Silence in <I
> style="mso-bidi-font-style: > normal">La bestia nel
> cuore</I>’<o:p></o:p></FONT></SPAN></LI></UL>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
> style="FONT-FAMI> LY: Garamond"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><FONT size=3><B
> style> ="mso-bidi-font-weight: normal"><SPAN style="FONT-FAMILY:
> Garamond">12-> 1: Keynote address (M&D room):</SPAN></B><SPAN
> style="FONT-FAMILY: Ga> ramond"> Emma Wilson (<st1:place
w:st="on"><st1:PlaceType
> w:st="on">Uni> versity</st1:PlaceType> of <st1:PlaceName
> w:st="on">Cambridge</st1:PlaceN> ame></st1:place>), ‘Children and
Mourning: <I
> style="mso-bidi-fon> t-style: normal">Un'ora sola ti
> vorrei</I>’<o:p></o:p></SPAN></FONT> ></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
> style="FONT-FAMI> LY: Garamond"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><FONT size=3><B
> style> ="mso-bidi-font-weight: normal"><SPAN style="FONT-FAMILY:
> Garamond">1-2> : </SPAN></B><SPAN style="FONT-FAMILY:
> Garamond">lunch<o:p></o:p></SPAN><> /FONT></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
> style="FONT-FAMI> LY: Garamond"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><B
> style="mso-bidi-fon> t-weight: normal"><SPAN style="FONT-FAMILY:
Garamond"><FONT
> size=3>2-3.> 00pm <o:p></o:p></FONT></SPAN></B></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><B
> style="mso-bidi-fon> t-weight: normal"><SPAN style="FONT-FAMILY:
Garamond"><FONT
> size=3>Pane> l 4a (M&D room): New Perspectives on the
> Child<o:p></o:p></FONT></SPAN>> </B></P>
> <UL style="MARGIN-TOP: 0cm" type=disc>
> <LI class=MsoNormal style="MARGIN: 0cm 0cm 0pt; mso-list: l6
> level1 lfo> 5; tab-stops: list 36.0pt"><SPAN style="FONT-FAMILY:
> Garamond"><FONT size> =3>Roberta Piazza (<st1:place
w:st="on"><st1:PlaceType
> w:st="on">Univ> ersity</st1:PlaceType> of <st1:PlaceName
> w:st="on">Sussex</st1:PlaceName>> </st1:place>), ‘They are what
they talk: An initial
> observation of > children’s discourse in Italian
> cinema’<o:p></o:p></FONT></> SPAN></LI>
> <LI class=MsoNormal style="MARGIN: 0cm 0cm 0pt; mso-list: l6
> level1 lfo> 5; tab-stops: list 36.0pt"><FONT size=3><SPAN
style="FONT-FAMILY:
> Garam> ond">Hans Staats (SUNY at Stony Brook), ‘</SPAN><SPAN
> style="FONT> -FAMILY: Garamond; mso-bidi-font-family: 'Courier
New'">The
> Transcultural C> hild: Trauma and Subjectivity in <st1:place
w:st="on"><I
> style="mso-bid> i-font-style: normal">Germania</I></st1:place><I
> style="mso-bidi-font-sty> le: normal"> anno zero</I> and <I
style="mso-bidi-font-style:
> normal">Le > Chiavi di casa</I>’</SPAN><SPAN style="FONT-FAMILY:
> Garamond"><o:> p></o:p></SPAN></FONT></LI></UL>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
> style="FONT-FAMI> LY: Garamond; mso-bidi-font-family: 'Courier
New'"><o:p><FONT
> size=3>&nbs> p;</FONT></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><B
> style="mso-bidi-fon> t-weight: normal"><SPAN style="FONT-FAMILY:
Garamond"><FONT
> size=3>Pane> l 4b (Lecture Theatre 1): Neorealism and the Child from
a New
> Perspective<o> :p></o:p></FONT></SPAN></B></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><B
> style="mso-bidi-fon> t-weight: normal"><SPAN style="FONT-FAMILY:
Garamond"><o:p><FONT
> size=3> > </FONT></o:p></SPAN></B></P>
> <UL style="MARGIN-TOP: 0cm" type=disc>
> <LI class=MsoNormal style="MARGIN: 0cm 0cm 0pt; TEXT-ALIGN:
> justify; ms> o-list: l1 level1 lfo8; tab-stops: list 36.0pt"><SPAN
> style="FONT-FAMILY:> Garamond"><FONT size=3>Pasquale Iannone
(<st1:place
> w:st="on"><st1:Pla> ceType w:st="on">University</st1:PlaceType> of
<st1:PlaceName
> w:st="on"> >Edinburgh</st1:PlaceName></st1:place>), ‘The <I
> style="mso-bidi-> font-style: normal">espace quelconque</I> and
beyond: The child and
> the rep> resentation of landscape in <I style="mso-bidi-font-style:
> normal">German> y Year Zero</I> and <I style="mso-bidi-font-style:
> normal">Ivan’s> Childhood</I>’<o:p></o:p></FONT></SPAN></LI>
> <LI class=MsoNormal style="MARGIN: 0cm 0cm 0pt; mso-list: l1
> level1 lfo> 8; tab-stops: list 36.0pt"><FONT size=3><SPAN
style="FONT-FAMILY:
> Garam> ond">Daniela Treveri-Gennari (Oxford Brookes), Marco
Vanelli,<B
> style="ms> o-bidi-font-weight: normal"> ‘</B></SPAN><SPAN
> style="FONT-FAMILY> : Garamond; mso-bidi-font-family: 'Courier
New'">God is watching us:
> Faith,> innocence and children’s conscience in Soldati’s <I
> style> ="mso-bidi-font-style: normal">Chi è Dio?</I></SPAN><B
> style="mso-> bidi-font-weight: normal"><SPAN style="FONT-FAMILY:
> Garamond"><o:p></o:p>> </SPAN></B></FONT></LI></UL>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><B
> style="mso-bidi-fon> t-weight: normal"><SPAN style="FONT-FAMILY:
Garamond"><o:p><FONT
> size=3> > </FONT></o:p></SPAN></B></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><FONT size=3><B
> style> ="mso-bidi-font-weight: normal"><SPAN style="FONT-FAMILY:
> Garamond">3.0> 0-3.30pm:</SPAN></B><SPAN style="FONT-FAMILY:
Garamond"> Coffee
> break<o:p> ></o:p></SPAN></FONT></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
> style="FONT-FAMI> LY: Garamond"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><FONT size=3><B
> style> ="mso-bidi-font-weight: normal"><SPAN style="FONT-FAMILY:
> Garamond">3.3> 0-5.00pm: Keynote address, leading to concluding
discussion (M&D
> room):> </SPAN></B><SPAN style="FONT-FAMILY: Garamond">Mary Wood
> (Birkbeck, <st1> :place w:st="on"><st1:PlaceType
> w:st="on">University</st1:PlaceType> of> <st1:PlaceName
w:st="on">London</st1:PlaceName></st1:place>):
> ‘T> he Usefulness of Children’<B style="mso-bidi-font-weight:
> normal"> ><o:p></o:p></B></SPAN></FONT></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
> style="FONT-FAMI> LY: Garamond"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
> style="FONT-FAMI> LY: Garamond"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
> style="FONT-FAMI> LY: Garamond"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
> style="FONT-FAMI> LY: Garamond"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
> <P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
> style="FONT-FAMI> LY: Garamond"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
> <P> </P></td></tr></table><br>
<hr size=1>
>
Yahoo> ! for Good helps you <a
> href="http://us.rd.yahoo.com/mailuk/taglines/isp/>
control/*http://us.rd.yahoo.com/evt=51947/*http://uk.promotions.yahoo.c
om> /forgood/">make a difference</a>
>
**********************************************************************
> To join the list, send the message: join italian-studies YOUR NAME
> to: [log in to unmask]
> To send a message to the list, address it to:
> [log in to unmask]
> To leave the list, send the message: leave italian-studies
> to: [log in to unmask]
> In order to report problems or to contact the list's owners, write
> to:
> [log in to unmask]
> For further information, visit our web site:
> http://www.jiscmail.ac.uk/lists/italian-studies.html
**********************************************************************
To join the list, send the message: join italian-studies YOUR NAME
to: [log in to unmask]
To send a message to the list, address it to:
[log in to unmask]
To leave the list, send the message: leave italian-studies
to: [log in to unmask]
In order to report problems or to contact the list's owners, write to:
[log in to unmask]
For further information, visit our web site:
http://www.jiscmail.ac.uk/lists/italian-studies.html
|
