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FILM-PHILOSOPHY  February 2008

FILM-PHILOSOPHY February 2008

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Subject:

Re: FILM-PHILOSOPHY Digest - 21 Feb 2008 (#2008-79)

From:

Timothy Murray <[log in to unmask]>

Reply-To:

Film-Philosophy Salon <[log in to unmask]>

Date:

Thu, 21 Feb 2008 14:11:21 -0500

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (396 lines)

>
>Hi, Taka,


How are you?  This sounds great.  We actually have in residence this 
year the director of the Derrida film, Safaa Fathy.  Is this a new 
film or only a lecture?

All my best,

Tim

>------------------------------
>
>Date:    Fri, 22 Feb 2008 00:01:04 +0900
>From:    iimura <[log in to unmask]>
>Subject: The Video Making of the Philosophy of Jacques Derrida
>
>--============_-1008516430==_ma============
>Content-Type: text/plain; charset="iso-2022-jp" ; format="flowed"
>Content-Transfer-Encoding: quoted-printable
>X-MIME-Autoconverted: from 8bit to quoted-printable by 
>bifur.jiscmail.ac.uk id m1LF17Xp021374
>
>Dear  Film-Philosophy Salon,
>I'd like to announce my lecture/screening of <The Video Making of the=20
>Philosophy of Jacques Derrida>on 2008/03/07 (Ven) 19h00 at=20
>Institut de Tokyo - Espace Images, in Japanese with French=20
>translation.
>Thanks
>Takahiko iimura
>ps. The DVD<Seeing / Hearing / Speaking  (2002)>quoting from Derrida=20
>and including the films below is available from
>http://www.takaiimura.com/Sale.html#anchor10
>
>Conf=1B$B;S=1B(Bence d'IIMURA Takahiko (vid=1B$B;B=1B(Bste)
>En d=1B$B;U=1B(Bail
>
>      * 2008/03/07 (Ven) 19h00
>      * Acc=1B$B=3DT=1B(B libre
>      * Lieu : Institut de Tokyo - Espace Images
>      * Japonais traduction simultan=1B$B;F=1B(B
>      * Pour plus d'informations :
>        Institut de Tokyo (03-5206-2500)
>
>Mettre en images la philosophie de Derrida : autour de =1B$B!c=1B(BLa Voi=
>x et le=20
>ph=1B$B;O=1B(Bom=1B$B=3DO=1B(Be=1B$B#c=1B(B
>
>"Seeing/Hearing/Speaking" est une =1B$B=19c=1B(Buvre con=1B$B9V=1B(Be =1B=
>$B/=01=1B(Bpartir d'une=20
>citation et ses variantes, tir=1B$B;F=1B(B de La voix et le ph=1B$B;O=1B(=
>Bom=1B$B=3DO=1B(Be (Speech=20
>and Phenomena selon la traduction anglaise de David B. Allison), un=20
>ouvrage important =1B$B;D=1B(Brit par le philosophe fran=1B$B9B=1B(Bis Ja=
>cques Derrida =20
>ses d=1B$B;C=1B(Buts. J'eus l'occasion =1B$B/=01=1B(BParis de montrer cet=
>te vid=1B$B;P=1B(B =1B$B/=01=1B(BDerrida=20
>lui-m=1B$B?N=1B(Be, qui y accorda un vif int=1B$B;S?U=1B(B et m'adressa s=
>es=20
>encouragements. La phrase que je citai alors =1B$B;U=1B(Bait: =1B$B=F5c=1B=
>(BQuand je parle,=20
>je m'entends dans le temps o=1B$BY=01=1B(Bje parle=1B$B=F7c=1B(B (=1B$B=F5=
>c=1B(BI hear myself at the same=20
>time that I speak=1B$B=F7c=1B(B), Derrida pr=1B$B;D=1B(Bisant que ce fait=
>  rel=1B$B=3DW=1B(Be de=20
>l'essence ph=1B$B;O=1B(Bom=1B$B;O=1B(Bologique de l'acte de parler.
>(IIMURA Takahiko)
>
>Cette conf=1B$B;S=1B(Bence accompagnera la projection des =1B$B=19c=1B(Bu=
>vres suivantes :
>=1B$B!&=1B(B Seeing/Hearing/Speaking =1B$B!J=1B(B2002/n&b/7'=1B$B!K=1B(B
>=1B$B!&=1B(B Talking to Myself : Phenomenological Operation =1B$B!J=1B(B1=
>978/couleur/7'=1B$B!K=1B(B
>=1B$B!&=1B(B Talking in New York =1B$B!J=1B(B1978-2001/couleur/8'=1B$B!K=1B=
>(B
>=1B$B!&=1B(B Talking to Myself at PS1 =1B$B!J=1B(B1985/couleur/11'=1B$B!K=
>=1B(B
>
>IIMURA Takahiko
>IIMURA Takahiko est l'un des pionniers du cin=1B$B;N=1B(Ba exp=1B$B;S=1B(=
>Bimental au=20
>Japon. Il fonde en 1964 le groupe de cin=1B$B;N=1B(Ba exp=1B$B;S=1B(Bimen=
>tal "Film Ind=1B$B;Q=1B(B=20
>endant". Il a pr=1B$B;T=1B(Bent=1B$B;=01=1B(Bses =1B$B=19c=1B(Buvres dans=
>  le cadre d'expositions=20
>individuelles, au Mus=1B$B;F=1B(B d'art moderne de New York puis entre au=
>tres=20
>au Centre Pompidou (qui a par ailleurs projet=20
>"Seeing/Hearing/Speaking" en novembre dernier).
>Elles ont =1B$B;H=1B(Balement =1B$B;U;=01=1B(Bprojet=1B$B;F=1B(Bs dans le=
>  cadre de nombreux festivals=20
>internationaux de cin=1B$B;N=1B(Ba et de vid=1B$B;P=1B(B, =1B$B/=01=1B(BN=
>ew York, Gen=1B$B=3DW=1B(Be, Osnabr=1B$B]D=1B(Bk=20
>(Allemagne), S=1B$B5P=1B(B Paulo, o=1B$BY=01=1B(Belles ont =1B$B;U;=01=1B=
>(Br=1B$B;D=1B(Bompens=1B$B;F=1B(Bs par de nombreux=20
>prix.
>
>En Regard: Sept nuits autour des images du 21 f=1B$B;W=1B(Brier au 7 mars=
>  2008
>Au Mus=1B$B;F=1B(B Metropolitain de la Photographie de Tokyo
>3=1B$B=3DN=1B(Be nuit : "Perception de l'image" (projection, rencontre, i=
>nstallation)
>avec IIMURA Takahiko et TOYOSHIMA Yasuko
>Renseignements (en japonais): 03-3280-0099
>le 23 f=1B$B;W=1B(Brier 2008 =1B$B/=01=1B(B18h00
>Premier =1B$B;U=1B(Bage en sous sol
>Acc=1B$B=3DT=1B(B libre (en japonais sans traduction)
>www.syabi.com
>
>Plan sur Yahoo! Maps
>Institut de Tokyo - Espace Images
>
>15 Ichigaya-funagawara-cho Shinjuku-ku, Tokyo 162-8415
>
>T=1B$B;M=1B(B. : 03-5206-2500 Fax. : 03-5206-2501
>
>JR, sortie ouest : Ligne S=1B$BQC=1B(Bu
>M=1B$B;U=1B(Bros, sortie B3 ou B2a : Lignes Y=1B$B[S=1B(Bakuch=1B$BQ
>=1B(B T=1B$BQ[=1B(Bai, Namboku, =1B$B}F=1B(Bdo
>
>Le parking est prioritairement r=1B$B;T=1B(Berv=1B$B;=01=1B(Bau personnel=
>  de l'Institut.=20
>Des places de stationnement sont disponibles au centre commercial=20
>Ramla.
>Rendez-nous visite !
>Le Club Institut
>
>Profitez en permanence de nombreuses offres et tarifs r=1B$B;E=1B(Buits s=
>ur les=20
>services et =1B$B;W;O=1B(Bements de l=1B$B+c=1B(BInstitut.
>
>=1B$B=F7c=1B(B en savoir plus
>Des films =1B$B/=01=1B(Bla maison
>
>Empruntez l'un des 1600 films fran=1B$B9B=1B(Bis de la m=1B$B;E=1B(Biath=1B=
>$B=3DR=1B(Bue pour une s=1B$B;B=1B(B=20
>nce priv=1B$B;F=1B(B, dans votre canap=1B$B;=0F=1B(B
>
>=1B$B=F7c=1B(B en savoir plus
>Apprendre le Fran=1B$B9B=1B(Bis
>
>L'Institut est la r=1B$B;G;S=1B(Bence pour apprendre le fran=1B$B9B=1B(Bi=
>s, quel que soit=20
>votre niveau.
>
>=1B$B=F7c=1B(B en savoir plus
>
>Retrouvez l'Institut sur votre t=1B$B;M;Q=1B(Bhone portable gr=1B$B1D=1B(=
>Be au code QR=20
>ci-contre, ou =1B$B/=01=1B(Bcette adresse :
>
>=1B$B=F7c=1B(B http://institut.jp/m
>
>*
>*
>Film-Philosophy salon
>After hitting 'reply' please always delete the text of the message 
>you are replying to.
>To leave, send the message: leave film-philosophy to: [log in to unmask]
>Or visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html
>For help email: [log in to unmask], not the salon.
>*
>Film-Philosophy journal: http://www.film-philosophy.com
>Contact: [log in to unmask]
>**
>
>
>--============_-1008516430==_ma============
>Content-Type: text/html; charset="iso-2022-jp"
>Content-Transfer-Encoding: quoted-printable
>X-MIME-Autoconverted: from 8bit to quoted-printable by 
>bifur.jiscmail.ac.uk id m1LF17Xp021374
>
><!doctype html public "-//W3C//DTD W3 HTML//EN">
><html><head><style type=3D"text/css"><!--
>blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
>  --></style><title>The Video Making of the Philosophy of Jacques
>Derrida</title></head><body>
><div><font size=3D"-3" color=3D"#000000">Dear&nbsp;</font> Film-Philosoph=
>y
>Salon<font size=3D"-3" color=3D"#000000">,</font></div>
><div><font size=3D"-3" color=3D"#000000">I'd like to announce my
>lecture/screening of &lt;The Video Making of the Philosophy of Jacques
>Derrida&gt;on 2008/03/07 (Ven) 19h00 at&nbsp;&nbsp;</font>&nbsp;<font
>size=3D"-3" color=3D"#000000"> Institut de Tokyo - Espace Images, in
>Japanese with French translation.</font></div>
><div><font size=3D"-3" color=3D"#000000">Thanks</font></div>
><div><font size=3D"-3" color=3D"#000000">Takahiko iimura</font></div>
><div><font size=3D"-3" color=3D"#000000">ps. The DVD&lt;Seeing / Hearing =
>/
>Speaking&nbsp; (2002)&gt;quoting from Derrida and including the films
>below is available from</font></div>
><div><font size=3D"-3"
>color=3D"#000000">http://www.takaiimura.com/Sale.html#anchor10</font></di=
>v
>>
><div><font face=3D"Lucida Grande" size=3D"-3"
>color=3D"#000000"><br></font></div>
><div><font face=3D"Lucida Grande" size=3D"-3" color=3D"#000000">Conf=1B$B=
>;S=1B(Bence
>d'IIMURA Takahiko (vid=1B$B;B=1B(Bste)<br>
>En d=1B$B;U=1B(Bail</font><br>
><font face=3D"Lucida Grande" size=3D"-3" color=3D"#000000"></font></div>
><div><font face=3D"Lucida Grande" size=3D"-3"
>color=3D"#000000">&nbsp;&nbsp;&nbsp; * 2008/03/07 (Ven) 19h00<br>
>&nbsp;&nbsp;&nbsp; * Acc=1B$B=3DT=1B(B libre</font></div>
><div><font face=3D"Lucida Grande" size=3D"-3"
>color=3D"#000000">&nbsp;&nbsp;&nbsp; * Lieu : Institut de Tokyo - Espace
>Images<br>
>&nbsp;&nbsp;&nbsp; * Japonais traduction simultan=1B$B;F=1B(B<br>
>&nbsp;&nbsp;&nbsp; * Pour plus d'informations :<br>
>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Institut de Tokyo (03-5206-2500)<br>
><br>
>Mettre en images la philosophie de Derrida : autour de =1B$B!c=1B(BLa Voi=
>x et le
>ph=1B$B;O=1B(Bom=1B$B=3DO=1B(Be=1B$B#c=1B(B<br>
><br>
>&quot;Seeing/Hearing/Speaking&quot; est une =1B$B=19c=1B(Buvre con=1B$B9V=
>=1B(Be =1B$B/=01=1B(Bpartir
>d'une citation et ses variantes, tir=1B$B;F=1B(B de La voix et le ph=1B$B=
>;O=1B(Bom=1B$B=3DO=1B(Be
>(Speech and Phenomena selon la traduction anglaise de David B.
>Allison), un ouvrage important =1B$B;D=1B(Brit par le philosophe fran=1B$=
>B9B=1B(Bis
>Jacques Derrida =1B$B/=01=1B(Bses d=1B$B;C=1B(Buts. J'eus l'occasion =1B$=
>B/=01=1B(BParis de montrer
>cette vid=1B$B;P=1B(B =1B$B/=01=1B(BDerrida lui-m=1B$B?N=1B(Be, qui y acc=
>orda un vif int=1B$B;S?U=1B(B et
>m'adressa ses encouragements. La phrase que je citai alors =1B$B;U=1B(Bai=
>t:
>=1B$B=F5c=1B(BQuand je parle, je m'entends dans le temps o=1B$BY=01=1B(Bj=
>e parle=1B$B=F7c=1B(B (=1B$B=F5c=1B(BI hear
>myself at the same time that I speak=1B$B=F7c=1B(B), Derrida pr=1B$B;D=1B=
>(Bisant que ce fait
>rel=1B$B=3DW=1B(Be de l'essence ph=1B$B;O=1B(Bom=1B$B;O=1B(Bologique de l=
>'acte de parler.<br>
>(IIMURA Takahiko)<br>
><br>
>Cette conf=1B$B;S=1B(Bence accompagnera la projection des =1B$B=19c=1B(Bu=
>vres suivantes :<br>
>=1B$B!&=1B(B Seeing/Hearing/Speaking</font><font face=3D"=1B$B%R%i%.%NL@D=
>+=1B(B Pro W3"
>size=3D"-3" color=3D"#000000"> =1B$B!J=1B(B</font><font face=3D"Lucida Gr=
>ande"
>size=3D"-3" color=3D"#000000">2002/n&amp;b/7'</font><font
>face=3D"=1B$B%R%i%.%NL@D+=1B(B Pro W3" size=3D"-3" color=3D"#000000">=1B$=
>B!K=1B(B</font><font
>face=3D"Lucida Grande" size=3D"-3" color=3D"#000000"><br>
>=1B$B!&=1B(B Talking to Myself : Phenomenological Operation</font><font
>face=3D"=1B$B%R%i%.%NL@D+=1B(B Pro W3" size=3D"-3" color=3D"#000000"> =1B=
>$B!J=1B(B</font><font
>face=3D"Lucida Grande" size=3D"-3"
>color=3D"#000000">1978/couleur/7'</font><font
>face=3D"=1B$B%R%i%.%NL@D+=1B(B Pro W3" size=3D"-3" color=3D"#000000">=1B$=
>B!K=1B(B</font><font
>face=3D"Lucida Grande" size=3D"-3" color=3D"#000000"><br>
>=1B$B!&=1B(B Talking in New York</font><font face=3D"=1B$B%R%i%.%NL@D+=1B=
>(B Pro W3"
>size=3D"-3" color=3D"#000000"> =1B$B!J=1B(B</font><font face=3D"Lucida Gr=
>ande"
>size=3D"-3" color=3D"#000000">1978-2001/couleur/8'</font><font
>face=3D"=1B$B%R%i%.%NL@D+=1B(B Pro W3" size=3D"-3" color=3D"#000000">=1B$=
>B!K=1B(B</font><font
>face=3D"Lucida Grande" size=3D"-3" color=3D"#000000"><br>
>=1B$B!&=1B(B Talking to Myself at PS1</font><font face=3D"=1B$B%R%i%.%NL@=
>D+=1B(B Pro W3"
>size=3D"-3" color=3D"#000000"> =1B$B!J=1B(B</font><font face=3D"Lucida Gr=
>ande"
>size=3D"-3" color=3D"#000000">1985/couleur/11'</font><font
>face=3D"=1B$B%R%i%.%NL@D+=1B(B Pro W3" size=3D"-3" color=3D"#000000">=1B$=
>B!K=1B(B</font><font
>face=3D"Lucida Grande" size=3D"-3" color=3D"#000000"><br>
><br>
>IIMURA Takahiko<br>
>IIMURA Takahiko est l'un des pionniers du cin=1B$B;N=1B(Ba exp=1B$B;S=1B(=
>Bimental au
>Japon. Il fonde en 1964 le groupe de cin=1B$B;N=1B(Ba exp=1B$B;S=1B(Bimen=
>tal &quot;Film
>Ind=1B$B;Q=1B(Bendant&quot;. Il a pr=1B$B;T=1B(Bent=1B$B;=01=1B(Bses =1B$=
>B=19c=1B(Buvres dans le cadre
>d'expositions individuelles, au Mus=1B$B;F=1B(B d'art moderne de New York=
>  puis
>entre autres au Centre Pompidou (qui a par ailleurs projet=1B$B;=EE=1B(B
>&quot;Seeing/Hearing/Speaking&quot; en novembre dernier).<br>
>Elles ont =1B$B;H=1B(Balement =1B$B;U;=01=1B(Bprojet=1B$B;F=1B(Bs dans le=
>  cadre de nombreux festivals
>internationaux de cin=1B$B;N=1B(Ba et de vid=1B$B;P=1B(B, =1B$B/=01=1B(BN=
>ew York, Gen=1B$B=3DW=1B(Be, Osnabr=1B$B]D=1B(Bk
>(Allemagne), S=1B$B5P=1B(B Paulo, o=1B$BY=01=1B(Belles ont =1B$B;U;=01=1B=
>(Br=1B$B;D=1B(Bompens=1B$B;F=1B(Bs par de nombreux
>prix.<br>
><br>
>En Regard: Sept nuits autour des images du 21 f=1B$B;W=1B(Brier au 7 mars
>2008<br>
>Au Mus=1B$B;F=1B(B Metropolitain de la Photographie de Tokyo<br>
>3=1B$B=3DN=1B(Be nuit : &quot;Perception de l'image&quot; (projection, re=
>ncontre,
>installation)<br>
>avec IIMURA Takahiko et TOYOSHIMA Yasuko<br>
>Renseignements (en japonais): 03-3280-0099<br>
>le 23 f=1B$B;W=1B(Brier 2008 =1B$B/=01=1B(B18h00<br>
>Premier =1B$B;U=1B(Bage en sous sol<br>
>Acc=1B$B=3DT=1B(B libre (en japonais sans traduction)<br>
>www.syabi.com<br>
><br>
>Plan sur Yahoo! Maps<br>
>Institut de Tokyo - Espace Images<br>
><br>
>15 Ichigaya-funagawara-cho Shinjuku-ku, Tokyo 162-8415<br>
><br>
>T=1B$B;M=1B(B. : 03-5206-2500 Fax. : 03-5206-2501<br>
><br>
>JR, sortie ouest : Ligne S=1B$BQC=1B(Bu<br>
>M=1B$B;U=1B(Bros, sortie B3 ou B2a : Lignes Y=1B$B[S=1B(Bakuch=1B$BQ
>=1B(B T=1B$BQ[=1B(Bai, Namboku, =1B$B}F=1B(Bdo<br>
><br>
>Le parking est prioritairement r=1B$B;T=1B(Berv=1B$B;=01=1B(Bau personnel=
>  de l'Institut. Des
>places de stationnement sont disponibles au centre commercial
>Ramla.<br>
>Rendez-nous visite !<br>
>Le Club Institut<br>
><br>
>Profitez en permanence de nombreuses offres et tarifs r=1B$B;E=1B(Buits s=
>ur les
>services et =1B$B;W;O=1B(Bements de l=1B$B+c=1B(BInstitut.<br>
><br>
>=1B$B=F7c=1B(B en savoir plus<br>
>Des films =1B$B/=01=1B(Bla maison<br>
><br>
>Empruntez l'un des 1600 films fran=1B$B9B=1B(Bis de la m=1B$B;E=1B(Biath=1B=
>$B=3DR=1B(Bue pour une
>s=1B$B;B=1B(Bnce priv=1B$B;F=1B(B, dans votre canap=1B$B;=0F=1B(B<br>
><br>
>=1B$B=F7c=1B(B en savoir plus<br>
>Apprendre le Fran=1B$B9B=1B(Bis<br>
><br>
>L'Institut est la r=1B$B;G;S=1B(Bence pour apprendre le fran=1B$B9B=1B(Bi=
>s, quel que soit
>votre niveau.<br>
><br>
>=1B$B=F7c=1B(B en savoir plus<br>
><br>
>Retrouvez l'Institut sur votre t=1B$B;M;Q=1B(Bhone portable gr=1B$B1D=1B(=
>Be au code QR
>ci-contre, ou =1B$B/=01=1B(Bcette adresse :<br>
><br>
>=1B$B=F7c=1B(B http://institut.jp/m</font></div>
></body>
></html>
>*
>*
>Film-Philosophy Email Discussion Salon.
>After hitting 'reply' please always delete the text of the message 
>you are replying to.
>To leave, send the message: leave film-philosophy to: [log in to unmask]
>Or visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html
>For help email: [log in to unmask], not the salon.
>*
>Film-Philosophy journal: http://www.film-philosophy.com
>Contact: [log in to unmask]
>**
>
>
>--============_-1008516430==_ma============--
>
>------------------------------
>
>End of FILM-PHILOSOPHY Digest - 21 Feb 2008 (#2008-79)
>******************************************************


-- 
Timothy Murray
Professor of Comparative Literature and English
Curator, The Rose Goldsen Archive of New Media Art, Cornell Library
http://goldsen.library.cornell.edu
Director of Graduate Studies in Comparative Literature
Director of Graduate Studies in Film and Video
285 Goldwin Smith Hall
Cornell University
Ithaca, New York 14853

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