>This is an intriguing discussion, particularly as it envelopes ARG
>into the new media orbit. I 've argued that Godard also stands
>strong as a conceptual and methodological precursor of new media,
>especially when his work is taken in dialogue with the concluding
>chapters of Deleuze's cinema books (and when montage is understood a
>bit more flexibly that one finds in Manovich). In addition to
>chapters on Marker,Greenway and Kuntzel and various new media
>artists, I dedicate one to Godard (via King Lear) in my book which
>is in production at Minnesota, Digital Baroque: New Media Art and
>Cinematic Folds.
Thanks for an intriguing discussion.
Tim
--
Timothy Murray
Professor of Comparative Literature and English
Curator, The Rose Goldsen Archive of New Media Art, Cornell Library
http://goldsen.library.cornell.edu
Director of Graduate Studies in Comparative Literature
Director of Graduate Studies in Film and Video
285 Goldwin Smith Hall
Cornell University
Ithaca, New York 14853
*
*
Film-Philosophy salon
After hitting 'reply' please always delete the text of the message you are replying to.
To leave, send the message: leave film-philosophy to: [log in to unmask]
Or visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html
For help email: [log in to unmask], not the salon.
*
Film-Philosophy journal: http://www.film-philosophy.com
Contact: [log in to unmask]
**
|