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FILM-PHILOSOPHY  February 2008

FILM-PHILOSOPHY February 2008

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Subject:

Philosophy and Film / Film and Philosophy

From:

[log in to unmask]

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Film-Philosophy Salon <[log in to unmask]>

Date:

Mon, 11 Feb 2008 09:50:57 +0000

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.

Philosophy and Film / Film and Philosophy

An interdisciplinary conference
Conference announcement and first call for papers

UWE in association with the Arnolfini Arts Centre, Bristol
4-6th July 2008, the Arnolfini, Bristol

Keynote Speakers:
Stephen Mulhall (Oxford)Vivian Sobchack (UCLA)
Robert Sinnerbrink (Maquarrie)
Catherine Constable (Warwick)
Karin Littau (Essex)
Julian Baggini (editor, The Philosopher’s Magazine)

In the last years there has been a growing interest in the  
relationship between philosophy and film within both analytic and  
European philosophical traditions. At the same time, film studies as  
a discipline has always raised philosophical questions and has been  
enriched by a variety of philosophical traditions. The aim of this  
conference is to bring together scholars from both disciplines to  
examine this shared history, as well as display the current range and  
state of philosophical film analysis.

In what ways is film philosophically informative? What methodologies  
have been developed for philosophical analysis of film? What do  
various philosophical traditions bring to the study of film? What  
does the practice of film studies bring to the practice of  
philosophy? What vibrant areas have developed in these fields? The  
conference theme is deliberately broad and proposals are invited on  
any conjunction between film and philosophy. We welcome submissions  
that range from general and methodological observations about the  
field to readings and interpretations of specific films, genres, film  
movements or filmmakers. We encourage submissions from graduate  
students and will reserve some sessions for graduate papers.
Topics include (but are not limited to):

Film as philosophy
The ontology of cinema
Film and phenomenology
Particular philosophical approaches to film (Cavell, Deleuze,  
Frampton etc.)
The Epistemology of film
Film affect
The philosophical worldview of particular directors
Subjectivity and cinema
Film ‘theory’ as philosophy
Aesthetics and film
Political philosophy and film
Historical developments in film-philosophy
Genre and philosophy
Philosophy and film movements (German Expressionism, Soviet Montage,  
Italian Neorealism etc.)
Cinema as thought experiment
Morality and movies
Feminist philosophy and film practice
Film making as philosophical practice
Methodologies for philosophical film analysis

Contributions are invited for:Panel topics (2-4 speakers)
Individual papers (20 minutes + 10 minutes for discussion)Graduate  
papers

We will endeavour to include as many papers as possible within the  
time limits and are happy to discuss initial suggestions for panel  
discussions.
NB: please send us your abstract before the deadline if you require  
an early response. We strongly recommend this option for overseas  
participants who may need to book flights.
Please send proposals (500 word abstract) by Friday 8 April, 2008 to:
Dr Havi Carel [log in to unmask]
Dr Greg Tuck [log in to unmask]

We prefer email submissions but you can also post your abstract to:Dr  
Havi Carel/ Dr Greg Tuck
HLSS
University of the West of England (UWE)
St Matthias Campus
Oldbury Court Rd
Fishponds
Bristol BS16 2JP
UK


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Film-Philosophy journal: http://www.film-philosophy.com
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