look at this
http://www.cinefacts.de/news/news.php?newsid=7783
>----Messaggio originale----
>Dal: [log in to unmask]
>Data: 10/08/2007 18.33
>A: <[log in to unmask]>
>Ogg: Re: film and architecture
>
>Are Emigholz's films on DVD? It would have to be PAL (which is fine with
>me), since none are available in the U.S.
>
>
>----- Original Message -----
>From: "Nicholas Hamlyn" <[log in to unmask]>
>To: <[log in to unmask]>
>Sent: Friday, August 10, 2007 7:33 AM
>Subject: Re: film and architecture
>
>
>Have you looked at the films of Heinz Emigholz?
>
>Nicky Hamlyn.
>
>
>On 10 Aug 2007, at 13:53, Aristotelis wrote:
>
>> You are so right about this and i think Antonioni had studied
>> architecture before becoming a film maker. What i am trying to establish
>> is the importance that architects should have in films not only as set
>> designers but also by using architectural theories and hopes. Being
>> myself an architectural studient i am also interested on how this medium
>> can help designers express their utopias and film be considered by them a
>> created / built building. I am sorry for not being able to define better
>> what i am searching for, but thats the magic of it.
>> As for dogville all though i found it to be highly entertaining i think
>> that it uses more the theatrical element than the architectural. Space
>> used (or maybe not used) like that has previously been seen in theatrical
>> plays and i believe those are its references. Its absence mostly points
>> out the dramatic essence of the plot.
>> I haven't found those films yet but i am searching for them. Thanks
>> agoain for your time
>>
>>> Still not really sure what the nature of the theoretical connection you
>>> are looking for is though... There are several obvious examples in
>>> Sci-Fi, Horror and Action films where the building could be considered
>>> the protagonist of the piece... or at least protagonist by proxy. Have
>>> you watched 'Brutality in Stone' or 'London' which I mentioned
>>> previously on this thread?
>>>
>>> Also J.G Ballard's novel "High Rise" is currently in production.
>>> ......................................................................
>>> ...................................
>>>
>>> Perhaps this has already been pointed out, or it misses your point, but
>>> I would suggest that Antonioni comes as close as anyone to the condition
>>> of architecture as protagonist. In almost all of the films from the late
>>> fifties and early sixties, with Eclipse and Red Desert being the
>>> outstanding examples. It depends on what one means by protagonist. It's
>>> hardly a new observation that many scenes in those films are "about" the
>>> architectural surround, not the story that unfolds within it. Rather,
>>> one can't separate the architecture from the other protagonists'
>>> subjectivity. The architecture is an objective correlative. Apart from
>>> ghost stories, I can't think of a more consistent conflation of
>>> architecture/narrative in film history.
>>
>> Park yourself in front of a world of choices in alternative vehicles.
>> Visit the Yahoo! Auto Green Center. * * Film-Philosophy Email Discussion
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