Serotonin
1
It was the year of the Contract with America.
We were renting. I went outside for a smoke
and twilight and insect bites in the small garden.
Next door, behind a trellis,
a man was installing a rain gutter
or awning, or caulking a window – something
demanding competence, overalls,
and a boombox playing Rush Limbaugh.
The day was fading quickly, but he saw
no need for a lamp (perhaps he had none),
or to go inside and light the room (probably
our neighbor, the producer, had locked it).
He bummed a smoke. Mountain accent,
long gray hair. As he worked, he spoke
of the New World Order. It apparently talked
to him personally, telling him to do things -
work with or for fags,
give money to immigrants, blacks,
the UN, pseudo-educated assholes –
and punishing him in unspecified ways
when he wouldn’t. He referred to himself
in the third person
and seemed unaware of questions as such;
they only jogged him to another grievance.
Monosyllables, silence
when asked what he earned, if he was married,
had children, read anything,
or when I gave him another cigarette
and said goodnight –
thinking I was part of the last generation
for which the term “worker” held pathos; and now
had met one, like a unicorn in the dusk.
2
At school, Denny was remarkably
without the affectations you’d expect
from his type – the stiff, aggrieved disdain,
the voice descending from an astral plane
when the Flag was questioned; warmer version of same
when the Cross was at issue;
fond in-jokes about one’s class,
vulgarity for those below it;
the errors of passion about success
and noisy pride in one’s unscrupulousness.
But Denny merely automatically
excused whatever massacre,
village deprived of water
or jungle of trees the firms he interned for
required somewhere. Grew angry
only when time was taken from his work,
and was thus universally admired
for maturity. His libido
was largely reserved for debutantes in summer,
and later one or another
advantageous co-worker. He married late and well.
But by then even a starter
McMansion, the country club etc.
required two incomes, and years passed
before Denny Junior appeared.
Who at three wasn’t talking;
at five only laconically,
when spoken to. Who stared
and could not be hugged; whose arms
flapped strangely, who screamed and punched
when something, a smell, set him off.
And Denny’s career and expenditures
changed. He joined all the support groups,
attended every therapy session,
studied the websites, kept a log,
looked after his wife when she broke.
His features, which at Yale had been
so clear, became lined with grief
and with that hopeless patience which cuts deeper.
Without embarrassment, in later years,
he said things about love
and friendship that reduced old friends to tears.
But really, it may not have happened that way.
He may have taken one look at the problem
and put the boy in an institution –
expensive, but less than home care.
He may never have had a kid.
He might have been gay, never married, or sterile.
It isn’t as if we ever spoke.
3
Now and then I’ve imagined compassion
as an alternative. But because
the conditional tense is awkward,
you’ll have to accept a counterfactual
narrative. My world is without mirrors,
except for the tiresome tiny reflection
I avoid in other people’s eyes
because it would waste time.
I listen. There’s a subtext
that wants to become the main text
and does, given time. It seems to be spoken
by a handful of suffering people
into whom the ostensible billions
collapse. I say what I can,
often nothing. I touch
or don’t. A con-man
sitting beside me on a long flight
confessed all his crimes when his spiel failed,
and became very tedious
to himself. The religious
patient in the next bed at the hospital
that time, proclaimed me the Antichrist
when after three days I said
it’s better to read many books than only one.
He needed to hate me; recovered. I work
in soup-kitchens, and for an embattled NGO.
At home the phone rings, and often it’s someone
I don’t know. I should arrange my laundry,
closets, and papers better. At the museum
I like a few pieces,
especially a corroded smiling form
under glass, the “Buddha of the Future.”
It isn’t I who wrote this –
I find the tone unattractive –
but my reflection, which is vicious,
intolerant, morbid, creative.
4
I know that we shall live again
as algorithms of some alien
intelligence that will do
what earthly power never could imagine:
subsume itself in its own creation.
Boredom will end, but not imagination,
in a dimensionless and wanton leisure,
where after many ages you
may rouse yourself from pleasure
to walk the thousand gleaming levels
of a city, meeting friends and equals
in every form.
Some of whom may be art –
as all immortals choose to be
a moment – concentrating in themselves
the multiple and comic future,
and universal elegy.
Or you may enter nature,
its only pain the memory of pain,
your senses those of butterflies and trees
while theirs are yours, the sun
a mind no more than amiably warm;
the lucid rivers thoughtful as they climb
around the rusting cogs and wheels of time.
– And sing, until the moon
helps you revise an ancient noble tune:
*Who has no house by now may build one yet
and brush away the dead leaves of regret*.
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