Kip, thank you for starting this wonderful discussion. I enjoy it very much!
Kees
Kees J.M. van Haaster
Senior Adviseur / Centrum voor Sociale Innovatie / Hogeschool Utrecht / Postbus 85397 / 3508 AJ Utrecht
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Van: Performative Social Science namens Kip Jones
Verzonden: vr 6-4-2007 11:38
Aan: [log in to unmask]
Onderwerp: On Ambiguity
I participated in the AHRC Consultation Exercise on
the forthcoming 'Beyond Text: Sounds, Voices, Images
and Objects' programme of research
(http://www.ahrc.ac.uk/apply/research/sfi/ahrcsi/beyond_text_sounds_voices_images_objects.asp
) held at the Royal Society of Art in London last
week.
The word of the day was 'ambiguity'. The audience
collectively responded to it with great collective
warmth and a sense of shared familiarity. I like this
as a concept for PSS. To me, it means knowledge
production which is open and permeable,
non-traditional, one that invites an audience in to
participate, to become involved, to turn into artists
themselves.
Researcher/artists can gain a great deal from the
concept of ambiguity as method. "Findings" in the
traditional sense would be sidelined or even banished.
Dissemination would become method. Researchers would
move from the safety of 'knowing' to the uncertainty
of 'not knowing' (Heidegger). Data would return to
its place of importance as resources for explorations
of multiple understandings and keys for further
engagement by wider communities beyond academia.
Knowledge would be constructed socially in a
relational way within a participatory society. The
researcher would become a gatherer, a facilitator, a
curator, a Wizard of Oz. Text would become only one
tool within a toolbox of many instruments. Silence
would be golden.
I hope that the AHRC puts its money into ambiguity.
Cheers,
Kip
Dr Kip Jones
Reader in Qualitative Social Science
Centre for Qualitative Research
Institute of Health & Community Studies
Bournemouth University United Kingdom
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Website: www.kipworld.net
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