But Melies can still be usefully discussed as an example that raises
perennially relevant issues around film to do with concepts of realism,
staging, space etc. Isn't the continuing interest in Freud to do with
philosophical issues raised by his ideas? They may not be scientific,
but that's not what's interesting or relevant about them?
Your post suggests that scientific advances have squeezed philosophy
out of the picture, but can it really be that straightforward? This
implies that full scientific accounts leave no room for other kinds of
account and I don't buy that.
Nicky Hamlyn.
On 10 Mar 2007, at 19:18, Andrew Browne wrote:
>
> The recent Hitchcock/Freud discussion raises a number of points. One
> that springs to mind is why Film Studies still pays reverence to
> Freudian theories and structures when they have been so long nuanced,
> if not challenged or even discredited, within Psychology itself. It is
> an example of a wider problem that many film academics are somehow
> caught in a time-slip when using inter-disciplinary approaches.
>
> In the mid 1950s clinical psychologists began to develop cognitive
> approaches to understanding how the brain worked. This followed a
> number of clinical research results that contradicted Freudian theory
> and a growing feeling that Freud's approach to emotions - that they
> were somehow an aberration resulting from cogintive imbalance - was
> simplistic. Development of Freudian psychological theory, by Lacan
> and Klein amongst others, had led to psychological theory that was
> almost impenetrable with its abstruse philosophical concepts. With the
> advances in neuro-psychology and brain mapping generally, we have
> moved on a great deal in our understanding of how the brain processes
> information.
>
> Freudian structures are good fun and, like any structure, they can be
> forced to fit any situation.However, Freud is seen by most
> psychologists as a quaint but respected founder of their science. To
> quote him would be similar to film writers quoting Melies.
>
> Andrew Browne
>
>
>
>
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