That is of course the province of experimental film, where the cinematic
language of subjectivity (first person cinema) was invented by Brakhage in
1959 and has been elaborated by hundreds of practitioners across the
decades. If you are restricting your inquiry to storytelling, the so-called
interior monologue is the dominant mode. George Kuchar's video diaries are
by far the most interesting current examples.
----- Original Message -----
From: "Abi Fisher" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Wednesday, March 21, 2007 5:04 AM
Subject: Internalisation in Films
> Dear All,
>
> I'm looking for examples of how cinema has dealt with
> the issue of exploring a character's inner space as a
> personal journey, without turning it into a drama
> involving other characters. Malik and Resnais use
> voice overs to externalise thoughts, but are there any
> other examples?
>
> Many thanks
>
> Regards
>
> Abi
>
>
>
>
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