Feminist Media Studies
Commentary and Criticism & Reviews Section
We invite short essays for the Commentary and Criticism section of
Feminist Media Studies on any of the following topics. Potential
contributors can write to the co-editors, Jane Arthurs
([log in to unmask]) and Usha Zacharias
([log in to unmask]), to express preliminary interest in writing a
brief article of about 1500 words. In addition, we invite you to address
any other questions that are relevant to Feminist Media Studies.
1. Transnational Dimensions of Race, Class and Gender in Big Brother
Gameplay; the ‘Jade Goody/ Shilpa Shetty’ Scandal
In January 2007 the UK reality show Celebrity Big Brother became the
centre of a political furore when Jade Goody, a previous winner of Big
Brother and now a celebrity herself, along with two other contestants,
were accused of racial bullying of Shilpa Shetty, a Bollywood film star
and now winner of the competition. The media scandal took on transnational
dimensions when the Indian state lodged a protest with the British Prime
Minister Tony Blair, and Blair, in turn, invited Shetty to the House of
Commons. Goody, meanwhile, was invited by Shetty’s father to visit India
to learn about the nation firsthand. In the Indian media, critiques were
leveled against the “underbelly of racism” that still exists in so-called
civilized nations. Although the show is not screened in India, it invited
considerable debate in both press and television, where, since the actual
racist language used could not be reproduced, attention was focused on
Shetty’s hourly-growing economic exponent. In Britain, the tabloid press
went on the attack against Jade to defend not only Shilpa but the
reputation of the British as a tolerant multicultural society. This
occurred in the face of international protests at the public platform
given by the media to racist insults. While the media emerged as the
villain, both Indian and British governments were able to pose as states
opposed to racial discrimination.
The unfolding drama of this scandal, and the multiple reactions from
commentators illuminates the transnational politics of race, class, gender
and stardom in the context of a global media economy feeding on flexible
cultural labor. Goody’s positioning as a precarious ‘white trash’
celebrity persona in contrast to Shetty’s ‘authentic’ stardom, marked by
ethnic difference, complicates the ‘race’ question, casting it into a
postcolonial context. The unusual embrace of multicultural tolerance by
the British tabloids also raises suspicion. Could it reveal the power of
celebrity scandals to act as a conduit for repressed class as well as
racial aggression? Also interesting is the Indian media’s focus on
Shetty’s sudden financial boom and her apparently ascending social status
in Britain. Does economic mobility function as a silent answer to the
unresolved race question?
We invite diverse commentaries on these events that seek to locate their
significance in relation to broader issues of media and culture.
2. Women Media Workers in the Digital Age
What new conditions have emerged for women media workers as a consequence
of the digital revolution? What political and personal consequences are
there for women and how might these be taken up by media researchers? In
answer to these questions we invite reports on ongoing research as well as
suggestions for new agendas and ways to conceptualise women’s role in the
media industries. Topics might include the impact of intensified
competition and deregulation, the culture of long hours, casual labor and
its consequences, women’s welfare rights, work/life balance, global
distribution of production and new production ‘ethics’. Changing
production practices such as cross-platform working, technical challenges
and training, personal digital production, home-working and freelance
networks also invite gendered analysis. So does the feminisation of work
cultures: the presence of women entrepreneurs and managers, revaluation
of ‘soft’ skills in management discourse and gendered professionalism.
Similarly, the distribution of women’s media in digital contexts, Internet
marketing and exhibition, the creation of niche markets, women’s roles and
gender cultures in activist media and global campaigns all call for a
rethinking of women media workers’ roles in the digital age. We invite
both broad and focused commentaries on the contemporary transformations in
women media workers’ lives in global, national, and regional contexts.
3. Mobile Phones and Digital Convergence: Feminist Issues
The spectacular worldwide growth of mobile telephones in the last five
years has opened up fascinating new spaces of communication and
transformed the digital media ecology. Mobile phones have been
sensationalized in news reports worldwide in extreme terms: as a vital
tool of sociality that every individual must own, as a development
shortcut for poor farmers in India, as a key accessory to health workers
in Africa, and as facilitators of romance and dating in digital worlds
east and west. The phenomenal growth of this personal communication device
in the Asian and African economies and its near saturation status in
several nations, including the UK, US, and Japan, is paired with the
digital convergence that marries the phone to the camera, games,
advertising, the Internet, and now, to television and film. The SMS -- or
short message service -- enabled by the mobile phone is marking up huge
profits for providers in China, Philippines and India, as well as in
Europe and Australia. Several Indian television channels now carry
personal SMS messages as running scrolls with chatty programmes such as
talk shows and anchored music shows. If recent newspaper reports are
anything to go by, the mobile phone facilitates GPS tracking of your
potential partner in China, arranged marriages in India, and dating in the
U.S. The sexual politics of texting – from flirting to pornography –
invites particular focus given the availability of manufactured
interpersonal messages ready for downloading and transmitting for all
occasions including Valentine’s Day or an ex-lover’s birthday. Even as
individual identities and lives are re-gendered through this micro-medium,
so are national identities and cultures. The feminized ‘Asian nations’ now
appear more tech savvy than the innovator-nations themselves, with users
who embody and expand the potential of the medium, such as the fish
vendors who transmit local market prices to each other using mobile
phones, and the generic Asian girl teen who has become a globally floating
advertising icon for digital technology. In this context, what
specifically are emerging issues of concern to feminist media scholars? We
invite writers to identify emerging areas of research and exploration in
the digital ecology facilitated through mobile phones.
Contributors should follow the Harvard style of reference and
guidelines for submission of manuscripts outlined on our website,
http://www.tandf.co.uk/journals/titles/14680777.asp. The title page of
the manuscript must contain the complete mailing address,
institutional affiliation, and full contact information including
phone and fax numbers of the author(s). Submissions must be saved and e-
mailed as a
Word attachment to both [log in to unmask] and to
[log in to unmask] The deadline for submissions is May 4th, 2007.
Book Reviews
We also welcome reviews up to 1,000 words of books or other media (films,
documentaries, videos) potentially of interest to feminist scholars.
Two books recently received are Gender and Media by Ros Gill, and
Postfeminist Gothic, edited by Benjamin Brabon and Stephanie Genz. Please
get in touch with [log in to unmask] if you are interested in
reviewing either of these books with some details of your expertise.
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